@article{PhilipowskiGlauch2017,
  author    = {Philipowski, Katharina and Glauch, Sonja},
  title     = {Vorarbeiten zur Literaturgeschichte und Systematik vormodernen Ich-Erz{\"a}hlens},
  series = {Von sich selbst erz{\"a}hlen. Historische Dimensionen des Ich-Erz{\"a}hlens},
  journal   = {Von sich selbst erz{\"a}hlen. Historische Dimensionen des Ich-Erz{\"a}hlens},
  editor    = {Glauch, Sonja and Philipowski, Katharina},
  publisher = {Universit{\"a}tsverlag Winter},
  address   = {Heidelberg},
  isbn      = {978-3-8253-6862-3},
  pages     = {1 -- 61},
  year      = {2017},
  language  = {de}
}
@article{Philipowski2017,
  author    = {Philipowski, Katharina},
  title     = {Der Autor als Schwankheld},
  series = {Von sich selbst erz{\"a}hlen. Historische Dimensionen des Ich-Erz{\"a}hlens},
  journal   = {Von sich selbst erz{\"a}hlen. Historische Dimensionen des Ich-Erz{\"a}hlens},
  editor    = {Glauch, Sonja and Philipowski, Katharina},
  publisher = {Universit{\"a}tsverlag Winter},
  address   = {Heidelberg},
  isbn      = {978-3-8253-6862-3},
  pages     = {227 -- 262},
  year      = {2017},
  language  = {de}
}
@article{Philipowski2018,
  author    = {Philipowski, Katharina},
  title     = {Das Ding aus zwei Artefakten oder: Handschriften und ihre Fragmente},
  series = {Objektepistemologien : zur Vermessung eines transdisziplin{\"a}ren Forschungsraums},
  journal   = {Objektepistemologien : zur Vermessung eines transdisziplin{\"a}ren Forschungsraums},
  editor    = {Hilgert, Markus and Hofmann, Kerstin P. and Simon, Henrike},
  publisher = {Edition Topoi},
  address   = {Berlin},
  isbn      = {978-3-9818369-9-8},
  pages     = {263 -- 289},
  year      = {2018},
  language  = {de}
}
@article{Philipowski2018,
  author    = {Philipowski, Katharina},
  title     = {Die deiktische Poetik des Pr{\"a}sens, oder: Wie das ‚jetzt' ein ‚hier' erschafft},
  series = {Narratologie und mittelalterliches Erz{\"a}hlen. Autor, Erz{\"a}hler, Perspektive, Zeit und Raum},
  journal   = {Narratologie und mittelalterliches Erz{\"a}hlen. Autor, Erz{\"a}hler, Perspektive, Zeit und Raum},
  editor    = {von Contzen, Eva and Kragl, Florian},
  publisher = {de Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-056547-8},
  pages     = {165 -- 192},
  year      = {2018},
  language  = {de}
}
@article{Philipowski2019,
  author    = {Philipowski, Katharina},
  title     = {Figur - Mittelalter / Character - Middle Ages},
  series = {Handbuch Historische Narratologie},
  journal   = {Handbuch Historische Narratologie},
  editor    = {von Contzen, Eva and Kragl, Florian},
  publisher = {J.B. Metzler},
  address   = {Berlin},
  isbn      = {978-3-476-04713-7},
  pages     = {116 -- 128},
  year      = {2019},
  language  = {de}
}
@article{Philipowski2019,
  author    = {Philipowski, Katharina},
  title     = {Minne und Sang in lyrischen und narrativen Texten: Minnes{\"a}ngerballaden, Neithart Fuchs und Wartburgkrieg},
  series = {S{\"a}ngerliebe - S{\"a}ngerkrieg : lyrische Narrative im {\"a}sthetischen Ged{\"a}chtnis des Mittelalters und der Neuzeit},
  journal   = {S{\"a}ngerliebe - S{\"a}ngerkrieg : lyrische Narrative im {\"a}sthetischen Ged{\"a}chtnis des Mittelalters und der Neuzeit},
  editor    = {Kropik, Cordula and Immer, Nikolas},
  publisher = {Lang},
  address   = {Berlin},
  isbn      = {978-3-631-77211-9},
  pages     = {35 -- 64},
  year      = {2019},
  language  = {de}
}
@article{Philipowski2019,
  author    = {Philipowski, Katharina},
  title     = {Wider die Bew{\"a}ltigungsthese},
  series = {13. und 14. P{\"o}chlarner Heldenliedgespr{\"a}ch : die Nibelungenklage : R{\"u}diger von Bechelaren},
  journal   = {13. und 14. P{\"o}chlarner Heldenliedgespr{\"a}ch : die Nibelungenklage : R{\"u}diger von Bechelaren},
  editor    = {Keller, Johannes and Kragl, Florian and M{\"u}ller, Stephan},
  publisher = {Fassbaender},
  address   = {Wien},
  isbn      = {978-3-902575-83-8},
  pages     = {113 -- 145},
  year      = {2019},
  language  = {de}
}
@article{Philipowski2019,
  author    = {Philipowski, Katharina},
  title     = {R{\"u}diger und die Gaben},
  series = {13. und 14. P{\"o}chlarner Heldenliedgespr{\"a}ch : die Nibelungenklage : R{\"u}diger von Bechelaren},
  journal   = {13. und 14. P{\"o}chlarner Heldenliedgespr{\"a}ch : die Nibelungenklage : R{\"u}diger von Bechelaren},
  editor    = {Keller, Johannes and Kragl, Florian and M{\"u}ller, Stephan},
  publisher = {Fassbaender},
  address   = {Wien},
  isbn      = {978-3-902575-83-8},
  pages     = {313 -- 346},
  year      = {2019},
  language  = {de}
}
@article{Philipowski2020,
  author    = {Philipowski, Katharina},
  title     = {„Wer sich selbst erniedrigt, will erh{\"o}ht werden."},
  series = {Zeitschrift f{\"u}r deutsches Altertum und deutsche Literatur (ZfdA), Beihefte = Rudolf von Ems : Beitr{\"a}ge zu Autor, Werk und {\"U}berlieferung / K{\"o}ssinger, Norbert; Manuwald, Henrike; M{\"u}ller, Stephan (Hrsg.)},
  journal   = {Zeitschrift f{\"u}r deutsches Altertum und deutsche Literatur (ZfdA), Beihefte = Rudolf von Ems : Beitr{\"a}ge zu Autor, Werk und {\"U}berlieferung / K{\"o}ssinger, Norbert; Manuwald, Henrike; M{\"u}ller, Stephan (Hrsg.)},
  number    = {29},
  editor    = {Krotz, Elke and K{\"o}ssinger, Norbert and Manuwald, Henrike and M{\"u}ller, Stephan},
  publisher = {Hirtzel},
  address   = {Stuttgart},
  isbn      = {978-3-7776-2679-6},
  pages     = {63 -- 88},
  year      = {2020},
  language  = {de}
}
@misc{Philipowski2020,
  author    = {Philipowski, Katharina},
  title     = {Medieval Forms of First-Person Narration I},
  series = {Beitr{\"a}ge zur medi{\"a}vistischen Erz{\"a}hlforschung},
  volume    = {8},
  journal   = {Beitr{\"a}ge zur medi{\"a}vistischen Erz{\"a}hlforschung},
  number    = {Special Issue},
  editor    = {Philipowski, Katharina},
  publisher = {University of Oldenburg Press},
  address   = {Oldenburg},
  issn      = {2568-9967},
  doi       = {10.25619/BmE_H202038},
  url       = {http://nbn-resolving.de/https://ojs.uni-oldenburg.de/ojs/index.php/bme/issue/view/13},
  pages     = {221},
  year      = {2020},
  abstract  = {In many European vernacular literatures in the 13th and 16th centuries, texts with remarkable congruities clearly emerge. They are allegorical, their subject is worldly love, and they use the first person as their narrative form. The most popular would be the French ›Roman de la Rose‹, the Italian ›Vita Nuova‹ by Dante or the Spanish ›Libro de buen amor‹. German examples are the ›Minnelehre‹ by Johann of Constance or the anonymous ›Minneburg‹. Until now such texts have been classified as (Dream-) allegories, as courtly love (Minne) speeches, or also as (fictional or stylized) autobiographies. As a result, they have rarely, if ever, been compared with each other. The goal of our conferences is to facilitate interdisciplinary exchanges regarding these texts, especially as concerns poetological, narrative, and allegorical dimensions.},
  language  = {mul}
}
@article{Philipowski2021,
  author    = {Philipowski, Katharina},
  title     = {Konrads ›Klage der Kunst‹ im Kontext von Sangspruchdichtung und allegorischem Ich-Erz{\"a}hlen},
  series = {Konrad von W{\"u}rzburg als Erz{\"a}hler},
  volume    = {10},
  journal   = {Konrad von W{\"u}rzburg als Erz{\"a}hler},
  number    = {Themenheft},
  publisher = {University of Oldenburg Press},
  address   = {Oldenburg},
  issn      = {2568-9967},
  doi       = {10.25619/BmE20214131},
  url       = {http://nbn-resolving.de/https://ojs.uni-oldenburg.de/ojs/index.php/bme/article/view/131},
  pages     = {57 -- 79},
  year      = {2021},
  abstract  = {Die ›Klage der Kunst‹ Konrads wird auf dem Hintergrund und in Bezug zur Sangspruchdichtung sowie der Textfamilie allegorischer Erz{\"a}hlungen in der ersten Person untersucht. W{\"a}hrend Strophik, Sangbarkeit und kunst-Thematik das Werk in den Kontext der Sangspruchdichtung r{\"u}cken, stellt es sich durch seinen Umfang, seine Narrativit{\"a}t und das Erz{\"a}hltempus, das die Handlung zwar nicht dominiert, aber rahmt, an die Seite erster fr{\"u}her Erz{\"a}hlexperimente, die Dialog, Streit oder Rede als erlebte Erfahrung eines Ich pr{\"a}sentieren wie das ›Frauenbuch‹ Ulrichs von Liechtenstein, das aber - {\"a}hnlich wie Konrads ›Klage der Kunst‹ - zu seiner Zeit offenbar nur m{\"a}ßig erfolgreich, jedenfalls nur unikal {\"u}berliefert, ist. Konrad scheint der erste zu sein, der in der h{\"o}fischen Literatur das Erz{\"a}hlen in der ersten Person mit Allegorizit{\"a}t verkn{\"u}pft. Er nutzt dieses neue und in der sp{\"a}teren Literatur so {\"u}beraus fruchtbare Erz{\"a}hlformat geschickt, um seine eigene literarische Meisterschaft unter anderem in den Gestalten von wildekeit und kunst unter Beweis zu stellen, zu thematisieren und szenisch zu verhandeln.},
  language  = {de}
}
@article{Philipowski2021,
  author    = {Philipowski, Katharina},
  title     = {Experience and poetology in allegorical love autobiographies},
  series = {Medieval Forms of First-Person Narration: A Potentially Universal Format (Villa Vigoni Talks I)},
  volume    = {8},
  journal   = {Medieval Forms of First-Person Narration: A Potentially Universal Format (Villa Vigoni Talks I)},
  number    = {Special Issue},
  editor    = {Philipowski, Katharina},
  publisher = {University of Oldenburg Press},
  address   = {Oldenburg},
  issn      = {2568-9967},
  doi       = {10.25619/BmE_H202038},
  url       = {http://nbn-resolving.de/https://ojs.uni-oldenburg.de/ojs/index.php/bme/article/view/75/136},
  pages     = {1 -- 27},
  year      = {2021},
  abstract  = {Im Hochmittelalter entstehen Erz{\"a}hlungen, die etablierte literarische Formen und Traditionen neu verbinden: Sie sind volkssprachig, allegorisch und verwenden als Erz{\"a}hlform die erste Person, um in dieser Kombination, die sich zu einem die Grenzen der Einzelsprachen {\"u}berschreitenden Erz{\"a}hl-Format verfestigt, unterschiedlichste Themen aufzugreifen. Dieses Format, erstmals realisiert im altfranz{\"o}sischen Roman de la Rose, wird die europ{\"a}ische Literatur mit Texten wie Dantes Divina Comedia, Guillaumes de Deguileville P{\`e}lerinage de la Vie Humaine, William Langlands Pierce Plowman und Christines de Pizan Le Livre de la mutation de Fortune bis weit in die Neuzeit hinein pr{\"a}gen. Der in den Band einleitende Beitrag geht der Frage nach, ob das narrative Format dabei universell verwendet wird oder, z.B. im Rahmen der Liebesdichtung, spezifische Besonderheiten aufweist.},
  language  = {en}
}
@article{PhilipowskiZeman2022,
  author    = {Philipowski, Katharina and Zeman, Sonja},
  title     = {Wann und wo ist n{\^u}?},
  series = {Beitr{\"a}ge zur Geschichte der deutschen Sprache und Literatur : (PBB)},
  volume    = {144},
  journal   = {Beitr{\"a}ge zur Geschichte der deutschen Sprache und Literatur : (PBB)},
  number    = {1},
  publisher = {De Gruyter},
  address   = {Berlin},
  issn      = {0005-8076},
  doi       = {10.1515/bgsl-2022-0004},
  pages     = {92 -- 120},
  year      = {2022},
  abstract  = {What are the narrative functions of the present tense in medieval narrations? In order to address this question, the paper brings together linguistic observations on tense semantics and a literary analysis of >Wilhalm von Wenden< by Ulrich von Etzenbach. It shows that the present tense can refer to three different kinds of >now<, i. e. the >discourse now<, the >story now<, and the >recipient's now<. In all three contexts, the present tense is not used as a narrative tense but rather indicates a speaker's voice commenting on the events. This leads to the hypothesis that the development of the >narrative present< (as common in modern novels) is based on two requirements: The decoupling between the >discourse now< and the diegetic world as well as the decoupling between the author and the fictional instance of the narrator.},
  language  = {de}
}
@article{Philipowski2022,
  author    = {Philipowski, Katharina},
  title     = {Einf{\"u}hrende Bemerkungen zu Diskursivit{\"a}t und Narrativit{\"a}t},
  series = {Medieval Forms of First-Person Narration: Narrativity and Discoursivity (Villa Vigoni Talks II)},
  volume    = {14},
  journal   = {Medieval Forms of First-Person Narration: Narrativity and Discoursivity (Villa Vigoni Talks II)},
  number    = {Special Issue},
  editor    = {Philipowski, Katharina},
  publisher = {University of Oldenburg Press},
  address   = {Oldenburg},
  issn      = {2568-9967},
  doi       = {10.25619/BmE20225222},
  url       = {http://nbn-resolving.de/https://ojs.uni-oldenburg.de/ojs/index.php/bme/article/view/222},
  pages     = {1 -- 12},
  year      = {2022},
  language  = {de}
}
@misc{Philipowski2022,
  author    = {Philipowski, Katharina},
  title     = {Medieval Forms of First-Person Narration II},
  series = {Beitr{\"a}ge zur medi{\"a}vistischen Erz{\"a}hlforschung},
  volume    = {14},
  journal   = {Beitr{\"a}ge zur medi{\"a}vistischen Erz{\"a}hlforschung},
  number    = {Special Issue},
  editor    = {Philipowski, Katharina},
  publisher = {University of Oldenburg Press},
  address   = {Oldenburg},
  issn      = {2568-9967},
  doi       = {10.25619/BmE_H20225},
  url       = {http://nbn-resolving.de/https://ojs.uni-oldenburg.de/ojs/index.php/bme/issue/view/24},
  pages     = {128},
  year      = {2022},
  abstract  = {One of the central features that medieval narratives in the first person have in common is their specific structure. Most of them are not continuously and coherently narrative, but in most cases include long discursive sections or textual elements such as letters, prayers, songs, or dialogues. The classification of these texts as narrative literature is thus anything but self-evident. The contributions to this volume examine how first-person discursivity and narrativity interact in French, German, and Italian narratives, what interrelation exists between the first-person narrative stance and discursivity, and how the literary forms of narrativity and discursivity (each of which is assigned a specific tense, namely the past tense and the present tense) relate to each other.},
  language  = {mul}
}