@article{Matz2022, author = {Matz, Alicia}, title = {Quis enim laesos impune putaret esse deos?: Ents, Sacred Groves, and the Cost of Desecration}, series = {thersites 15}, volume = {2022}, journal = {thersites 15}, number = {15}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol15.215}, pages = {204 -- 231}, year = {2022}, abstract = {Seneca the Younger, in his Letters, describes a sacred grove as a "thick grove of ancient trees which rise far above the usual height and block the view of the sky with their umbrella of intertwining branches" (Seneca the Younger, Letters 41.3). Fangorn Forest is clearly a sacred site as defined by Seneca, made even more sacred by the presence of the Ents. Thus, to violate it would be a terrible act of desecration, not unlike Lucan's narrator's shock at Caesar's desecration of the sacred grove at Massilia (Lucan BC 3.447 - 8, quoted in the title of this paper). After exploring the relationship between Ents and sacred groves, the paper will compare the fate of Caesar to that of Saruman, who violated Fangorn Forest. Just as Augoustakis (2006) argues that the violation of the grove foreshadows Caesar's death, so too Saruman's death at the hands of Wormtongue becomes a fitting punishment for his violation of Fangorn.}, language = {en} } @article{ChinnThompson2022, author = {Chinn, Christopher and Thompson, Phoebe}, title = {Tolkien's Ithilien and the Landscape of the Ancient Mediterranean}, series = {thersites 15}, volume = {2022}, journal = {thersites 15}, number = {15}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol15.211}, pages = {163 -- 203}, year = {2022}, abstract = {This paper examines the intertext between Tolkien's Ithilien episode in Two Towers and artistic presentations of plants in the art and literature of Augustan Rome. We argue that the evident 'superbloom' depicted in the ekphrasis of the flora of Ithilien recalls both Vergilian botanical adynata (especially in the Georgics) and Roman wall paintings of the Augustan period.}, language = {en} } @article{Oughton2022, author = {Oughton, Charles W.}, title = {Roman Heroes at Helm's Deep?}, series = {thersites 15}, volume = {2022}, journal = {thersites 15}, number = {15}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol15.214}, pages = {123 -- 162}, year = {2022}, abstract = {This article analyzes Tolkien's narrative of the Battle of Helm's Deep as a retelling of the Horatius Cocles episode from Livy's AUC, which contains descriptions of the defenses and the bridge, a rally encouraged by Horatius, his bold stand both with his companions and alone, and the honors paid to him after the battle. Tolkien's Battle of Helm's Deep contains the same elements split across two narratives: the defense of the causeway leading to the gates of the Deep by Aragorn, {\´E}omer, and Gimli; and, after the fall of the Deeping wall, Aragorn's defiant stand alone on the stairway leading to the inner doors of the Hornburg. Aragorn's double action demonstrates a fulfillment of Livy's exemplary arc. Tolkien's knowledge of Macaulay's "Horatius" provides a possible intermediary that accounts for various additions to the story. However, the larger structure of Tolkien's narrative as well as the imagery that resonates throughout the text distinctly evoke the vivid descriptions of Livy. While both sets of heroes make brave stands against their enemies, Tolkien's warriors represent a civilizing force in their efforts to build and restore their defenses while Livy's Roman heroes destroy the bridge to save their state.}, language = {en} } @article{Kambo2022, author = {Kambo, Kevin}, title = {Platonic Tripartition and the Peoples of Middle-Earth}, series = {thersites 15}, volume = {2022}, journal = {thersites 15}, number = {15}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol15.219}, pages = {90 -- 122}, year = {2022}, abstract = {Tolkien's The Hobbit and The Lord of the Rings employ traditional races from fairy tales: elves, men and dwarves. These peoples are differentiated principally by their dominant desires, but also by their speech, diet, and realms. I argue that these three races are significantly inspired by the three aspects that characterize the Republic's tripartite soul—logistikon, thumoeides, and epithumetikon—along with their respective principal desires: desire for truth, greatness, and material goods. For Tolkien, therefore, these races have a corporate or political psychology that explains who they are as peoples in the history of Middle-earth. I offer a comprehensive view of the major races, connecting the dwarves with the appetitive artisans of the Republic, humans with the honour- and glory-seeking auxiliaries, and elves with the ruling guardians. This treatment explains the artisanal dwarves, as well as the battle-loving men (and women) of Rohan and Gondor, and the nostalgic, 'anamnetic' condition of exile that distinguishes the elves. Indeed, the condition of elves in many descriptions recalls a Platonic philosopher returned to the Cave, as well as the Neo-Platonic sagacity pictured in the biographies of Plotinus and Proclus.}, language = {en} } @article{Capra2022, author = {Capra, Elena Sofia}, title = {"Orfeo out of Care"}, series = {thersites 15}, volume = {2022}, journal = {thersites 15}, number = {15}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol15.209}, pages = {52 -- 89}, year = {2022}, abstract = {The paper focuses on an example of multiple-step reception: the contribution of the classical story of Orpheus and Eurydice and the mediaeval lay Sir Orfeo to Tolkien's work. In the first part, I compare the lay with Virgilian and Ovidian versions of Orpheus' myth. This comparison shows the anonymous author's deep knowledge of the ancient texts and complex way of rewriting them through stealing and hybridization. The lay was highly esteemed by Tolkien, who translated it and took inspiration from it while describing the Elven kingdom in The Hobbit and building the storyline of Beren and L{\´u}thien in The Silmarillion. Through this key tale, Orpheus/Orfeo's romance has a deep influence also on Aragorn and Arwen's story in The Lord of the Rings. The most important element that Tolkien takes from the Sir Orfeo figuration of the ancient story is undoubtedly the insertion of political theme: the link established between the recovery of the main character's beloved and the return to royal responsability. The second part of the paper is, thus, dedicated to the reception of Sir Orfeo and the classical myth in Tolkien. It shows how in his work the different steps of the tradition of Orpheus' story are co-present, creating an inextricable substrate of inspiration that nourishes his imagination.}, language = {en} } @article{Pezzini2022, author = {Pezzini, Giuseppe}, title = {(Classical) Narratives of Decline in Tolkien: Renewal, Accommodation, Focalisation}, series = {thersites 15}, volume = {2022}, journal = {thersites 15}, number = {15}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol15.213}, pages = {25 -- 51}, year = {2022}, abstract = {The paper investigates Tolkien's narratives of decline through the lens of their classical ancestry. Narratives of decline are widespread in ancient culture, in both philosophical and literary discourses. They normally posit a gradual degradation (moral and ontological) from an idealized Golden Age, which went hand-in-hand with increasing detachment of gods from mortal affairs. Narratives of decline are also at the core of Tolkien's mythology, constituting yet another underresearched aspect of classical influence on Tolkien. Such Classical narratives reverberate e.g. in Tolkien's division of Arda's history into ages, from an idealized First Age filled with Joy and Light to a Third Age, described as "Twilight Age (…) the first of the broken and changed world" (Letters 131). More generally, these narratives are related to Tolkien's notorious perception of history as a "long defeat" (Letters 195) and to that "heart-racking sense of the vanished past" which pervades Tolkien's works - the emotion which, in his words, moved him "supremely" and which he found "small difficulty in evoking" (Letters 91). The paper analyses the reception of narratives of decline in Tolkien's legendarium, pointing out similarities but also contrasts and differences, with the aim to discuss some key patterns of (classical) reception in Tolkien's theory and practice ('renewal', 'accommodation', 'focalization').}, language = {en} } @article{Cristini2022, author = {Cristini, Marco}, title = {The Fall of Two Cities: Troy and Gondolin}, series = {thersites 15}, volume = {2022}, journal = {thersites 15}, number = {15}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, doi = {10.34679/thersites.vol15.200}, pages = {1 -- 24}, year = {2022}, abstract = {Vergil was a fundamental source of inspiration for Tolkien, not only when writing the Lord of the Rings, but also at the beginning of his "world-building". The Fall of Gondolin, written in 1916, was modeled upon the Aeneid, whose second book shares many similarities with the description of Gondolin's last day. For instance, the attack that seals the fate of the city takes place during a feast in both works, whereas both protagonists (Aeneas and Tuor) leave wives and sons to fight the enemy and witness deaths of their kings (Priam/Turgon). Other analogies include the topos of the fall of the tallest tower of the city as well as the scenes of Creusa/Idril clasping the knees of her husband and begging him not to go back to the battle. Tolkien chose the Aeneid as his main model because, in his opinion, the Aeneid and The Fall of Gondolin evoked the air of antiquity and melancholy. Vergil's nostalgia for a "lost world" conveyed in the Aeneid greatly resembles the nostalgia pervading both Tolkien's writing and life.}, language = {en} } @article{MatzPaprocki2022, author = {Matz, Alicia and Paprocki, Maciej}, title = {There and Back Again: Tolkien and Greco-Roman Antiquity}, series = {thersites 15}, volume = {2022}, journal = {thersites 15}, number = {15}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol15.228}, pages = {i -- xii}, year = {2022}, abstract = {The following introduction sketches the status questionis of the research on the influence of Greco-Roman antiquity on the works of Tolkien and provides details about the volume's theoretical impetus and its broad themes. The editors discuss Tolkien's complicated and indirect relationship with classical models, underscoring certain emergent themes in volume's contributions, such as decline, multifocal reception and relationship with nature.}, language = {en} } @article{Wyrwa2017, author = {Wyrwa, Ulrich}, title = {Zum Hundertsten nichts Neues}, series = {Deutsche Zeitschrift f{\"u}r Geschichtswissenschaft}, volume = {65}, journal = {Deutsche Zeitschrift f{\"u}r Geschichtswissenschaft}, number = {11}, publisher = {Metropol-Verl.}, address = {Berlin}, issn = {0044-2828}, pages = {955 -- 976}, year = {2017}, language = {de} } @article{Renault2021, author = {Renault, Manon}, title = {Antiquit{\´e}s et pop cultures dans la haute couture et le pr{\^e}t-{\`a}-porter des ann{\´e}es 2010}, series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, volume = {2021}, journal = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, number = {13}, editor = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, doi = {10.34679/thersites.vol13.149}, pages = {125 -- 140}, year = {2021}, abstract = {From the fluid dresses woven from precious materials evoking the iconic statues of Antiquity to the revival of Spartan shoes, two emblematic fashion trends will help us study the place of Greek Antiquity in contemporary women's fashion collections. Ordinary as well as extraordinary, what do these reminiscences tell? Can they permit to understand the boundaries that structure and govern the fashion's worlds? Numerous and diverse, the differences and the similarities of the ways in which classical references are used allow us to study the relations of power in which the specificities of haute couture and ready-to-wear are defined. The values, the entry criteria, the operating hierarchies as well as the very acceptance of the word "fashion" are different from one environment to another. From the catwalks of big fashion houses on Avenue Montaigne such as Chanel to the youngest brands, the differentiated readings and uses of Antiquity raise the question of the symbolic value of classics in fashion.}, language = {fr} } @article{D'Aprile2022, author = {D'Aprile, Iwan-Michelangelo}, title = {Post aus Felsenburg}, series = {300 Jahre "Robinson Crusoe" : ein Weltbestseller und seine Rezeptionsgeschichte}, journal = {300 Jahre "Robinson Crusoe" : ein Weltbestseller und seine Rezeptionsgeschichte}, publisher = {de Gruyter}, address = {Berlin}, isbn = {978-3-11-077606-5}, doi = {10.1515/9783110776195-008}, pages = {145 -- 166}, year = {2022}, abstract = {2019 j{\"a}hrte sich das Erscheinen von Defoes Robinson Crusoe zum 300. Mal. Zu diesem Anlass fand am Zentrum f{\"u}r Buchwissenschaft der LMU M{\"u}nchen eine Tagung statt, bei der buchhandelsgeschichtliche Kontexte des Romans dargelegt, neue Interpretationen diskutiert sowie die Rezeption des Robinson Crusoe untersucht wurden. In der Einleitung des Sammelbandes legt Christine Haug dar, unter welchen presse- und buchgeschichtlichen Voraussetzungen sich Daniel Defoe im fr{\"u}hkapitalistischen London als Bestsellerautor und politischer Journalist etablieren konnte. Die folgenden Beitr{\"a}ge behandeln motivgeschichtliche, {\"o}konomische, kultur- und rechtsgeschichtliche Aspekte des Robinson Crusoe (Oliver Bach, Anne Enderwitz, Hania Siebenpfeiffer, Daniel Syrovy), befassen sich mit der Gattung der Robinsonade ( Iwan Michelangelo d'Aprile, Norbert Bachleitner, Wolfram Malte Fues, Wynfrid Kriegleder), mit jugendliterarischen Bearbeitungen des Stoffes (Andrew O`Malley, Peter Pohl, Hans-Heino Ewers) und mit der Robinson-Rezeption in der Lyrik und im Roman des 19. und 20. Jahrhunderts (Bill Bell, Daniela Jancs{\´o}). Der vorliegende Sammelband geh{\"o}rt zu den wenigen neuen Neuerscheinungen, die zum Robinson-Jahr ver{\"o}ffentlicht wurden. Erstmals wird darin im deutschsprachigen Raum die aktuelle internationale Forschung zu Defoe ausf{\"u}hrlich dargestellt und mit einer innovativen Sicht auf den in Entstehung begriffenen globalen Buchmarkt verbunden.}, language = {de} } @article{CarlaUhinkFreitag2022, author = {Carl{\`a}-Uhink, Filippo and Freitag, Florian}, title = {Theme Park Imitations}, series = {Cultural History}, volume = {11}, journal = {Cultural History}, number = {2}, publisher = {Edinburgh University Press}, address = {Edinburgh}, issn = {2045-290X}, doi = {10.3366/cult.2022.0267}, pages = {181 -- 198}, year = {2022}, abstract = {Theme parks frequently draw not only on historical themes, from antiquity to the roaring twenties, but also on their own history - that is, the history of the medium of the theme park itself. This article uses the example of the Happy World ride at Happy Valley Beijing (China) to discuss theme park imitations, that is, the fact that theme parks frequently borrow individual elements (themes, technologies, visuals, layouts, names) and/or entire units (rides, restaurants, themed areas) from each other. Opened in 2014 in the Greek-themed Aegean Harbour section of Happy Valley Beijing, Happy World may upon first sight look like an almost exact copy of Disney's 'it's a small world' (opened at Disneyland in California in 1966) but turns out to be, upon closer examination, a complex refunctionalization of central elements of 'it's a small world' that establishes meaningful connections between (ancient) Greece and the city of Beijing via the theme of the Olympic Games: drawing on the origins of 'it's a small world' in the 1964-5 New York World's Fair and the latter's motto of 'Peace through Understanding', Happy World takes visitors on a journey from the ancient Olympiad to contemporary Beijing (the site of the 2008 Summer and the 2022 Winter Olympic Games) to offer a theme park rendition of the 2008 Olympic torch relay as an homage to 'the spirit [of peace, respect, and friendship] in the people's [sic] of the world'.}, language = {en} } @article{Gloeckner2022, author = {Gl{\"o}ckner, Olaf}, title = {Trauma, Sieger, Selbstbehauptung}, series = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps}, journal = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps}, publisher = {Hentrich und Hentrich Verlag Berlin}, address = {Berlin}, isbn = {978-3-95565-541-9}, pages = {117 -- 122}, year = {2022}, language = {de} } @article{Kotowski2022, author = {Kotowski, Elke-Vera}, title = {Die Geschichte als Sinngebung ...}, series = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps}, journal = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps}, publisher = {Hentrich und Hentrich Verlag Berlin}, address = {Berlin}, isbn = {978-3-95565-541-9}, pages = {79 -- 84}, year = {2022}, language = {de} } @article{Homolka2022, author = {Homolka, Walter}, title = {Konvergenzen: Rationale Theologie als Moment christlich-j{\"u}discher Ann{\"a}herung}, series = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps}, journal = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps}, publisher = {Hentrich und Hentrich Verlag Berlin}, address = {Berlin}, isbn = {978-3-95565-541-9}, pages = {49 -- 57}, year = {2022}, language = {de} } @article{Martykanova2017, author = {Martykanova, Darina}, title = {A Gateway to the World}, series = {Diasporas : circulations, migrations, histoire}, volume = {29}, journal = {Diasporas : circulations, migrations, histoire}, publisher = {Presses Universitaires du Midi}, address = {Toulouse}, issn = {1637-5823}, doi = {10.4000/diasporas.718}, pages = {33 -- 51}, year = {2017}, abstract = {In the second half of the 19th century, the French {\´E}cole centrale des arts et manufactures became one of the engineering schools that enjoyed a worldwide reputation. There were many foreigners among its students. This article focuses on the graduates born in the Ottoman Empire, particularly on Jews and Armenians. It analyses their backgrounds, their common features and their professional careers, tracing their links with other centraliens. The patterns in the Ottoman centraliens' professional trajectories help us picture a world full of opportunities where highly qualified men could cross borders and build careers with ease, but where, at the same time, origins, allegiances, contacts and credentials mattered greatly.}, language = {en} } @article{Ruerup2021, author = {R{\"u}rup, Miriam}, title = {Kommentar zum Beitrag von Marion R{\"o}wekamp}, series = {Emanzipation und Recht : Zur Geschichte der Rechtswissenschaft und der j{\"u}dischen Gleichberechtigung}, journal = {Emanzipation und Recht : Zur Geschichte der Rechtswissenschaft und der j{\"u}dischen Gleichberechtigung}, publisher = {Klostermann}, address = {Frankfurt am Main}, isbn = {978-3-465-04535-9}, issn = {1610-6040}, pages = {197 -- 204}, year = {2021}, language = {de} } @article{Boesch2017, author = {B{\"o}sch, Frank}, title = {Taming Nuclear Power}, series = {German history : the journal of the German History Societ}, volume = {35}, journal = {German history : the journal of the German History Societ}, number = {1}, publisher = {Oxford Univ. Press}, address = {Oxford}, issn = {0266-3554}, doi = {10.1093/gerhis/ghw143}, pages = {71 -- 95}, year = {2017}, abstract = {In 2011 a broad majority in the German Federal Parliament voted to abandon nuclear energy. This article explores the origins of the change in attitude towards nuclear energy and argues that seven years before the Chernobyl disaster, the accident at the U.S. power plant Three Mile Island near Harrisburg, Pennsylvania, in 1979, had a profound impact which nowadays seems to be largely forgotten in Europe. The article identifies the structural causes underlying the transnational reception of the Three Mile Island accident and explores international reactions, particularly in the Federal Republic of Germany. The accident near Harrisburg led to a loss of public confidence and created unease about nuclear expansion in many industrialized nations. Reactions to the accident can be understood as an attempt to tame nuclear energy both technically, by increasing safety measures and abandoning plans for new nuclear power stations, and politically, with a more critical appraisal of nuclear energy and with semantics that encouraged a long-term withdrawal from nuclear power. Critics were now also accepted as experts. Nuclear policy in all countries became closely dependent on public opinion, indicating a high level of political responsiveness. Various factors, however, including the contemporaneous oil crisis put the brakes on this critical approach to nuclear power, while safety improvements and the limited expansion of nuclear power created new confidence in the early 1980s.}, language = {en} } @article{AltieriKessler2022, author = {Altieri, Riccardo and Keßler, Mario}, title = {Arbeiterbewegung, Antisemitismus und j{\"u}dische Emanzipation}, series = {J{\"u}disches Leben in Deutschland}, journal = {J{\"u}disches Leben in Deutschland}, publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung}, address = {Bonn}, isbn = {978-3-7425-0799-0}, pages = {82 -- 92}, year = {2022}, language = {de} } @article{Goertemaker2021, author = {G{\"o}rtemaker, Manfred}, title = {Die aktuelle geschichtspolitische Debatte und die Kommission des Bundesministeriums der Justiz}, series = {Aufarbeitung des Nationalsozialismus : ein Kompendium}, journal = {Aufarbeitung des Nationalsozialismus : ein Kompendium}, publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung}, address = {Bonn}, isbn = {978-3-7425-0772-3}, pages = {455}, year = {2021}, language = {de} } @article{DixKlohr2022, author = {Dix, Sophie and Klohr, Silvia}, title = {Ein studentischer Bericht zur Tagung „IMAGINES VII: PLAYFUL CLASSICS" (05. - 06. 03. 2021)}, series = {thersites 14}, volume = {2022}, journal = {thersites 14}, number = {14}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol14.193}, pages = {141 -- 151}, year = {2022}, abstract = {In March 2021, the IMAGINES Project - an international and interdisciplinary research network for the modern reception of antiquity in the visual and performing arts - held their seventh conference online. The event focused on PLAYFUL CLASSICS, and was hosted from G{\"o}ttingen University by the organizers Juliette Harrisson, Antje Kuhle and Martin Lindner. The keynote by Dunstan Lowe on „The Danger of Seriousness: Play and the Future of Classics" outlined the potential of researching classical reception as a creative process. The following sections brought this to life with in-depth treatments of the underlying mechanics of constructing and deconstructing, playful learning, the „Faces of Antiquity", forms of interaction and national/nationalistic traditions. The programme combined scholarly contributions with presentations and workshops by various artists and open discussion elements. The shift to an online format allowed the participation of an unusually international audience, while the interactive elements - including a thematic game as a continuous side event - especially encouraged a large number of students to participate actively. Therefore, this conference report will not just summarize the content of the event, but also provide a student perspective on attending a conference on classical reception - a research area which is mostly neglected in the teaching curriculum.}, language = {de} } @article{Hanisch2022, author = {Hanisch, Xenia}, title = {Demagogen dichten}, series = {thersites 14}, volume = {2022}, journal = {thersites 14}, number = {14}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol14.201}, pages = {121 -- 140}, year = {2022}, abstract = {Manipulative rhetoric is a common issue in ancient sources. As the issue of political populism and rhetoric still attracts a high degree of interest among a wide range of people, the author, a singer-songwriter, attempts to 'revive' these ancient sources and to adapt them into a lyrical/musical format for modern audiences, in order to test different strategies of manipulation and gauge the reactions of modern audiences. The following article describes the process of adapting and performing two of these experiments, as well as the results and feedback from audiences. The ancient case studies chosen for this are Thucydides' description of how Alcibiades lead the Athenians into a fatal expedition to Sicily, and Xenophon's blames of two public orators for executing Athenian generals after the battle of Arginusae through their manipulative speeches.}, language = {de} } @article{UncetaGomezCarlaUhinkFreitag2022, author = {Unceta G{\´o}mez, Luis and Carl{\`a}-Uhink, Filippo and Freitag, Florian}, title = {De h{\´e}roes y efebos. El mundo cl{\´a}sico en la fotograf{\´i}a de desnudo masculino contempor{\´a}neo. Entrevista a Carmelo Bl{\´a}zquez}, series = {thersites 14}, volume = {2022}, journal = {thersites 14}, number = {14}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol14.208}, pages = {103 -- 120}, year = {2022}, abstract = {Entrevista a Carmelo Bl{\´a}zquez, fot{\´o}grafo especializado en fotograf{\´i}a de desnudo masculino, que trabaja con motivos y modelos procedentes de la Antig{\"u}edad grecolatina.}, language = {es} } @article{Brueck2022, author = {Br{\"u}ck, Alexander}, title = {„Rom lernt von den Griechen, Europa von Rom"}, series = {thersites 14}, volume = {2022}, journal = {thersites 14}, number = {14}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol14.198}, pages = {41 -- 102}, year = {2022}, abstract = {Given the immense ethnic and cultural diversity as well as the vast geographical dimensions of the Roman Empire, the teaching of Roman antiquity comprises an enormous potential to deal with the increasing heterogeneity in German-speaking classrooms. This article aims to show how the majority of contemporaneous Latin textbooks, however, fail to use this potential by being limited to mono-perspective and Eurocentric approaches to the ancient world. In spite of didactical claims to foster students' intercultural competence, most of the textbooks depict the city of Rome as an ethnically and culturally homogeneous sphere. At the same time, they present the Roman Empire nearly exclusively from the perspective of representatives of Italian-born, powerful upper-class families firmly connected to 'Roman' culture. In doing so, the Latin textbooks falsify the ancient historical realities and deprive students of the perspectives of figures like provincials or slaves. Furthermore, the textbooks' narrative scope clearly focusses on Rome and Greece, still paying noticeable attention to West-European provinces, with the African and Asian ones being remarkably excluded. Only few exceptions among the textbooks apply alternative approaches which allow students to engage with the Roman Empire's intercultural dynamics in a more differentiated and multi-perspective way.}, language = {de} } @article{Cromwell2022, author = {Cromwell, Jennifer}, title = {From Pyramids to Obscure Gods}, series = {thersites 14}, volume = {2022}, journal = {thersites 14}, number = {14}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol14.199}, pages = {1 -- 40}, year = {2022}, abstract = {Within Persona 5's modern Tokyo setting, imagined worlds are created that represent the cognitive processes of various characters. These 'palaces' allow the player to explore locations far removed from the game's real-world, contemporary backdrop. One episode creates an ancient Egyptian world. This article examines how this world has been produced and the different transmedial tropes and other influences that its developers have drawn upon. Many references are recognisable to a broad audience (pyramids, gods, hieroglyphs), while others reflect Japanese pop-cultural trends (in various manga and anime), including the mention of an obscure Egyptian god, Medjed. The intentionally fictitious nature of these 'palaces' means that the Egypt that appears in this game is not bound by the need to replicate an 'accurate' landscape. Instead, the developers were free to design a gamescape that combines multiple and diverse receptions of ancient Egypt.}, language = {en} } @article{Gaertner2018, author = {G{\"a}rtner, Ursula}, title = {nempe exemplis discimus}, series = {Antike Erz{\"a}hl- und Deutungsmuster : Zwischen Exemplarit{\"a}t und Transformation}, volume = {374}, journal = {Antike Erz{\"a}hl- und Deutungsmuster : Zwischen Exemplarit{\"a}t und Transformation}, publisher = {De Gruyter}, address = {Berlin}, isbn = {978-3-11-061251-6}, issn = {1616-0452}, doi = {10.1515/9783110612516-022}, pages = {455 -- 472}, year = {2018}, abstract = {'Tradition' and 'example' are key concepts of the ancient fable. The fable has not only developed a literary tradition of its own, but from the beginning, it was also used as a rhetorical device, the exemplum. A diachronic overview of the genre and especially the use of the fable as exemplum reveals that Phaedrus adapts these terms in a new and ingenious way. In a case study of fable 3.9 this paper demonstrates how the fable finds its place in the literary tradition of the motif, how Socrates is presented as a model for the poet's persona and how an intricate network of inter- and intratextual references is established between Socrates, Aesop, Phaedrus, and his potential successors. The subtle irony of the poet is particularly evident in the gradual development of the poet's persona into a caricature, but the message of the fable itself remains unaffected: the value of true friendship.}, language = {en} } @article{AscheBrechenmacher2022, author = {Asche, Matthias and Brechenmacher, Thomas}, title = {Auswahlbibliographie zur berlin-brandenburgischen Immigrationsgeschichte}, series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, journal = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-506-4}, doi = {10.25932/publishup-54689}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546899}, pages = {251 -- 262}, year = {2022}, language = {de} } @article{Schenck2022, author = {Schenck, Marcia C.}, title = {Einwanderung aus den ›sozialistischen Bruderl{\"a}ndern‹}, series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, journal = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-506-4}, doi = {10.25932/publishup-54687}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546875}, pages = {225 -- 237}, year = {2022}, language = {de} } @article{Bahl2022, author = {Bahl, Peter}, title = {Belastung und Bereicherung - Vertriebene in Brandenburg ab 1945}, series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, journal = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-506-4}, doi = {10.25932/publishup-54686}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546864}, pages = {209 -- 223}, year = {2022}, language = {de} } @article{Czech2022, author = {Czech, Vinzenz}, title = {Ein- und Binnenwanderungen nach Berlin, Brandenburg und in die Niederlausitz am {\"U}bergang von der Agrar- zur Industriegesellschaft}, series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, journal = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-506-4}, doi = {10.25932/publishup-54683}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546838}, pages = {159 -- 176}, year = {2022}, language = {de} } @article{Goese2022, author = {G{\"o}se, Frank}, title = {Einwanderung und hohenzollernsche Siedlungspolitik in der Kurmark im 18. Jahrhundert}, series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, journal = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-506-4}, doi = {10.25932/publishup-54681}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546814}, pages = {127 -- 138}, year = {2022}, language = {de} } @article{Asche2022, author = {Asche, Matthias}, title = {Know-how f{\"u}r den Hohenzollernstaat}, series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, journal = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-506-4}, doi = {10.25932/publishup-54661}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546612}, pages = {109 -- 125}, year = {2022}, language = {de} } @article{Brechenmacher2022, author = {Brechenmacher, Thomas}, title = {Streng reglementierte Einwanderung}, series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, journal = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-506-4}, doi = {10.25932/publishup-54659}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546593}, pages = {77 -- 93}, year = {2022}, language = {de} } @article{Partenheimer2022, author = {Partenheimer, Lutz}, title = {Die Ansiedlungspolitik der Markgrafen von Brandenburg aus dem Hause der Askanier}, series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, journal = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-506-4}, doi = {10.25932/publishup-54653}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546539}, pages = {49 -- 63}, year = {2022}, language = {de} } @article{AscheBrechenmacher2022, author = {Asche, Matthias and Brechenmacher, Thomas}, title = {Brandenburg und die Migration - thematische Einf{\"u}hrung und chronologische {\"U}bersicht}, series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, journal = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-506-4}, doi = {10.25932/publishup-54651}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546516}, pages = {11 -- 34}, year = {2022}, language = {de} } @article{Scianna2018, author = {Scianna, Bastian Matteo}, title = {Rommel Almighty?}, series = {The Journal of Military History}, volume = {82}, journal = {The Journal of Military History}, number = {1}, publisher = {Society for Military History}, address = {Lexington}, issn = {0899-3718}, pages = {125 -- 145}, year = {2018}, abstract = {Erwin Rommel is by any standard a mythical figure. He has been the subject of countless studies in English and German. However, the "Italian side of the hill" has been largely neglected, despite the fact that the foundation of the myth around him lies in the North African campaign, where, after all, thousands of soldiers of the Italian army fought alongside the african campaign, where, after all, thousands of soldiers of the Italian army fought along-side the Afrika Korps. This article will provide an Italian view of the "Desert Fox," using new primary material that provides insights into Italian assessments during the war. A major source is material gathered by way of eavesdropping by British intelligence on Italian officers held as POWs in Cairo and in England.}, language = {en} } @article{Fischbacher2018, author = {Fischbacher, Thomas}, title = {Ein Werk zweier K{\"u}nstler?}, series = {Zeitschrift f{\"u}r Kunstgeschichte}, volume = {81}, journal = {Zeitschrift f{\"u}r Kunstgeschichte}, number = {2}, publisher = {Deutscher Kunstverlag GMBH}, address = {M{\"u}nchen}, issn = {0044-2992}, pages = {268 -- 281}, year = {2018}, abstract = {The author suggests an attribution for two largely unknown Baroque sculptures inside the Church of St. Peter and Paul at Potsdam. The crucifixus, which has so far not been attributed to an artist, is shown to exhibit parallels to a 1716 work by Paul Egell. It remains unclear, however, whether the Potsdam crucifixus was also created by Egell himself or by Johann Peter Benckert, who congenially completed it in 1763 with a statue of the kneeling Maria Magdalena. The appealing depiction of the saint as an elegant sinner and penitent offers believers various possibilities for identification.}, language = {de} } @article{Sandberg2016, author = {Sandberg, Matthias}, title = {Von der Dem{\"u}tigung zur Demut}, series = {La ca{\´i}da del Imperio Romano : cuestiones historiogr{\´a}ficas}, journal = {La ca{\´i}da del Imperio Romano : cuestiones historiogr{\´a}ficas}, publisher = {Steiner}, address = {Stuttgart}, isbn = {978-3-515-10963-5}, pages = {191 -- 220}, year = {2016}, language = {de} } @article{Barcelo2016, author = {Barcel{\´o}, Pedro}, title = {Ainmianus Marcellinus}, series = {La ca{\´i}da del Imperio Romano : cuestiones historiogr{\´a}ficas}, journal = {La ca{\´i}da del Imperio Romano : cuestiones historiogr{\´a}ficas}, publisher = {Steiner}, address = {Stuttgart}, isbn = {978-3-515-10963-5}, pages = {11 -- 31}, year = {2016}, language = {de} } @article{BehrendsKatzerLindenberger2017, author = {Behrends, Jan C. and Katzer, Nikolaus and Lindenberger, Thomas}, title = {100 Jahre Roter Oktober}, series = {100 Jahre Roter Oktober : zur Weltgeschichte der russischen Revolution}, journal = {100 Jahre Roter Oktober : zur Weltgeschichte der russischen Revolution}, publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung}, address = {Berlin}, isbn = {978-3-7425-0081-6}, pages = {9 -- 27}, year = {2017}, language = {de} } @article{OPUS4-54323, title = {100 Jahre Roter Oktober}, editor = {Behrends, Jan C. and Katzer, Nikolaus and Lindenberger, Thomas}, publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung}, address = {Berlin}, isbn = {978-3-7425-0081-6}, pages = {350}, year = {2017}, language = {de} } @article{AscheCzechGoeseetal.2021, author = {Asche, Matthias and Czech, Vinzenz and G{\"o}se, Frank and Neitmann, Klaus}, title = {Zur Einf{\"u}hrung}, series = {Brandenburgische Erinnerungsorte - Erinnerungsorte in Brandenburg, Bd. 1 (= Einzelver{\"o}ffentlichungen der Brandenburgischen Historischen Kommission e.V. 24)}, journal = {Brandenburgische Erinnerungsorte - Erinnerungsorte in Brandenburg, Bd. 1 (= Einzelver{\"o}ffentlichungen der Brandenburgischen Historischen Kommission e.V. 24)}, editor = {Asche, Matthias and Czech, Vinzenz and G{\"o}se, Frank and Neitmann, Klaus}, publisher = {be.bra wissenschaft verlag}, address = {Berlin}, isbn = {978-3-95410-294-5}, pages = {7 -- 13}, year = {2021}, language = {de} } @article{AscheSchindling2021, author = {Asche, Matthias and Schindling, Anton}, title = {Konfessionspolitik und Religionsfrieden}, series = {Vom ein- zum mehrkonfessionellen Landesstaat - die Religionsfrage in den brandenburgisch-preußischen Territorien vom 16. bis zum fr{\"u}hen 18. Jahrhundert (= Forschungen zur Brandenburgischen und Preußischen Geschichte. Neue Folge. Beihefte 16)}, journal = {Vom ein- zum mehrkonfessionellen Landesstaat - die Religionsfrage in den brandenburgisch-preußischen Territorien vom 16. bis zum fr{\"u}hen 18. Jahrhundert (= Forschungen zur Brandenburgischen und Preußischen Geschichte. Neue Folge. Beihefte 16)}, number = {16}, publisher = {Duncker \& Humblot}, address = {Berlin}, isbn = {978-3-428-18174-2}, pages = {15 -- 40}, year = {2021}, language = {de} } @article{AscheGerber2021, author = {Asche, Matthias and Gerber, Stefan}, title = {Universit{\"a}t}, series = {Historische Bildungsforschung. Konzepte - Methoden - Forschungsfelder}, journal = {Historische Bildungsforschung. Konzepte - Methoden - Forschungsfelder}, publisher = {Klinkhardt}, address = {Bad Heilbrunn}, isbn = {978-3-8252-5563-3}, pages = {299 -- 312}, year = {2021}, language = {de} } @article{Oppermann2018, author = {Oppermann, Matthias}, title = {Neither Condillac nor Bonaparte. Pierre-Paul Royer-Collard and the Rediscovery of Common Sense, 1797-1814}, series = {Historisches Jahrbuch}, volume = {138}, journal = {Historisches Jahrbuch}, publisher = {Alber}, address = {M{\"u}nchen}, isbn = {978-3-451-38316-8}, issn = {0018-2621}, pages = {280 -- 307}, year = {2018}, language = {en} } @article{Rieck2022, author = {Rieck, Christian E.}, title = {Strange New Worlds}, series = {European Strategic Approaches to the Indo-Pacific}, volume = {2021}, journal = {European Strategic Approaches to the Indo-Pacific}, number = {1}, publisher = {Konrad-Adenauer-Stiftung}, address = {Singapore}, issn = {0119-5204}, pages = {39 -- 53}, year = {2022}, abstract = {The Indo-Pacific is fast becoming the main arena for great power competition. After explaining the regional power hierarchy, the paper describes how the EU defines like-mindedness as an explicit partnership category in the Indo-Pacific and which of the countries qualify. Finally, the paper also examines the structural problems the EU faces when projecting power into a faraway region such as this one. The paper argues that for China's rise to remain peaceful and in the absence of fully regional security arrangements, other Asian actors are increasingly looking for new regional structures that combine elements of cooperation, competition and containment vis-{\`a}-vis China - including a more pronounced EU role in the region.}, language = {en} } @article{Jaeschke2021, author = {Jaeschke, Victor}, title = {Die FDP, Europa und das Ende des Ost-West-Konflikts 1987-1992}, series = {Jahrbuch zur Liberalismus-Forschung}, volume = {33}, journal = {Jahrbuch zur Liberalismus-Forschung}, publisher = {Nomos}, address = {Baden-Baden}, pages = {117 -- 138}, year = {2021}, language = {de} } @article{Kay2019, author = {Kay, Alex James}, title = {Speaking the Unspeakable}, series = {Holocaust Studies: A Journal of Culture and History}, volume = {27}, journal = {Holocaust Studies: A Journal of Culture and History}, number = {2}, publisher = {Routledge}, address = {Abingdon, Oxon}, doi = {10.1080/17504902.2019.1637492}, pages = {187 -- 200}, year = {2019}, abstract = {This article discusses the filmic representation of the infamous Wannsee Conference, when fifteen senior German officials met at a villa on the shore of a Berlin lake to discuss and co-ordinate the implementation of the so-called final solution to the Jewish question. The understanding reached during the course of the ninety-minute meeting cleared the way for the Europe-wide killing of six million Jews. The article sets out to answer the principal challenge facing anyone attempting to recreate the Wannsee Conference on film: what was the atmosphere of this conference and the attitude of the participants? Moreover, it discusses various ethical aspects related to the portrayal of evil, not in actions but in words, using the medium of film. In doing so, it focuses on the BBC/HBO television film Conspiracy (2001), directed by Frank Pierson, probing its historical accuracy and discussing its artistic credibility.}, language = {en} } @article{Heimann2021, author = {Heimann, Heinz-Dieter}, title = {per totum orbem longe lateque diffudit angesichts des closters barfusser ordens in unser stadt Berlin}, series = {Das Graue Kloster in Berlin : Perspektiven aus der Geschichte}, journal = {Das Graue Kloster in Berlin : Perspektiven aus der Geschichte}, publisher = {Berliner Wissenschafts-Verlag}, address = {Berlin}, isbn = {978-3-8305-5069-3}, doi = {10.35998/9783830542339-02}, pages = {21 -- 42}, year = {2021}, language = {de} } @article{Goese2022, author = {G{\"o}se, Frank}, title = {Einwanderung und hohenzollernsche Siedlungspolitik in der Kurmark im 18. Jahrhundert}, series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, journal = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute}, editor = {Asche, Matthias and Brechenmacher, Thomas}, publisher = {Universit{\"a}tsverlag}, address = {Potsdam}, isbn = {978-3-86956-506-4}, pages = {127 -- 138}, year = {2022}, language = {de} } @article{Goese2021, author = {G{\"o}se, Frank}, title = {Schlacht bei Fehrbellin}, series = {Brandenburgische Erinnerungsorte - Erinnerungsorte in Brandenburg : Band 1}, journal = {Brandenburgische Erinnerungsorte - Erinnerungsorte in Brandenburg : Band 1}, publisher = {be.bra wissenschaft verlag}, address = {Berlin}, isbn = {978-3-95410-294-5}, pages = {115 -- 126}, year = {2021}, language = {de} } @article{Goese2021, author = {G{\"o}se, Frank}, title = {Soldatenk{\"o}nig}, series = {Brandenburgische Erinnerungsorte - Erinnerungsorte in Brandenburg : Band 1}, journal = {Brandenburgische Erinnerungsorte - Erinnerungsorte in Brandenburg : Band 1}, publisher = {be.bra wissenschaft verlag}, address = {Berlin}, isbn = {978-3-95410-294-5}, pages = {141 -- 152}, year = {2021}, language = {de} } @article{Goese2021, author = {G{\"o}se, Frank}, title = {Garnisonkirche \& der Geist von Potsdam}, publisher = {be.bra wissenschaft verlag}, address = {Berlin}, isbn = {978-3-95410-294-5}, pages = {167 -- 180}, year = {2021}, language = {de} } @article{Goese2021, author = {G{\"o}se, Frank}, title = {Zur Konfessionspolitik Friedrichs I. und Friedrich Wilhelms I. in den brandenburgisch-preußischen Landen und im Reich (1688-1740)}, series = {Vom ein- zum mehrkonfessionellen Landesstaat : die Religionsfrage in den brandenburgisch-preußischen Territorien vom 16. bis zum fr{\"u}hen 18. Jahrhundert}, journal = {Vom ein- zum mehrkonfessionellen Landesstaat : die Religionsfrage in den brandenburgisch-preußischen Territorien vom 16. bis zum fr{\"u}hen 18. Jahrhundert}, editor = {Neitmann, Klaus}, publisher = {Duncker \& Humblot}, address = {Berlin}, isbn = {978-3-428-18174-2}, pages = {335 -- 369}, year = {2021}, language = {de} } @article{Goese2020, author = {G{\"o}se, Frank}, title = {Luise als Politikerin}, series = {Berliner Geschichte - Zeitschrift f{\"u}r Geschichte und Kultur : K{\"o}nigin Luise}, volume = {25}, journal = {Berliner Geschichte - Zeitschrift f{\"u}r Geschichte und Kultur : K{\"o}nigin Luise}, publisher = {Elsengold Verlag}, address = {Berlin}, isbn = {978-3-96201-062-1}, pages = {28 -- 35}, year = {2020}, language = {de} } @article{Kleinjung2021, author = {Kleinjung, Christine}, title = {Stiftische und monastische Lebensformen in Frauenkl{\"o}stern am s{\"u}dlichen Oberrhein zwischen Kategorisierung und Dynamik (mit Schwerpunkt auf Waldkirch und S{\"a}ckingen)}, series = {Religi{\"o}se Frauengemeinschaften am s{\"u}dlichen Oberrhein}, journal = {Religi{\"o}se Frauengemeinschaften am s{\"u}dlichen Oberrhein}, editor = {Kleinjung, Christine}, publisher = {Thorbecke}, address = {Ostfildern}, isbn = {978-3-7995-7842-4}, pages = {17 -- 30}, year = {2021}, language = {de} } @article{Neitzel2017, author = {Neitzel, S{\"o}nke}, title = {Rezension zu: Chiari, Bernhard: Die Bundeswehr als Zauberlehrling der Politik? Der ISAF-Einsatz und das Provincial Reconstruction Team (PRT)Kunduz 2003 bis 2012. - In: Militaergeschichtliche Zeitschrift MGZ. - 72 (2013), 2, S. 317-351; https://doi.org/10.1515/mgzs-2013-0013}, series = {Milit{\"a}rgeschichtliche Zeitschrift}, volume = {76}, journal = {Milit{\"a}rgeschichtliche Zeitschrift}, publisher = {De Gruyter}, address = {Berlin}, issn = {2193-2336}, doi = {10.1515/mgzs-2017-0166}, pages = {160 -- 167}, year = {2017}, language = {de} } @article{FennUrban2021, author = {Fenn, Monika and Urban, Stefanie}, title = {Das Potsdamer Modell des erweiterten Fachwissens f{\"u}r den schulischen Kontext Geschichte}, series = {Motivation - Kognition - Reflexion : Schlaglichter geschichtsdidaktischer Professionsforschung}, journal = {Motivation - Kognition - Reflexion : Schlaglichter geschichtsdidaktischer Professionsforschung}, publisher = {Wochenschau Verlag}, address = {Frankfurt}, isbn = {978-3-7344-1229-5}, pages = {105 -- 133}, year = {2021}, language = {de} } @article{Botsch2014, author = {Botsch, Gideon}, title = {„Nur der Freiheit …"?}, series = {Jugendbewegung, Antisemitismus und rechtsradikale Politik Vom „Freideutschen Jugendtag" bis zur Gegenwart}, journal = {Jugendbewegung, Antisemitismus und rechtsradikale Politik Vom „Freideutschen Jugendtag" bis zur Gegenwart}, publisher = {de Gruyter}, address = {Oldenburg}, isbn = {978-3-11-030642-2}, doi = {10.1515/9783110306422}, pages = {242 -- 261}, year = {2014}, language = {de} } @article{BotschHaverkamp2014, author = {Botsch, Gideon and Haverkamp, Josef}, title = {Einleitung}, series = {Jugendbewegung, Antisemitismus und rechtsradikale Politik Vom „Freideutschen Jugendtag" bis zur Gegenwart}, journal = {Jugendbewegung, Antisemitismus und rechtsradikale Politik Vom „Freideutschen Jugendtag" bis zur Gegenwart}, publisher = {de Gruyter}, address = {Oldenburg}, isbn = {978-3-11-030642-2}, doi = {10.1515/9783110306422}, pages = {1 -- 8}, year = {2014}, language = {de} } @article{CreuzbergerGeppert2018, author = {Creuzberger, Stefan and Geppert, Dominik Nicolas}, title = {Die {\"A}mter und ihre Vergangenheit}, series = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972}, journal = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972}, publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung}, address = {Berlin}, isbn = {978-3-657-78821-7}, pages = {183 -- 199}, year = {2018}, language = {de} } @article{CreuzbergerGeppert2018, author = {Creuzberger, Stefan and Geppert, Dominik Nicolas}, title = {Das Erbe des NS-Staats als deutsch-deutsches Problem}, series = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972}, journal = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972}, publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung}, address = {Berlin}, isbn = {978-3-7425-0320-6}, pages = {7 -- 15}, year = {2018}, language = {de} } @article{BoeschWirsching2018, author = {B{\"o}sch, Frank and Wirsching, Andreas}, title = {Erfahrene M{\"a}nner}, series = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972}, journal = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972}, publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung}, address = {Berlin}, isbn = {978-3-7425-0320-6}, pages = {163 -- 181}, year = {2018}, language = {de} } @article{Wentker2018, author = {Wentker, Hermann}, title = {Von der Deutschen Zentralverwaltung f{\"u}r Justiz zum Ministerium der Justiz}, series = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972}, journal = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972}, publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung}, address = {Berlin}, isbn = {978-3-7425-0320-6}, pages = {71 -- 86}, year = {2018}, language = {de} } @article{Goertemaker2018, author = {G{\"o}rtemaker, Manfred}, title = {Die heile Welt der Rosenburg}, series = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972}, journal = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972}, publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung}, address = {Berlin}, isbn = {978-3-7425-0320-6}, pages = {47 -- 69}, year = {2018}, language = {de} } @article{Scianna2018, author = {Scianna, Bastian Matteo}, title = {A prelude to total war?}, series = {International Journal of Military History and Historiography}, volume = {38}, journal = {International Journal of Military History and Historiography}, number = {1}, publisher = {Brill}, address = {Leiden}, issn = {2468-3299}, doi = {10.1163/24683302-03801001}, pages = {5 -- 33}, year = {2018}, abstract = {The conflict between Italy and Ethiopia in 1935-36 has been framed as a prelude to the Second World War and as a watershed towards 'Total War'. One perspective has so far been neglected: the assessments of foreign military observers. This article examines American, British, German, and Austrian views on the operations and thereby also analyses the mindset of European officers at the time. The core argument emerging from these reports is that the war was perceived as a rather 'normal' colonial conflict. Neither the use of gas, nor the employment of aircraft against civilians was seen as a taboo or created significant outrage among the military observers. Instead, they lauded the Italians' steady logistical efforts and employment of artillery and airpower to overcome nature and the enemy's resistance.}, language = {en} } @article{HornungNitezkiKraemer2018, author = {Hornung, Jessica and Nitezki, Tina and Kraemer, Stephanie}, title = {Zieht die Schubladen auf! Ein Appell zur Ver{\"o}ffentlichung von Negativ-Ergebnissen in der tierbasierten Forschung}, series = {Berliner und M{\"u}nchener Tier{\"a}rztliche Wochenschrift}, volume = {131}, journal = {Berliner und M{\"u}nchener Tier{\"a}rztliche Wochenschrift}, number = {7-8}, publisher = {Schl{\"u}tersche Verlagsgesellschaft mbH \& Co. KG.}, address = {Hannover}, issn = {0005-9366}, doi = {10.2376/0005-9366-17093}, pages = {279 -- 283}, year = {2018}, abstract = {In der Humanmedizin stellt die sogenannte evidenzbasierte Medizin nach Einf{\"u}hrung des Begriffs durch D.L. Sackett (Sackett et al. 1996) und der Gr{\"u}ndung des Cochrane Instituts (1972) einen wichtigen Standard in der Aufbereitung und dem Transfer von Ergebnissen aus klinischen Studien in den {\"a}rztlichen Alltag dar. Ziel ist es, die Vermittlung von Erkenntnissen aus der Wissenschaft f{\"u}r die praktizierenden {\"A}rzte zu erleichtern. Dabei werden Studienergebnisse in Abh{\"a}ngigkeit von der jeweiligen Fragestellung mittels systematischer Literaturrecherche zusammengetragen und hinsichtlich ihrer Evidenz bewertet, um so dem Arzt ein Instrument an die Hand zu geben, mit dem die gewonnenen Erkenntnisse im Hinblick auf eine konkrete klinische Situation abgewogen und angewendet werden k{\"o}nnen. In den letzten Jahren wurde allerdings vermehrt Kritik laut, dass der Ausgang vieler klinischer Studien in den {\"U}bersichtsarbeiten zu positiv dargestellt werde. Urs{\"a}chlich hierf{\"u}r ist der Aspekt des Publikationsbias, also die Beobachtung, dass Autoren wissenschaftliche Ergebnisse mit positivem Ausgang bevorzugt publizieren. {\"U}bertr{\"a}gt man diesen Sachverhalt auf die pr{\"a}klinische Forschung, die in weiten Teilen auf der Durchf{\"u}hrung tierexperimenteller Untersuchungen beruht, so widerspr{\"a}che das Zur{\"u}ckhalten negativer Ergebnisse in fataler Weise dem 3R-Konzept von Russel und Burch, da dadurch die Gefahr besteht, dass Forschungsvorhaben wiederholt durchgef{\"u}hrt werden.}, language = {de} } @article{Scapin2021, author = {Scapin, Mathieu}, title = {Les chefs d'œuvre de l'Art antique dans la bande dessin{\´e}e du XXIᵉ s. Usages et Background}, series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, volume = {2021}, journal = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, number = {13}, editor = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol13.128}, pages = {169 -- 199}, year = {2021}, abstract = {Whether you open a manga, a French-language comic strip or a North-American comic strip with Classic subject, it seems normal to the reader to encounter many representations of sculptures, paintings or object of daily life from this period throughout the story. These images are taken from catalogues notably available online. The artists also seem to have drawn their inspiration from museum publications or directly from the collections exhibited by these cultural institutions. This article will review the masterpieces used in comic strips and the reasons why they are chosen. Depending on the formats and cultures that stage them, these works do not constitute decorative elements of an ancient past but contribute to the narrative.}, language = {fr} } @article{SauraZiegelmeyer2021, author = {Saura-Ziegelmeyer, Arnaud}, title = {Construire ses propres mod{\`e}les : le cas des bandes sonores post-Gladiator}, series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, volume = {2021}, journal = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, number = {13}, editor = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol13.150}, pages = {141 -- 168}, year = {2021}, abstract = {Ringing trumpets announcing the arrival of a Roman emperor, an oriental flowing and delicate harp reverberating inside the intimate palace of an Egyptian queen, a rude aulos singing in a bucolic Greek landscape: where are these familiar sound images coming from? Are these creations inspired by archaeological data or built after modern fantasy? The scarcity of ancient musical data necessitated, in fact, to reinvent the films' soundscape taking place in the Ancient world. It is therefore a question of seeing on which models a peplum's soundtrack is conceived and what it can reveal on our way of perceiving the ancient and contemporary world. Far from wanting to gauge the historicity of the sound backgrounds offered to the spectator of dark rooms, it is rather a question of seeing the imitation phenomena that can appear from the sound clich{\´e}s created by the peplum itself and of also deducing from them thought patterns which, contextualized, influence these compositions. This article will focus on post-2000 productions.}, language = {fr} } @article{Costanzo2021, author = {Costanzo, Daniela}, title = {Le destin des ic{\^o}nes : perception, symboles et images des Bronzes de Riace dans la culture contemporaine}, series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, volume = {2021}, journal = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, number = {13}, editor = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol13.153}, pages = {100 -- 124}, year = {2021}, abstract = {Tr{\`e}s peu d'originaux nous permettent de conna{\^i}tre la statuaire grecque ancienne. Eu {\´e}gard {\`a} la grande production de statues en bronze, un nombre tr{\`e}s limit{\´e} d'oeuvres a {\´e}t{\´e} sauv{\´e} de la fureur du temps et des hommes. Le reste nous est connu de mani{\`e}re partielle et imparfaite par les copies romaines en marbre ou par des notes rapides d'auteurs anciens, qui mentionnent des artistes et des oeuvres dont le seul nom demeure. La d{\´e}couverte de statues en bronze de production grecque est donc un {\´e}v{\´e}nement exceptionnel d'un point de vue scientifique. Les « Bronzes de Riace » ont notamment eu, d{\`e}s leur d{\´e}couverte en 1972, une immense influence dans la culture populaire, que nous allons aborder dans cet article sous l'angle des Reception Studies, en essayant d'int{\´e}grer ces r{\´e}flexions au d{\´e}bat sur leur perception dans le monde contemporain, d{\´e}j{\`a} abord{\´e} par deux volumes sortis en 1986 et 2015 (Gli eroi venuti dal mare/Heroes from the sea et Sul buono e sul cattivo uso dei Bronzi di Riace1), en portant une attention particuli{\`e}re au Web et aux r{\´e}seaux sociaux. 1 Je remercie Maurizio Paoletti et Fabien Bi{\`e}vre-Perrin pour la relecture de cet article ; Domenico Benedetto D'Agostino pour m'avoir fait conna{\^i}tre, il y a quelques ann{\´e}es, le po{\`e}me de Felice Mastroianni d{\´e}di{\´e} au Bronzes de Riace ; l'Archivio du Mus{\´e}e Arch{\´e}ologique National de Reggio Calabria, Mike_art04, le collectif La Psicoscimmia et Emanuela Robustelli pour les images qu'ils ont partag{\´e}es.}, language = {fr} } @article{Besnard2021, author = {Besnard, Tiphaine Annabelle}, title = {La V{\´e}nus de Milo dans l'art contemporain (de 1980 {\`a} nos jours) : une ic{\^o}ne globalis{\´e}e}, series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, volume = {2021}, journal = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, number = {13}, editor = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol13.156}, pages = {84 -- 99}, year = {2021}, abstract = {This paper aims to analyse the figure of the Venus of Milo in (extreme) contemporary art productions. The reception of this sculpture has already been studied in the past, but without considering the last ten years (2010 - 2020), during which artists like Yinka Shonibare, Fabio Viale, or Daniel Arsham decided to use the Venus for their new productions. The paper also explains how the Venus of Milo became a globalised icon and an inspiration for artists from all over the world.}, language = {fr} } @article{Pampanay2021, author = {Pampanay, {\´E}lise}, title = {The Nike of Samothrace's presences during the XX and XXI centuries: mysteries and victories}, series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, volume = {2021}, journal = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, number = {13}, editor = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol13.146}, pages = {71 -- 83}, year = {2021}, abstract = {Despite its fame, the Winged Victory of Samothrace keeps on fascinating not only every visitor of the Louvre museum, but also the eye of the connoisseur. Despite its recent restoration in 2014, some of its mysteries might indeed never be solved, like the identity of its sculptor. But this fascination also comes from the statue itself, its majestic aesthetics and lack of head, in a similar fashion perhaps to the loss of the Venus of Milo's arms. Since her discovery more than 150 years ago by Charles Champoiseau, she's been on the throne at the top of the Daru stairs at the Louvre Museum. This hellenistic masterpiece, that Champoiseau called a "mousseline de marbre", became a must see in the Paris museum, together with the Mona Lisa and its other chefs d'oeuvre. But this statue's fate is not set in stone. Many modern artists, like Omar Hassan or Xu Zhen, have tried to make it their own and give it a new depth. Recently, Beyonce and Jay-Z also offered a new perspective by including this Louvre masterpiece, among others, in their political masterstroke, the video clip "Apeshit". This paper seeks to decode the meanings and symbolism of these new versions of the Nike.}, language = {en} } @article{Jouteur2021, author = {Jouteur, Isabelle}, title = {Laocoon Relook{\´e}}, series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, volume = {2021}, journal = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, number = {13}, editor = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol13.136}, pages = {43 -- 70}, year = {2021}, abstract = {This article focuses on the reception of the ancient statue of Laocoon in the arts and popular culture of the 21st century. It looks into why this icon has remained continuously present in the public's collective imagination and covers, in particular, the recapturing of this motif by four contemporary painters : Richard Wallace (2002), Ron Milewicz (2005), Gilles Chambon (2008), Kent Monkman (2008). The article examines as well the new meanings associated with its treatment and finally explores the way our contemporary world deals with the notion of monument and the concept of academicism.}, language = {fr} } @article{Briand2021, author = {Briand, Michel}, title = {Le Laocoon en ic{\^o}ne queer et camp}, series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, volume = {2021}, journal = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, number = {13}, editor = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol13.133}, pages = {1 -- 42}, year = {2021}, abstract = {The Laoco{\"o}n group, a famous source of inspiration for modern artists and a crucial masterpiece for historians of art and philosophers, is also a popular figure in queer contemporary art and culture, both distorted and celebrated through camp performative devices. After remarks about 1. "queer gaze" and the complex relation of queer or LGBTQIA+ culture and politics to the dialectics of kitsch/camp and classical / contemporary / pop art, and 2. (not straight but) queer classics, using "anachronisme raisonn{\´e}" (Loraux") and "{\´e}cart" (Dupont), this article focuses on case studies from the 2010's: 1. The untold gay history of Vatican guided tour; the music video Falling, by the "queer cowboy" Drew Beckman. 2. Paintings by Richard Wallace (esp. Laoco{\"o}n); photographic series of Danil Golovkin (Modern Heroes : Photographing Bodybuilders in the Digital Age), 3. Julien Servy (Collages : Photo vs. Statues) ; the design firm modern8 (for the 2017 Utah Pride Festival). 4. The indigenous Canadian artist Kent Monkman, who, in paintings (The Academy), performances, installations, altogether stages and questions the violence of historical and cultural colonization and its impact on issues of gender and identity, and promotes dynamic interactions of aesthetics and politics, as well of pathos and camp.}, language = {fr} } @article{BievrePerrin2021, author = {Bi{\`e}vre-Perrin, Fabien}, title = {"Everything is a copy of a copy of a copy"}, series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, volume = {2021}, journal = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, number = {13}, editor = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol13.191}, pages = {i -- v}, year = {2021}, abstract = {A quote from Fight Club (Chuck Palahniuk, 1996) may seem unusual for a Classicist. Nevertheless, this famous sentence summarises the contents of this special issue of thersites perfectly. As specialists in classical reception frequently witness, there is a sort of d{\´e}j{\`a}-vu effect when it comes to the presence of Antiquity within popular culture. In 2019, to try to better understand the phenomenon, Antiquipop invited researchers to take an interest in the construction and semantic path of these "masterpieces" in contemporary popular culture, with a particular focus on the 21st century.}, language = {en} } @article{Proeve2021, author = {Pr{\"o}ve, Ralf}, title = {Wie mit Nach-Matrix-Sozialisierten umgehen, oder}, series = {Emotionen in Wissensinstitutionen. Zur Bedeutung affektiver Dimensionen in Forschung, Lehre und Unterricht}, journal = {Emotionen in Wissensinstitutionen. Zur Bedeutung affektiver Dimensionen in Forschung, Lehre und Unterricht}, editor = {Ernst, Sebastian}, publisher = {transcript}, address = {Bielefeld}, isbn = {978-3-8376-5735-7}, pages = {71 -- 92}, year = {2021}, language = {de} } @article{Brechenmacher2021, author = {Brechenmacher, Thomas}, title = {„Katholizismusforschung", „kirchliche Zeitgeschichte", „Katholischsein"}, series = {Kirchliche Zeitgeschichte. Bilanz - Fragen - Perspektiven}, journal = {Kirchliche Zeitgeschichte. Bilanz - Fragen - Perspektiven}, editor = {Brechenmacher, Thomas and Kleinehagenbrock, Frank and Lepp, Claudia and Oelke, Harry}, publisher = {Vandenhoeck \& Ruprecht}, address = {G{\"o}ttingen}, isbn = {978-3-525-56866-8}, pages = {95 -- 112}, year = {2021}, language = {de} } @article{D'Aprile2021, author = {D'Aprile, Iwan-Michelangelo}, title = {Was kann preußischer sein als Nathan}, series = {Theodor Fontane und das Erbe der Aufkl{\"a}rung (Schriften der Theodor Fontane Gesellschaft ; 14)}, journal = {Theodor Fontane und das Erbe der Aufkl{\"a}rung (Schriften der Theodor Fontane Gesellschaft ; 14)}, publisher = {de Gruyter}, address = {Berlin}, doi = {10.1515/9783110666984-002}, pages = {13 -- 30}, year = {2021}, language = {de} } @article{Kotowski2018, author = {Kotowski, Elke-Vera}, title = {„Heimat"-Objekte}, series = {Zeitschrift f{\"u}r Religions- und Geistesgeschichte}, volume = {70}, journal = {Zeitschrift f{\"u}r Religions- und Geistesgeschichte}, number = {4}, publisher = {Brill}, address = {Leiden}, issn = {0044-3441}, doi = {10.1163/15700739-07004004}, pages = {324 -- 347}, year = {2018}, abstract = {Bei ihrer zumeist erzwungenen Emigration aus der deutschsprachigen Heimat nach Lateinamerika konnten bei weitem nicht alle ihren gesamten Hausstand mit in das neue Heimatland nehmen. Vielmehr war es der Mehrzahl der Emigranten nicht m{\"o}glich, mehr als ein paar Kofffer aus ihrem alten Leben in das neue zu retten. Verkauft oder beschlagnahmt, vieles musste zur{\"u}ckbleiben, was {\"u}ber Jahre die Wohnungen und H{\"a}user der deutschen Juden gef{\"u}llt hatte. Das Wenige, was doch mitgenommen werden konnte, hatte somit umso mehr pers{\"o}nlichen Wert f{\"u}r den Besitzer. Was also hatten die deutsch-j{\"u}dischen Emigranten und Exilanten in ihren Kofffern und weshalb waren gerade diese Objekte f{\"u}r sie bedeutend genug, um sie auf den beschwerlichen Weg {\"u}ber den Atlantik und auf einen neuen Kontinent in eine unbekannte Zukunft mitzunehmen?Eine Antwort auf diese Frage k{\"o}nnen die Objekte selbst geben, welche bis heute in den Familien der einstigen Emigranten aufbewahrt und benutzt werden. Sie repr{\"a}sentieren die verlorene Heimat, ein St{\"u}ck Geschichte des Ursprungslandes und der eigenen Familie. Diese Gegenst{\"a}nde sind mehr als nur Gebrauchsobjekte, welche ihren monet{\"a}ren Wert hatten und daher nicht zur{\"u}ckgelassen werden sollten. Es sind vielmehr Tr{\"a}ger von gegebenen und zugeschriebenen Bedeutungen und Erinnerungen an Heimat, die ihnen anhaften und {\"u}ber Generationen hinweg weitergegeben und in ihrem Sym-bolgehalt erg{\"a}nzt und erweitert werden.}, language = {de} } @article{Scianna2019, author = {Scianna, Bastian Matteo}, title = {Rebuilding an Austrian Army}, series = {War in History}, volume = {26}, journal = {War in History}, number = {1}, publisher = {Sage Publ.}, address = {London}, issn = {0968-3445}, doi = {10.1177/0968344516682057}, pages = {105 -- 123}, year = {2019}, abstract = {After the Second World War, a new Austrian Army (the Bundesheer) was formed to guarantee the country's armed neutrality. But the period between 1938 and 1945 remained a point of contention. While some Austrian officers had been sidelined, the majority had served in the Wehrmacht and thus shared experiences and soldierly values. As Cold War realities necessitated a professional experienced army, a group around Erwin Fussenegger (1908-1986) dominated the new Bundesheer and contemplations about reforming the military culture and value system were postponed; while at the same time, the Bundesheer managed to prevent becoming a mere continuation of the Wehrmacht.}, language = {en} } @article{AlbertoSchenck2021, author = {Alberto, Ibraimo and Schenck, Marcia C.}, title = {Paths Are Made by Walking}, series = {Navigating Socialist Encounters}, journal = {Navigating Socialist Encounters}, publisher = {de Gruyter}, address = {Oldenburg}, isbn = {978-3-11-062354-3}, doi = {10.1515/9783110623543-010}, pages = {247 -- 262}, year = {2021}, language = {en} } @article{SchenckRaposo2021, author = {Schenck, Marcia C. and Raposo, Francisca}, title = {Socialist Encounters at the School of Friendship}, series = {Navigating Socialist Encounters}, journal = {Navigating Socialist Encounters}, publisher = {de Gruyter}, address = {Oldenburg}, isbn = {978-3-11-062354-3}, doi = {10.1515/9783110623543-009}, pages = {235 -- 246}, year = {2021}, language = {en} } @article{SchenckHarischDietrichetal.2021, author = {Schenck, Marcia C. and Harisch, Immanuel R. and Dietrich, Anne and Burton, Eric}, title = {Introduction}, series = {Navigating Socialist Encounters}, journal = {Navigating Socialist Encounters}, publisher = {de Gruyter}, address = {Oldenburg}, isbn = {978-3-11-062354-3}, doi = {10.1515/9783110623543-001}, pages = {1 -- 58}, year = {2021}, language = {en} } @article{BergmannWyrwa2019, author = {Bergmann, Werner and Wyrwa, Ulrich}, title = {Reinhard Ruerup and the Founding of the Center for Research on Anti-Semitism}, series = {Deutsche Zeitschrift f{\"u}r Geschichtswissenschaft}, volume = {67}, journal = {Deutsche Zeitschrift f{\"u}r Geschichtswissenschaft}, number = {5}, publisher = {Metropol-Verl.}, address = {Berlin}, issn = {0044-2828}, pages = {428 -- 439}, year = {2019}, language = {de} } @article{Stoever2019, author = {St{\"o}ver, Bernd}, title = {Why no global peace order in 1945?}, series = {Historisches Jahrbuch}, volume = {139}, journal = {Historisches Jahrbuch}, publisher = {Herder}, address = {Freiburg Breisgau}, issn = {0018-2621}, pages = {131 -- 162}, year = {2019}, language = {en} } @article{Asche2019, author = {Asche, Matthias}, title = {The Augsburg Religious Peace of 1555}, series = {Historisches Jahrbuch}, volume = {139}, journal = {Historisches Jahrbuch}, publisher = {Herder}, address = {Freiburg Breisgau}, issn = {0018-2621}, pages = {31 -- 66}, year = {2019}, language = {en} } @article{Scianna2019, author = {Scianna, Bastian Matteo}, title = {Stuck in the past?}, series = {War \& Society}, volume = {38}, journal = {War \& Society}, number = {1}, publisher = {Routledge, Taylor \& Francis Group}, address = {Abingdon}, issn = {0729-2473}, doi = {10.1080/07292473.2019.1524347}, pages = {41 -- 56}, year = {2019}, abstract = {After the Civil War the Spanish army functioned as a guardian of domestic order, but suffered from antiquated material and little financial means. These factors have been described as fundamental reasons for the army's low potential wartime capability. This article draws on British and German sources to demonstrate how Spanish military culture prevented an augmented effectiveness and organisational change. Claiming that the army merely lacked funding and modern equipment, falls considerably short in grasping the complexities of military effectiveness and organisational cultures, and might prove fatal for current attempts to develop foreign armed forces in conflict or post-conflict zones.}, language = {en} } @article{Reinard2021, author = {Reinard, Patrick}, title = {Rezension von Kristopher F. B. Fletcher/Osman Umurhan (eds.): Classical Antiquity in Heavy Metal Music}, series = {thersites 12}, volume = {2020}, journal = {thersites 12}, number = {12}, editor = {Rollinger, Christian}, issn = {2364-7612}, doi = {10.34679/thersites.vol12.188}, pages = {140 -- 149}, year = {2021}, language = {de} } @article{Potter2021, author = {Potter, Amanda}, title = {Review of Meredith E. Safran (ed.): Screening the Golden Ages of the Classical Tradition}, series = {thersites 12}, volume = {2020}, journal = {thersites 12}, number = {12}, editor = {Rollinger, Christian}, issn = {2364-7612}, doi = {thersites.vol12.123}, pages = {136 -- 139}, year = {2021}, language = {en} } @article{Warnking2021, author = {Warnking, Pascal}, title = {Talking Stones - Ein besonderer Audio-Guide zu den antiken St{\"a}tten in Trier}, series = {thersites 12}, volume = {2020}, journal = {thersites 12}, number = {12}, editor = {Rollinger, Christian}, issn = {2364-7612}, doi = {10.34679/thersites.vol12.110}, pages = {116 -- 135}, year = {2021}, abstract = {This work journal recounts the experiences of a project undertaken with students of the University of Trier over the course of two semesters. The project attempted to design and produce an innovative audio guide pertaining to the cultural heritage of the Roman city, with students gauging market opportunities, writing a business plan, researching information and producing content for the audio guide. The work created, „Talking Stones" (https://www.talking-stones.de/), takes the listener on a tour of Roman Trier embedded in a literary narrative and is available via download on Google Play and the Apple App Store.}, language = {de} } @article{BrilkeWerner2021, author = {Brilke, Clara and Werner, Eva}, title = {I am not sure that I feel like singing, thanks very much for asking!}, series = {thersites 12}, volume = {2020}, journal = {thersites 12}, number = {12}, editor = {Rollinger, Christian}, issn = {2364-7612}, doi = {10.34679/thersites.vol12.189}, pages = {104 -- 115}, year = {2021}, abstract = {In her writings on ancient myth, the British author Natalie Haynes moves women to the centre of attention. Her two latest books, A Thousand Ships and Pandora's Jar - a fiction novel and a non-fiction one - approach this topic from two different perspectives. This interview takes stock of Haynes' motives and methodology as well as of the challenges she faces in the process of writing.}, language = {en} } @article{CarlaUhink2021, author = {Carl{\`a}-Uhink, Filippo}, title = {Interview with Alana Jelinek}, series = {thersites 12}, volume = {2020}, journal = {thersites 12}, number = {12}, editor = {Rollinger, Christian}, issn = {2364-7612}, doi = {10.34679/thersites.vol12.163}, pages = {95 -- 103}, year = {2021}, abstract = {Alana Jelinek is an art historian and artist — "an artist making art, and also writing about art", in her words — , a former European Research Council artist in residence at the Museum of Anthropology and Archaeology at the University of Cambridge, and currently teaching in the School of Creative Arts at the University of Hertfordshire. Her art has revolved mostly around the issues of post- and neocolonialism and their connections with neoliberalism — a more implicit topic in her works from the 1990s on the "tourist gaze" developed into an interest in museums, collecting and ethnography throughout the past two decades. In this interview, she talks to thersites about the role of classical heritage and ancient art in her own work.}, language = {en} } @article{Colbert2021, author = {Colbert, Vivian}, title = {Queen Zenobia's 'Campaign' for British Women's Suffrage}, series = {thersites 12}, volume = {2020}, journal = {thersites 12}, number = {12}, editor = {Rollinger, Christian}, issn = {2364-7612}, doi = {0.34679/thersites.vol12.186}, pages = {71 -- 94}, year = {2021}, abstract = {This article focuses on the feminist reception of Zenobia of Palmyra in Great Britain during the long nineteenth century and the early twentieth century. A special focus lies on her reception by the British suffragettes who belonged to the Women's Social and Political Union. Even though Zenobia's story did not end happily, the warrior queen's example served to inspire these early feminists. Several products of historical culture - such as books, pieces of art, newspaper articles and theatre plays - provide insight into the reception of her as an historical figure, which is dominated by the image of a strong and courageous woman. The article will shed light on how exactly Zenobia's example was instrumentalised throughout the first feminist movement in Britain.}, language = {en} } @article{Ursin2021, author = {Ursin, Frank}, title = {„The mother of chemical peeling" - Oder: Wie Kleopatra zum Bad in Eselsmilch kam}, series = {thersites 12}, volume = {2020}, journal = {thersites 12}, number = {12}, editor = {Rollinger, Christian}, issn = {2364-7612}, doi = {10.34679/thersites.vol12.95}, pages = {38 -- 70}, year = {2021}, abstract = {Application areas and drugs of Egyptian, Greek and Roman medi-cine are popular references of research in the field of recent aes-thetic dermatology. There, Cleopatra VII is referred to as "mother of chemical peeling" because she is said to have bathed in donkey's milk. Although extremely popular, there is no ancient source sup-porting Cleopatra's bath in milk. Nevertheless, Poppaea Sabina, the second wife of Emperor Nero, is said to has bathed in donkey's milk to beautify her skin. The aim of the paper is to reconstruct the genesis and develop-ment of the modern myth of Cleopatra bathing in donkey's milk. The origin of this myth can be traced back to the cinema of the 1930s. The result is that in the person of the actress Claudette Colbert her two roles as Cleopatra and Poppaea converged. This convergence was the basis for the popularization of the milk bath by the Cleopat-ra movie of 1963 with Elizabeth Taylor.}, language = {de} } @article{Steffensen2021, author = {Steffensen, Nils}, title = {Ruhm, Ide(ologi)e, Macht}, series = {thersites 12}, volume = {2020}, journal = {thersites 12}, number = {12}, editor = {Rollinger, Christian}, issn = {2364-7612}, doi = {10.34679/thersites.vol12.134}, pages = {1 -- 37}, year = {2021}, abstract = {The first Hollywood film adaptation of Alexander the Great is Robert Rossen's 1956 movie. Classicists have primarily been concerned with errors of historicity, Alexander's assumed tragic traits, and rather associative conclusions concerning the movie's political implications. This paper raises the question of Rossen's depiction of Alexander's motives and aims. His assessment of the king is surprisingly complicated. Therefore, for the first time, Rossen's interview comments on Alexander are analysed comprehensively and systematically. Furthermore, it is shown that neglected sources are central to the plot. Finally, the film is interpreted against the backdrop of Rossen's oeuvre. It can be demonstrated that Rossen's issue is the problem of ideology. He seeks a redefinition of glory. Military success is only an excuse for the pursuit of mere power. For Rossen, however, the true fame is nothing but the benefit of the people. It took a long time for Alexander to realize that his rule was inane, and to reshape his policy. This interpretation is due to fundamental convictions reflected in Rossen's oeuvre as well as to his personal experiences in politics. It is a plea for de-ideologization in times of the Cold War.}, language = {de} } @article{CarlaUhink2021, author = {Carl{\`a}-Uhink, Filippo}, title = {Ein Schierlingsbecher oder ein Sprung ins Barathron?}, series = {Historische Zeitschrift}, volume = {321}, journal = {Historische Zeitschrift}, number = {2}, publisher = {De Gruyter}, address = {Berlin}, doi = {https://doi.org/10.1515/hzhz-2021-0007}, pages = {296 -- 331}, year = {2021}, abstract = {Der Aufsatz behandelt die drei unterschiedlichen Hinrichtungsformen, die im 5. und 4. Jahrhundert v. Chr. in Athen angedroht wurden: apotympanism{\´o}s , Sturz ins Barathron und Schierling. Eine solche Untersuchung verspricht reichen Aufschluss {\"u}ber die demokratische Ideologie, die entsprechenden Diskurse und ihre stetige Verst{\"a}rkung durch Prozesse und Bestrafungen. Der Aufsatz vertritt dabei die These, dass eine chronologische Analyse dieser Hinrichtungsformen einen wichtigen und bisher unerforschten Beitrag zur Debatte {\"u}ber Kontinuit{\"a}t und Diskontinuit{\"a}t in der athenischen Demokratie vor und nach der Tyrannis der Dreißig leisten kann. Er zeigt, dass die Formen, in denen die Todesstrafe angedroht wurde, das Ausmaß der {\"A}nderungen in den Diskursen in der und {\"u}ber die athenische Demokratie nach der Niederlage im Peloponnesischen Krieg erkennen l{\"a}sst. Die Unterschiede in den Exekutionsformen k{\"o}nnen einen wichtigen Beitrag zum Verst{\"a}ndnis der Verschiebung des Begriffes der „Gleichheit" vom 5. ins 4. Jahrhundert v. Chr. leisten.}, language = {de} } @article{D'Aprile2021, author = {D'Aprile, Iwan-Michelangelo}, title = {Transfer and Popularization of Knowledge}, series = {Translation and Transfer of Knowledge in Encyclopedic Compilations 1680-1830}, journal = {Translation and Transfer of Knowledge in Encyclopedic Compilations 1680-1830}, publisher = {Toronto University Press}, address = {Toronto}, isbn = {978-1487508906}, pages = {15}, year = {2021}, language = {en} } @article{D'Aprile2020, author = {D'Aprile, Iwan-Michelangelo}, title = {Zeitungslekt{\"u}re und Zeitungspoetik in Fontanes Romanen}, series = {Colloquia Germanica : internationale Zeitschrift f{\"u}r Germanistik}, volume = {52}, journal = {Colloquia Germanica : internationale Zeitschrift f{\"u}r Germanistik}, number = {1-2}, publisher = {Narr Francke Attempto}, address = {T{\"u}bingen}, issn = {0010-1338}, pages = {27 -- 46}, year = {2020}, abstract = {This article examines scenes of Zeitungslekt{\"u}re (newspaper reading) in some exemplary Fontane novels to reconstruct them as a serial narrative pattern that fills specific narrative functions similar to other narrative patterns such as letter writing or country excursions (Landpartien) which have often been shown to be typical for Fontane's novels. These newspaper scenes can be read as multifaceted culmination points at the surface of the novel's story in which aspects of Fontane's writing practices, formal aspects (characterization of figures, narrative temporalities, narrative structure), autopoietic reflection as well as addresses to the readers are brought into a complex interplay. The newspaper-reading scenes are thus significant textual signals of what has been called Fontane's specific Zeitungspoetik. The argument is unfolded by examining examples from three different genres: the historical novel Unwiederbringlich, the "Berlin everyday novels" ("Berliner Alltagsgeschichten") Irrungen, Wirrungen and Mathilde M{\"o}hring, and the Zeitroman or political novel Der Stechlin.}, language = {de} } @article{D'Aprile2019, author = {D'Aprile, Iwan-Michelangelo}, title = {Grass' Fontane und Fontanes Hoftaller}, series = {Horst Janssen und G{\"u}nter Grass}, journal = {Horst Janssen und G{\"u}nter Grass}, publisher = {Links}, address = {Berlin}, isbn = {978-3-96289-067-4}, pages = {56 -- 71}, year = {2019}, language = {de} } @article{D'Aprile2020, author = {D'Aprile, Iwan-Michelangelo}, title = {Zwischen Haskala und Heine}, series = {Heine Jahrbuch 2020}, journal = {Heine Jahrbuch 2020}, publisher = {Metzler}, address = {Heidelberg}, isbn = {978-3-662-62310-7}, doi = {10.1007/978-3-662-62311-4_8}, pages = {141 -- 154}, year = {2020}, abstract = {Heinrich Heines humoristische Anekdote aus der „Harzreise", in der ihm im Traum Saul Ascher als hartn{\"a}ckig die Prinzipien der Vernunft verfechtendes Nachtgespenst erscheint (vgl. DHA VI, 103 ff.), kann aus heutiger Sicht nicht dar{\"u}ber hinwegt{\"a}uschen, dass Ascher in vielerlei Hinsicht als direkter Vorl{\"a}ufer Heines gelten kann. Bevor Heine und Ludwig B{\"o}rne ab den 1820er Jahren mit ihren Reisefeuilletons und Korrespondenzberichten innovative Formen journalistischen Schreibens in die deutsche Literatur einf{\"u}hrten, hat Saul Ascher bereits eine politische Publizistik praktiziert, die sich vor allem in Zeitschriften und Zeitungen zum Ausdruck brachte und bis dato unbekannte Formen politischer {\"O}ffentlichkeit erschloss.}, language = {de} }