@article{Brechenmacher2022,
  author    = {Brechenmacher, Thomas},
  title     = {Grenzen der Toleranz},
  series = {Historisches Jahrbuch},
  volume    = {142},
  journal   = {Historisches Jahrbuch},
  publisher = {Herder},
  address   = {Freiburg im Breisgau},
  isbn      = {978-3-451-39448-5},
  issn      = {0018-2621},
  pages     = {3 -- 7},
  year      = {2022},
  language  = {de}
}
@article{D'Aprile2021,
  author    = {D'Aprile, Iwan-Michelangelo},
  title     = {Garlieb Merkel und die europ{\"a}ische Aufkl{\"a}rung},
  series = {Zinātniskie raksti = Proceedings of the National Library of Latvia / Latvijas Nacionālā Bibliotēka},
  volume    = {28},
  journal   = {Zinātniskie raksti = Proceedings of the National Library of Latvia / Latvijas Nacionālā Bibliotēka},
  number    = {8},
  publisher = {Latvijas Nacionālā Bibliotēka},
  address   = {Riga},
  issn      = {2661-5134},
  pages     = {13 -- 43},
  year      = {2021},
  language  = {de}
}
@article{D'Aprile2021,
  author    = {D'Aprile, Iwan-Michelangelo},
  title     = {Was k{\"o}nnte preußischer sein als Nathan},
  series = {Theodor Fontane und das Erbe der Aufkl{\"a}rung},
  journal   = {Theodor Fontane und das Erbe der Aufkl{\"a}rung},
  editor    = {Gr{\"u}ne, Matthias and Kittelmann, Jana},
  publisher = {de Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-066453-9},
  doi       = {10.1515/9783110666984-002},
  pages     = {13 -- 30},
  year      = {2021},
  language  = {de}
}
@article{D'Aprile2022,
  author    = {D'Aprile, Iwan-Michelangelo},
  title     = {{\´E}ducation publique et formation autodidacte},
  series = {Lumi{\`e}res},
  volume    = {1},
  journal   = {Lumi{\`e}res},
  number    = {39},
  publisher = {CIBEL},
  address   = {Pessac},
  issn      = {1762-4630},
  doi       = {10.3917/lumi.039.0047},
  pages     = {47 -- 61},
  year      = {2022},
  abstract  = {Cet article explore les d{\´e}bats sur la formation autodidacte dans le contexte d'une constellation franco-allemande autour de 1800. Il met en {\´e}vidence les interf{\´e}rences f{\´e}condes qui ont exist{\´e} entre les Lumi{\`e}res fran{\c{c}}aises, notamment par l'interm{\´e}diaire de Mirabeau, et l'Aufkl{\"a}rung allemande, en particulier les cercles berlinois autour de la Mittwochsgesellschaft et Wilhelm von Humboldt. Il analyse par ailleurs la dimension politique de l'autodidaxie {\`a} la veille de la R{\´e}volution fran{\c{c}}aise.},
  language  = {fr}
}
@article{D'Aprile2021,
  author    = {D'Aprile, Iwan-Michelangelo},
  title     = {Public character},
  series = {J{\"u}dische und christliche Intellektuelle in Berlin um 1800 : Freundschaften - Partnerschaften - Feindschaften},
  journal   = {J{\"u}dische und christliche Intellektuelle in Berlin um 1800 : Freundschaften - Partnerschaften - Feindschaften},
  publisher = {Wehrhahn},
  address   = {Hannover},
  isbn      = {978-3-86525-825-0},
  pages     = {247 -- 262},
  year      = {2021},
  language  = {de}
}
@article{AscheGerber2022,
  author    = {Asche, Matthias and Gerber, Stefan},
  title     = {Student association},
  series = {Encyclopedia of Early Modern History. Seven Year's War. Symbolic Money},
  volume    = {13},
  journal   = {Encyclopedia of Early Modern History. Seven Year's War. Symbolic Money},
  editor    = {Dunphy, Graeme and Gow, Andrew},
  publisher = {Brill},
  address   = {Leiden},
  isbn      = {978-90-04-26991-0},
  year      = {2022},
  language  = {en}
}
@article{Asche2022,
  author    = {Asche, Matthias},
  title     = {Kurf{\"u}rstin Dorothea und die Hugenotten in Schwedt und Vierraden},
  series = {Kurf{\"u}rstin Dorothea von Brandenburg : eine gl{\"u}ckliche F{\"u}gung f{\"u}r die Herrschaft Schwedt},
  journal   = {Kurf{\"u}rstin Dorothea von Brandenburg : eine gl{\"u}ckliche F{\"u}gung f{\"u}r die Herrschaft Schwedt},
  publisher = {Stadt Schwedt Stadtmuseum},
  address   = {Schwedt},
  isbn      = {978-3-9817515-4-3},
  pages     = {57 -- 71},
  year      = {2022},
  language  = {de}
}
@article{Marnette2020,
  author    = {Marnette, Victor},
  title     = {F{\"u}hrung. Groß. Gedacht. Milit{\"a}rische F{\"u}hrung in den deutschen Streitkr{\"a}ften des 20. Jahrhunderts},
  series = {Milit{\"a}rgeschichtliche Zeitschrift},
  volume    = {79},
  journal   = {Milit{\"a}rgeschichtliche Zeitschrift},
  number    = {1},
  publisher = {De Gruyter},
  address   = {Oldenburg},
  issn      = {2193-2336},
  doi       = {10.1515/mgzs-2020-0008},
  pages     = {146 -- 150},
  year      = {2020},
  language  = {de}
}
@article{Scianna2020,
  author    = {Scianna, Bastian Matteo},
  title     = {Rezension zu: "Italy and the Second World War. Alternative Perspectives / Hrsg.: Emanuele Sica ; Richard Carrier. - Leiden [u. a.]: Brill, 2018. - XV, 366 S. - (History of Warfare, 121). - ISBN 978‑90‑04‑36333‑5"},
  series = {Milit{\"a}rgeschichtliche Zeitschrift},
  volume    = {79},
  journal   = {Milit{\"a}rgeschichtliche Zeitschrift},
  number    = {1},
  publisher = {De Gruyter},
  address   = {Berlin},
  issn      = {2193-2336},
  doi       = {10.1515/mgzs-2020-0049},
  pages     = {280 -- 282},
  year      = {2020},
  abstract  = {Die Rolle Italiens im Zweiten Weltkrieg wird, trotz enormer Fortschritte in den letzten Jahren, h{\"a}ufig stiefm{\"u}tterlich behandelt oder bleibt das Metier einiger Spezialisten. Emanuele Sica und Richard Carrier, beide ausgewiesene Experten und in Kanada lehrend, haben einen anregenden Sammelband vorgelegt, der vergleichende (Ein‑)Blicke gestattet. Der Band {\"u}berzeugt durch eine gute Balance zwischen quellenges{\"a}ttigten Beitr{\"a}gen und neuen Erkenntnissen sowie sekund{\"a}rliteraturgest{\"u}tzten Synthesen. Das Hauptaugenmerk liegt hierbei deutlich auf milit{\"a}rischen Themen, auch wenn durchaus sozialgeschichtliche Aspekte einfließen. Der erste Abschnitt untersucht die Besatzungsherrschaft in Jugoslawien, Kreta und S{\"u}dfrankreich. Wissenschaftliche Untersuchungen zur italienischen Besatzungsherrschaft haben in den letzten Jahren das ehemals vorherrschende Bild des »guten Italieners« einer notwendigen Korrektur unterzogen. Diese Besatzungen k{\"o}nnen mittlerweile als eines der am besten erforschten Felder bezeichnet werden. Eric Gobetti und Federico Goddi steuern konzise Zusammenfassungen ihrer Monografien bei. Gobetti, der die italienische Besatzung Jugoslawiens von 1941 bis 1943 beleuchtet, hebt die zugleich arrogante und unkoordinierte Okkupationspolitik sowie die kontraproduktive Zusammenarbeit mit lokalen radikalen Nationalisten hervor. Diese beiden Faktoren, so Gobetti, best{\"a}rkten den Widerstand gegen die Italiener und beendeten faschistische Tr{\"a}ume eines Imperiums entlang der Adria. Goddi analysiert in seinem prim{\"a}rquellenreichen Beitrag die Reaktionen des italienischen Milit{\"a}rs auf den montenegrinischen Aufstand am 13. Juli 1941. Anhand des Milit{\"a}rgerichts in Cetinje verdeutlicht der Autor die unterschiedlichen Repressionsinstrumente und die Zusammenarbeit mit lokalen Kollaborateuren, wobei nicht immer deutlich wird, in welche Richtung Goddi argumentiert. Der Beitrag von Paolo Fonzi {\"u}ber das italienische Besatzungsregime auf Kreta ist besonders hervorzuheben. Fonzi zeigt, dass im Vergleich zur italienischen Besatzung auf dem griechischen Festland die Herrschaft {\"u}ber den {\"o}stlichen Teil Kretas weniger brutal war. Das lag nicht an der sprichw{\"o}rtlichen Milde der Italiener, sondern an situativen Gegebenheiten. Die Italiener versuchten, wie in anderen Teilen Griechenlands, ihre Zone vom deutschen Besatzungsgebiet »abzutrennen« und eine italienische Sph{\"a}re zu errichten. Allerdings fielen die Zwangsmaßnahmen, etwa im wirtschaftlichen oder kulturellen Bereich, viel geringer aus als andernorts, was sich darin niederschlug, dass sich im Osten der Insel keine Guerrillabewegung bildete. Neben der generell geringen Partisanenaktivit{\"a}t auf den griechischen Inseln f{\"u}hrt Fonzi dies auch auf die große Zahl der italienischen Soldaten (15 000-22 000) in Relation zur Zivilbev{\"o}lkerung (70 000) zur{\"u}ck. Schaut man jedoch auf die Zahlen in Montenegro aus Goddis Beitrag (107 000 italienische Soldaten - 390 000 Zivilisten) scheint das zahlenm{\"a}ßige Verh{\"a}ltnis nicht ungew{\"o}hnlich, auch wenn in beiden F{\"a}llen die Zahl der Soldaten sehr hoch ist. {\"U}berzeugender ist Fonzis Analyse der lokalen Kultur als hemmender Faktor. Im Osten der Insel sei die Tradition des Widerstandes und des Milit{\"a}rdienstes allgemein weniger verankert gewesen. Zudem halfen die Italiener der Bev{\"o}lkerung Engp{\"a}sse in der Lebensmittelversorgung zu vermeiden. Die Beitr{\"a}ge zur Besatzung, abgerundet durch eine Studie zur italienischen Besatzung in (S{\"u}dost‑)Frankreich, zeigen daher unterschiedliche Herangehensweisen und Reaktionen des Milit{\"a}rs, je nach Situation. Der zweite Abschnitt widmet sich einem oft vernachl{\"a}ssigten Kapitel der italienischen Rolle im Zweiten Weltkrieg: dem Kampf regul{\"a}rer Einheiten, also nicht der Resistenza, gegen die Wehrmacht und die italienische faschistische Republik im Norden ab Oktober 1943. Richard Carrier analysiert die ambivalenten britischen und amerikanischen Einsch{\"a}tzungen des taufrischen B{\"u}ndnispartners, die internen Probleme der »neuen« Armee (die das Fundament der Streitkr{\"a}fte nach 1945 bildete und somit institutionelle Kontinuit{\"a}t »bewahrte«) sowie den nicht unbedeutenden aktiven und passiven Einsatz italienischer Soldaten an der Seite der Alliierten. Niccol{\`o} Da Lio skizziert in einer Milit{\"a}rgeschichte »von unten« die Motivation und Gef{\"u}hlslagen der Soldaten nach dem 8. September 1943 (Waffenstillstand zwischen Italien und den Alliierten) bis zur Befreiung des Landes. Der dritte Abschnitt des Sammelbandes widmet sich der Rolle der Resistenza und geht auf verschiedene Facetten des B{\"u}rgerkriegs ein, etwa die Miteinbeziehung von Frauen oder die Bestrafung von Faschisten bis 1945. Der letzte Teil des Bandes untersucht den Einsatz der istrischen Minderheit im Krieg gegen die Sowjetunion und die Kriegserfahrung italienisch-st{\"a}mmiger Soldaten der Alliierten im Geburtsland ihrer Vorfahren sowie die Aufarbeitung deutscher Kriegsverbrechen in Italien nach dem 8. September 1943. Das Vor‑ und Nachwort der Herausgeber spannt einen gelungenen Bogen, zeigt Forschungstendenzen auf, fasst Ergebnisse des Bandes zusammen und liefert zugleich Anreize f{\"u}r weitere Studien. Zu bem{\"a}ngeln ist, dass sich auf 366 Seiten keine Karte findet und dem Leser daher eine detaillierte Kenntnis, zum Beispiel der Geografie Montenegros, abverlangt wird. Dennoch wird das vorliegende Werk f{\"u}r viele Kollegen ein wichtiger und st{\"a}ndiger Begleiter werden, denn es leistet einen wichtigen Beitrag, um Italiens Rolle (und die des K{\"o}niglichen Heeres) im Zweiten Weltkrieg besser zu verstehen.},
  language  = {de}
}
@article{Pschichholz2020,
  author    = {Pschichholz, Christin},
  title     = {Introduction: Old and new assumptions in the thirty-year. - Genocide: reflections on historical research},
  series = {Journal of genocide research},
  volume    = {22},
  journal   = {Journal of genocide research},
  number    = {4},
  publisher = {Routledge},
  address   = {Abingdon},
  issn      = {1462-3528},
  doi       = {10.1080/14623528.2020.1735539},
  pages     = {533 -- 534},
  year      = {2020},
  language  = {en}
}
@article{Kleinjung2020,
  author    = {Kleinjung, Christine},
  title     = {Rezension zu: R{\"o}ckelein, Hedwig: Schriftlandschaften, Bildungslandschaften und religi{\"o}se Landschaften des Mittelalters in Norddeutschland, with a foreword by Helwig Schmidt-Glintzer. - Wolfenb{\"u}ttel: Herzog August Bibliothek Wolfenb{\"u}ttel, 2015. - Pp. 108. - ISBN: 978-3-4471-0393-0. - (Wolfenb{\"u}tteler ; 33)},
  series = {Speculum : a journal of medieval studies},
  volume    = {95},
  journal   = {Speculum : a journal of medieval studies},
  number    = {2},
  publisher = {University of Chicago Press},
  address   = {Chicago},
  issn      = {0038-7134},
  doi       = {10.1086/708606},
  pages     = {616 -- 617},
  year      = {2020},
  language  = {en}
}
@article{Schenck2022,
  author    = {Schenck, Marcia C.},
  title     = {Rethinking Refuge: Processes of Refuge Seeking in Africa},
  series = {Africa Today},
  volume    = {69},
  journal   = {Africa Today},
  number    = {1-2},
  editor    = {Schenck, Marcia C. and Njung, George N.},
  publisher = {Indiana University Press},
  address   = {Bloomington},
  issn      = {1527-1978},
  pages     = {1 -- 13},
  year      = {2022},
  language  = {en}
}
@article{Wyrwa2020,
  author    = {Wyrwa, Ulrich},
  title     = {Vom Lessing-Verein zur Antisemiten-Liga},
  series = {{\´E}tudes germaniques : revue trimestrielle de la Soci{\´e}t{\´e} des {\´E}tudes Germaniques},
  volume    = {75},
  journal   = {{\´E}tudes germaniques : revue trimestrielle de la Soci{\´e}t{\´e} des {\´E}tudes Germaniques},
  number    = {3},
  publisher = {Didier Erudition},
  address   = {Paris},
  issn      = {0014-2115},
  doi       = {10.3917/eger.299.0521},
  pages     = {521 -- 532},
  year      = {2020},
  abstract  = {The German writer Wilhelm Marr is known as the father of modern antisemitism. Little attention has been paid to the fact that Marr did not coin the term "antisemitism" in his influential pamphlet Der Sieg des Judenthums {\"u}ber das Germanenthum published in March 1879. The neologism first appeared in the name and programme of the "Antisemiten-Liga" which came to existence in September 1879. Even less attention has been paid to the fact that it was not Marr, but the Berlin chemist and engineer Hector de Grousilliers who was the initiator of this political organisation. Although Marr attended the founding meeting and joined it as a member, he played no active role in it. Grousilliers, paradoxically, first had the idea of founding a "Lessing-Verein", before his "Antisemiten-Liga" came into being in an absurd volte-face. Carrying out a bizarre revaluation of Lessing's Ring Parable, Grousilliers attributed antisemitic semantics to the concept of tolerance. He delivered several speeches on tolerance in the "League" before turning his attention to the publication of the antisemitic humorous-satirical magazine Die Wahrheit. Humoristisch-satirisches Wochenblatt.},
  language  = {de}
}
@article{Partenheimer2021,
  author    = {Partenheimer, Lutz},
  title     = {Albrecht der B{\"a}r und die Entstehung Brandenburgs},
  series = {M{\"a}rkische Lebensl{\"a}ufe ; Band 1},
  journal   = {M{\"a}rkische Lebensl{\"a}ufe ; Band 1},
  publisher = {Verlag f{\"u}r Regional- und Zeitgeschichte},
  address   = {Berlin},
  isbn      = {978-3-948052-15-7},
  pages     = {159},
  year      = {2021},
  language  = {de}
}
@article{Brechenmacher2022,
  author    = {Brechenmacher, Thomas},
  title     = {Fontanes j{\"u}dische Namen},
  series = {Fontanes Medien},
  journal   = {Fontanes Medien},
  publisher = {de Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-073323-5},
  doi       = {10.1515/9783110733235-021},
  pages     = {337 -- 353},
  year      = {2022},
  language  = {de}
}
@article{Bollen2020,
  author    = {Bollen, Timo},
  title     = {The Burgundian Legacy of the Hohenstaufen Dynasty (1180-1227)},
  series = {Deutsche Zeitschrift f{\"u}r Geschichtswissenschaft},
  volume    = {68},
  journal   = {Deutsche Zeitschrift f{\"u}r Geschichtswissenschaft},
  number    = {11},
  publisher = {Metropol-Verl.},
  address   = {Berlin},
  issn      = {0044-2828},
  pages     = {967 -- 968},
  year      = {2020},
  language  = {de}
}
@article{Ruerup2021,
  author    = {R{\"u}rup, Miriam},
  title     = {Vor aller Augen unsichtbar?},
  series = {Die Denkmalpflege : wissenschaftliche Zeitschrift der Vereinigung der Landesdenkmalpfleger in der Bundesrepublik Deutschland},
  volume    = {79},
  journal   = {Die Denkmalpflege : wissenschaftliche Zeitschrift der Vereinigung der Landesdenkmalpfleger in der Bundesrepublik Deutschland},
  number    = {1},
  publisher = {Deutscher Kunstverlag},
  address   = {Berlin},
  issn      = {0947-031X},
  doi       = {10.1515/dkp-2021-1003},
  pages     = {9 -- 14},
  year      = {2021},
  language  = {de}
}
@article{GnaedigSeidelSiehretal.2022,
  author    = {Gn{\"a}dig, Susanne and Seidel, Astrid and Siehr, Karl-Heinz and Wienecke, Maik},
  title     = {Das Tagespraktikum im Fokus - Eine Analyse aus fachdidaktischer Sicht},
  series = {Professionalisierung in Praxisphasen : Ergebnisse der Lehrerbildungsforschung an der Universit{\"a}t Potsdam (Potsdamer Beitr{\"a}ge zur Lehrerbildung und Bildungsforschung ; 2)},
  journal   = {Professionalisierung in Praxisphasen : Ergebnisse der Lehrerbildungsforschung an der Universit{\"a}t Potsdam (Potsdamer Beitr{\"a}ge zur Lehrerbildung und Bildungsforschung ; 2)},
  number    = {2},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-508-8},
  issn      = {2626-3556},
  doi       = {10.25932/publishup-57074},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-570742},
  pages     = {91 -- 121},
  year      = {2022},
  abstract  = {Die fachdidaktischen Tagespraktika (FTP) bilden ein Kernelement im Potsdamer Modell der Lehrerbildung, weist man ihnen doch eine „studienleitende Funktion" zu. Wie aber realisiert sich diese Funktion in den einzelnen F{\"a}chern an der Universit{\"a}t Potsdam und welche Folgen ergeben sich f{\"u}r die Ausbildung der Lehramtsstudierenden ? Zur Beantwortung dieser Frage wurde eine Analyse der Verankerung der FTP in allen Studienordnungen hinsichtlich qualitativer (Inhalte und Ziele, Pr{\"u}fungsformen, Belegungsvoraussetzungen) und quantitativer (Leistungspunkte, Semesterwochenstunden) Kriterien durchgef{\"u}hrt. Leitfadengest{\"u}tzte Interviews mit verantwortlichen Fachdidaktikerinnen und Fachdidaktikern dienten der Untersuchung der konkreten Umsetzung und der Relevanzzuschreibung. Ziel war es, durch das Zusammenf{\"u}hren beider Zug{\"a}nge - der realiter existierenden Curricula, der individualisierten Praktiken sowie der subjektiven {\"U}berzeugungen - ein Verst{\"a}ndnis eben jener „studienleitenden Funktion" zu erlangen und anschließend Diskussions- und Handlungsfelder f{\"u}r die Weiterentwicklung des FTP herauszuarbeiten.},
  language  = {de}
}
@article{Geppert2020,
  author    = {Geppert, Dominik Nicolas},
  title     = {Der Brexit in historischer Perspektive},
  series = {Merkur : deutsche Zeitschrift f{\"u}r europ{\"a}isches Denken},
  volume    = {74},
  journal   = {Merkur : deutsche Zeitschrift f{\"u}r europ{\"a}isches Denken},
  number    = {850},
  publisher = {Klett-Cotta Verlag},
  address   = {Stuttgart},
  issn      = {0026-0096},
  pages     = {75 -- 93},
  year      = {2020},
  language  = {de}
}
@article{CarlaUhink2021,
  author    = {Carl{\`a}-Uhink, Filippo},
  title     = {Ein Schierlingsbecher oder ein Sprung ins Barathron?},
  series = {Historische Zeitschrift : HZ},
  volume    = {312},
  journal   = {Historische Zeitschrift : HZ},
  number    = {2},
  publisher = {De Gruyter},
  address   = {Berlin},
  issn      = {0018-2613},
  doi       = {10.1515/hzhz-2021-0007},
  pages     = {295 -- 331},
  year      = {2021},
  abstract  = {Der Aufsatz behandelt die drei unterschiedlichen Hinrichtungsformen, die im 5. und 4. Jahrhundert v. Chr. in Athen angedroht wurden: apotympanism{\´o}s, Sturz ins Barathron und Schierling. Eine solche Untersuchung verspricht reichen Aufschluss {\"u}ber die demokratische Ideologie, die entsprechenden Diskurse und ihre stetige Verst{\"a}rkung durch Prozesse und Bestrafungen. Der Aufsatz vertritt dabei die These, dass eine chronologische Analyse dieser Hinrichtungsformen einen wichtigen und bisher unerforschten Beitrag zur Debatte {\"u}ber Kontinuit{\"a}t und Diskontinuit{\"a}t in der athenischen Demokratie vor und nach der Tyrannis der Dreißig leisten kann. Er zeigt, dass die Formen, in denen die Todesstrafe angedroht wurde, das Ausmaß der {\"A}nderungen in den Diskursen in der und {\"u}ber die athenische Demokratie nach der Niederlage im Peloponnesischen Krieg erkennen l{\"a}sst. Die Unterschiede in den Exekutionsformen k{\"o}nnen einen wichtigen Beitrag zum Verst{\"a}ndnis der Verschiebung des Begriffes der „Gleichheit" vom 5. ins 4. Jahrhundert v. Chr. leisten.},
  language  = {de}
}
@article{Geppert2021,
  author    = {Geppert, Dominik Nicolas},
  title     = {Emotions and gender in Margaret Thatcher and Helmut Kohl's Cold War},
  series = {Diplomacy and statecraft},
  volume    = {32},
  journal   = {Diplomacy and statecraft},
  number    = {4},
  publisher = {Taylor \& Francis Group},
  address   = {Philadelphia},
  issn      = {0959-2296},
  doi       = {10.1080/09592296.2021.1996719},
  pages     = {766 -- 788},
  year      = {2021},
  abstract  = {Although German Federal Chancellor Helmut Kohl and British Prime Minister Margaret Thatcher were on the same side in the Cold War, as well as in the same family of moderate centre-right parties, despite being roughly the same age and sharing a fundamental market-economic and Atlanticist orientation, they were not in harmony emotionally. This analysis demonstrates how different genders, incompatible conceptions of nation, history, and regional origins, as well as experiences of mutual frustration eclipsed their ideological commonalities and counteracted against the 'emotional regimes' of 'the West' in the Cold War. It breaks new ground in several respects. First, it does not examine strong feelings that blotted out all others but rather a range of more ambivalent and nuanced emotions. Second, it links the themes of gender and feeling by enquiring about the male or female manifestations and attributions of certain emotions. Third, it focuses on not only men and women at the top but considers their entourages as either amplifiers or 'shock absorbers' of the leaders' feelings. Finally, it explores the scope and limits of the notion that the Cold War was an 'emotional regime'.},
  language  = {en}
}
@article{Straessner2022,
  author    = {Str{\"a}ssner, Ulrike},
  title     = {Gottes Dienerin vnd seines Reichs Amptsverweserin},
  series = {Aus der m{\"a}rkischen Streusandb{\"u}chse in die Welt hinein : Beitr{\"a}ge zur brandenburgischen, preußischen, s{\"a}chsischen und internationalen Geschichte},
  journal   = {Aus der m{\"a}rkischen Streusandb{\"u}chse in die Welt hinein : Beitr{\"a}ge zur brandenburgischen, preußischen, s{\"a}chsischen und internationalen Geschichte},
  publisher = {Lukas Verlag f{\"u}r Kunst- und Geistesgeschichte},
  address   = {Berlin},
  isbn      = {978-3-86732-423-6},
  pages     = {75 -- 91},
  year      = {2022},
  language  = {de}
}
@article{Freitag2021,
  author    = {Freitag, Lisa Marie},
  title     = {Vereinte Milit{\"a}rgeschichte: Der Arbeitskreis Milit{\"a}rgeschichte e.V. und die Entwicklung einer historischen Subdisziplin},
  series = {Milit{\"a}rgeschichtliche Zeitschrift : MGZ},
  volume    = {80},
  journal   = {Milit{\"a}rgeschichtliche Zeitschrift : MGZ},
  number    = {2},
  publisher = {De Gruyter},
  address   = {Berlin},
  issn      = {2193-2336},
  doi       = {10.1515/mgzs-2021-0051},
  pages     = {356 -- 360},
  year      = {2021},
  language  = {de}
}
@article{BrechenmacherDelgado2017,
  author    = {Brechenmacher, Thomas and Delgado, Mariano},
  title     = {Re-formation - zu einem Strukturprinzip der Christentums- und Religionsgeschichte},
  series = {Historisches Jahrbuch},
  volume    = {137},
  journal   = {Historisches Jahrbuch},
  publisher = {Alber},
  address   = {Freiburg, Breisgau},
  isbn      = {978-3-495-45294-3},
  issn      = {0018-2621},
  pages     = {3 -- 6},
  year      = {2017},
  language  = {de}
}
@article{Kessler2022,
  author    = {Keßler, Mario},
  title     = {Postkolonialismus und Internationalismus},
  series = {Historiker streiten : Gewalt und Holocaust - die Debatte},
  journal   = {Historiker streiten : Gewalt und Holocaust - die Debatte},
  publisher = {Propyl{\"a}en Verlag},
  address   = {Berlin},
  isbn      = {978-3-549-10050-9},
  pages     = {155 -- 170},
  year      = {2022},
  language  = {de}
}
@article{Keen2022,
  author    = {Keen, Tony},
  title     = {Legolas in Troy},
  series = {thersites 15},
  volume    = {2022},
  journal   = {thersites 15},
  number    = {15},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol15.223},
  pages     = {285 -- 313},
  year      = {2022},
  abstract  = {The Lord of the Rings movies were a cinematic phenomenon, extremely popular. They are not often considered as works of Classical Reception. These films' influence on subsequent ancient world movies has been understudied, and undervalued. A common model of cinematic Greece and Rome in the twenty-first century looks solely back to Gladiator. Undoubtedly Gladiator, and its commercial success, is important to how ancient world movies developed; but focussing solely on Gladiator does not explain a move away from Roman history towards Greek mythology, culminating in a flurry of movies about Greek mythological heroes. Lord of the Rings is an overlooked factor. Already in Troy two LOTR stars are in key roles, and the battle scenes seek to imitate those of Jackson's trilogy. 300 mythologizes far beyond Frank Miller's graphic novel, adding several monsters; LOTR's influence is at play here. LOTR's influence was one factor in a complex process that saw ancient world movies change in the twentyfirst century. LOTR fed into an atmosphere that moved ancient world movies towards Greece, away from Rome, through promoting the appeal of a combination of epic and the fantastic.},
  language  = {en}
}
@article{Stutz2022,
  author    = {Stutz, Kathryn H.},
  title     = {G. B. Smith's "Elzevir Cicero" and the Construction of Queer Immortality in Tolkien's Mythopoeia},
  series = {thersites 15},
  volume    = {2022},
  journal   = {thersites 15},
  number    = {15},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol15.225},
  pages     = {253 -- 284},
  year      = {2022},
  abstract  = {Following the death of J. R. R. Tolkien in 1973, an obituary appeared in The Times quoting Tolkien as having said that his "love for the classics took ten years to recover from lectures on Cicero and Demosthenes." This contentious relationship between Tolkien and the Greco-Roman past contrasts with the work of unabashedly classicizing poet Geoffrey Bache Smith, a school friend of Tolkien's who was killed in the Great War. When Tolkien collected Smith's poems for posthumous publication, this paper shows, Smith's engagements with the ancient world became part of Tolkien's own philosophy of immortality through literary composition. Within his 1931 poem "Mythopoeia," and his 1939 speech "On Fairy-Stories," Tolkien articulated a unified method of mythmaking by looking back to his lost friend's understanding of mythology as a type of ancient story-craft that enabled poets to preserve the dead against the ravages of time. By tracing a triangular path through the relationships between Tolkien, Smith, and the classical past inhabited by figures like Cicero, this paper argues that Tolkien not only recovered a "love for the classics," but used classical texts to "recover" his lost friend, granting Smith a queer, classical immortality in return.},
  language  = {en}
}
@article{Praet2022,
  author    = {Praet, Raf},
  title     = {The Throne of the King},
  series = {thersites 15},
  volume    = {2022},
  journal   = {thersites 15},
  number    = {15},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol15.210},
  pages     = {232 -- 252},
  year      = {2022},
  abstract  = {A conspicuous feature of Tolkien's description of the city of Minas Tirith in The Return of The King is the depiction of two thrones in the Great Hall; one empty throne reserved for the king, and one seat for the steward of Gondor. This paper aims to ascertain the late antique and mediaeval sources of inspiration behind Tolkien's creation of the throne room in Minas Tirith. As a starting point, we shall compare the setting of the two thrones in Minas Tirith with a motive in Christian iconography, the hetoimasia, and its architectural expression in the Chrysotriklinos, the throne room in the Byzantine Great Palace in Constantinople. Next, we shall show that Tolkien intentionally obscured his appropriation of the Byzantine throne room to create a multi-layered image of rulership, in accordance with his aesthetics of applicability and allegory. In conclusion, we shall formulate some remarks on the interpretation of the association between the Byzantine Chrysotriklinos and the Gondorian Great Hall. As a form of Tolkien's literary process of sub-creation, the description of the throne room in Minas Tirith serves to emphasise the significance of The Return of the King as a retelling of Christ's restoration of the fallen world, placing the work of Tolkien in the context of a strong personal Catholic piety.},
  language  = {en}
}
@article{Matz2022,
  author    = {Matz, Alicia},
  title     = {Quis enim laesos impune putaret esse deos?: Ents, Sacred Groves, and the Cost of Desecration},
  series = {thersites 15},
  volume    = {2022},
  journal   = {thersites 15},
  number    = {15},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol15.215},
  pages     = {204 -- 231},
  year      = {2022},
  abstract  = {Seneca the Younger, in his Letters, describes a sacred grove as a "thick grove of ancient trees which rise far above the usual height and block the view of the sky with their umbrella of intertwining branches" (Seneca the Younger, Letters 41.3). Fangorn Forest is clearly a sacred site as defined by Seneca, made even more sacred by the presence of the Ents. Thus, to violate it would be a terrible act of desecration, not unlike Lucan's narrator's shock at Caesar's desecration of the sacred grove at Massilia (Lucan BC 3.447 - 8, quoted in the title of this paper). After exploring the relationship between Ents and sacred groves, the paper will compare the fate of Caesar to that of Saruman, who violated Fangorn Forest. Just as Augoustakis (2006) argues that the violation of the grove foreshadows Caesar's death, so too Saruman's death at the hands of Wormtongue becomes a fitting punishment for his violation of Fangorn.},
  language  = {en}
}
@article{ChinnThompson2022,
  author    = {Chinn, Christopher and Thompson, Phoebe},
  title     = {Tolkien's Ithilien and the Landscape of the Ancient Mediterranean},
  series = {thersites 15},
  volume    = {2022},
  journal   = {thersites 15},
  number    = {15},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol15.211},
  pages     = {163 -- 203},
  year      = {2022},
  abstract  = {This paper examines the intertext between Tolkien's Ithilien episode in Two Towers and artistic presentations of plants in the art and literature of Augustan Rome. We argue that the evident 'superbloom' depicted in the ekphrasis of the flora of Ithilien recalls both Vergilian botanical adynata (especially in the Georgics) and Roman wall paintings of the Augustan period.},
  language  = {en}
}
@article{Oughton2022,
  author    = {Oughton, Charles W.},
  title     = {Roman Heroes at Helm's Deep?},
  series = {thersites 15},
  volume    = {2022},
  journal   = {thersites 15},
  number    = {15},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol15.214},
  pages     = {123 -- 162},
  year      = {2022},
  abstract  = {This article analyzes Tolkien's narrative of the Battle of Helm's Deep as a retelling of the Horatius Cocles episode from Livy's AUC, which contains descriptions of the defenses and the bridge, a rally encouraged by Horatius, his bold stand both with his companions and alone, and the honors paid to him after the battle. Tolkien's Battle of Helm's Deep contains the same elements split across two narratives: the defense of the causeway leading to the gates of the Deep by Aragorn, {\´E}omer, and Gimli; and, after the fall of the Deeping wall, Aragorn's defiant stand alone on the stairway leading to the inner doors of the Hornburg. Aragorn's double action demonstrates a fulfillment of Livy's exemplary arc. Tolkien's knowledge of Macaulay's "Horatius" provides a possible intermediary that accounts for various additions to the story. However, the larger structure of Tolkien's narrative as well as the imagery that resonates throughout the text distinctly evoke the vivid descriptions of Livy. While both sets of heroes make brave stands against their enemies, Tolkien's warriors represent a civilizing force in their efforts to build and restore their defenses while Livy's Roman heroes destroy the bridge to save their state.},
  language  = {en}
}
@article{Kambo2022,
  author    = {Kambo, Kevin},
  title     = {Platonic Tripartition and the Peoples of Middle-Earth},
  series = {thersites 15},
  volume    = {2022},
  journal   = {thersites 15},
  number    = {15},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol15.219},
  pages     = {90 -- 122},
  year      = {2022},
  abstract  = {Tolkien's The Hobbit and The Lord of the Rings employ traditional races from fairy tales: elves, men and dwarves. These peoples are differentiated principally by their dominant desires, but also by their speech, diet, and realms. I argue that these three races are significantly inspired by the three aspects that characterize the Republic's tripartite soul—logistikon, thumoeides, and epithumetikon—along with their respective principal desires: desire for truth, greatness, and material goods. For Tolkien, therefore, these races have a corporate or political psychology that explains who they are as peoples in the history of Middle-earth. I offer a comprehensive view of the major races, connecting the dwarves with the appetitive artisans of the Republic, humans with the honour- and glory-seeking auxiliaries, and elves with the ruling guardians. This treatment explains the artisanal dwarves, as well as the battle-loving men (and women) of Rohan and Gondor, and the nostalgic, 'anamnetic' condition of exile that distinguishes the elves. Indeed, the condition of elves in many descriptions recalls a Platonic philosopher returned to the Cave, as well as the Neo-Platonic sagacity pictured in the biographies of Plotinus and Proclus.},
  language  = {en}
}
@article{Capra2022,
  author    = {Capra, Elena Sofia},
  title     = {"Orfeo out of Care"},
  series = {thersites 15},
  volume    = {2022},
  journal   = {thersites 15},
  number    = {15},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol15.209},
  pages     = {52 -- 89},
  year      = {2022},
  abstract  = {The paper focuses on an example of multiple-step reception: the contribution of the classical story of Orpheus and Eurydice and the mediaeval lay Sir Orfeo to Tolkien's work. In the first part, I compare the lay with Virgilian and Ovidian versions of Orpheus' myth. This comparison shows the anonymous author's deep knowledge of the ancient texts and complex way of rewriting them through stealing and hybridization. The lay was highly esteemed by Tolkien, who translated it and took inspiration from it while describing the Elven kingdom in The Hobbit and building the storyline of Beren and L{\´u}thien in The Silmarillion. Through this key tale, Orpheus/Orfeo's romance has a deep influence also on Aragorn and Arwen's story in The Lord of the Rings. The most important element that Tolkien takes from the Sir Orfeo figuration of the ancient story is undoubtedly the insertion of political theme: the link established between the recovery of the main character's beloved and the return to royal responsability. The second part of the paper is, thus, dedicated to the reception of Sir Orfeo and the classical myth in Tolkien. It shows how in his work the different steps of the tradition of Orpheus' story are co-present, creating an inextricable substrate of inspiration that nourishes his imagination.},
  language  = {en}
}
@article{Pezzini2022,
  author    = {Pezzini, Giuseppe},
  title     = {(Classical) Narratives of Decline in Tolkien: Renewal, Accommodation, Focalisation},
  series = {thersites 15},
  volume    = {2022},
  journal   = {thersites 15},
  number    = {15},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol15.213},
  pages     = {25 -- 51},
  year      = {2022},
  abstract  = {The paper investigates Tolkien's narratives of decline through the lens of their classical ancestry. Narratives of decline are widespread in ancient culture, in both philosophical and literary discourses. They normally posit a gradual degradation (moral and ontological) from an idealized Golden Age, which went hand-in-hand with increasing detachment of gods from mortal affairs. Narratives of decline are also at the core of Tolkien's mythology, constituting yet another underresearched aspect of classical influence on Tolkien. Such Classical narratives reverberate e.g. in Tolkien's division of Arda's history into ages, from an idealized First Age filled with Joy and Light to a Third Age, described as "Twilight Age (…) the first of the broken and changed world" (Letters 131). More generally, these narratives are related to Tolkien's notorious perception of history as a "long defeat" (Letters 195) and to that "heart-racking sense of the vanished past" which pervades Tolkien's works - the emotion which, in his words, moved him "supremely" and which he found "small difficulty in evoking" (Letters 91). The paper analyses the reception of narratives of decline in Tolkien's legendarium, pointing out similarities but also contrasts and differences, with the aim to discuss some key patterns of (classical) reception in Tolkien's theory and practice ('renewal', 'accommodation', 'focalization').},
  language  = {en}
}
@article{Cristini2022,
  author    = {Cristini, Marco},
  title     = {The Fall of Two Cities: Troy and Gondolin},
  series = {thersites 15},
  volume    = {2022},
  journal   = {thersites 15},
  number    = {15},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  doi       = {10.34679/thersites.vol15.200},
  pages     = {1 -- 24},
  year      = {2022},
  abstract  = {Vergil was a fundamental source of inspiration for Tolkien, not only when writing the Lord of the Rings, but also at the beginning of his "world-building". The Fall of Gondolin, written in 1916, was modeled upon the Aeneid, whose second book shares many similarities with the description of Gondolin's last day. For instance, the attack that seals the fate of the city takes place during a feast in both works, whereas both protagonists (Aeneas and Tuor) leave wives and sons to fight the enemy and witness deaths of their kings (Priam/Turgon). Other analogies include the topos of the fall of the tallest tower of the city as well as the scenes of Creusa/Idril clasping the knees of her husband and begging him not to go back to the battle. Tolkien chose the Aeneid as his main model because, in his opinion, the Aeneid and The Fall of Gondolin evoked the air of antiquity and melancholy. Vergil's nostalgia for a "lost world" conveyed in the Aeneid greatly resembles the nostalgia pervading both Tolkien's writing and life.},
  language  = {en}
}
@article{MatzPaprocki2022,
  author    = {Matz, Alicia and Paprocki, Maciej},
  title     = {There and Back Again: Tolkien and Greco-Roman Antiquity},
  series = {thersites 15},
  volume    = {2022},
  journal   = {thersites 15},
  number    = {15},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol15.228},
  pages     = {i -- xii},
  year      = {2022},
  abstract  = {The following introduction sketches the status questionis of the research on the influence of Greco-Roman antiquity on the works of Tolkien and provides details about the volume's theoretical impetus and its broad themes. The editors discuss Tolkien's complicated and indirect relationship with classical models, underscoring certain emergent themes in volume's contributions, such as decline, multifocal reception and relationship with nature.},
  language  = {en}
}
@article{Wyrwa2017,
  author    = {Wyrwa, Ulrich},
  title     = {Zum Hundertsten nichts Neues},
  series = {Deutsche Zeitschrift f{\"u}r Geschichtswissenschaft},
  volume    = {65},
  journal   = {Deutsche Zeitschrift f{\"u}r Geschichtswissenschaft},
  number    = {11},
  publisher = {Metropol-Verl.},
  address   = {Berlin},
  issn      = {0044-2828},
  pages     = {955 -- 976},
  year      = {2017},
  language  = {de}
}
@article{Renault2021,
  author    = {Renault, Manon},
  title     = {Antiquit{\´e}s et pop cultures dans la haute couture et le pr{\^e}t-{\`a}-porter des ann{\´e}es 2010},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  doi       = {10.34679/thersites.vol13.149},
  pages     = {125 -- 140},
  year      = {2021},
  abstract  = {From the fluid dresses woven from precious materials evoking the iconic statues of Antiquity to the revival of Spartan shoes, two emblematic fashion trends will help us study the place of Greek Antiquity in contemporary women's fashion collections. Ordinary as well as extraordinary, what do these reminiscences tell? Can they permit to understand the boundaries that structure and govern the fashion's worlds? Numerous and diverse, the differences and the similarities of the ways in which classical references are used allow us to study the relations of power in which the specificities of haute couture and ready-to-wear are defined. The values, the entry criteria, the operating hierarchies as well as the very acceptance of the word "fashion" are different from one environment to another. From the catwalks of big fashion houses on Avenue Montaigne such as Chanel to the youngest brands, the differentiated readings and uses of Antiquity raise the question of the symbolic value of classics in fashion.},
  language  = {fr}
}
@article{D'Aprile2022,
  author    = {D'Aprile, Iwan-Michelangelo},
  title     = {Post aus Felsenburg},
  series = {300 Jahre "Robinson Crusoe" : ein Weltbestseller und seine Rezeptionsgeschichte},
  journal   = {300 Jahre "Robinson Crusoe" : ein Weltbestseller und seine Rezeptionsgeschichte},
  publisher = {de Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-077606-5},
  doi       = {10.1515/9783110776195-008},
  pages     = {145 -- 166},
  year      = {2022},
  abstract  = {2019 j{\"a}hrte sich das Erscheinen von Defoes Robinson Crusoe zum 300. Mal. Zu diesem Anlass fand am Zentrum f{\"u}r Buchwissenschaft der LMU M{\"u}nchen eine Tagung statt, bei der buchhandelsgeschichtliche Kontexte des Romans dargelegt, neue Interpretationen diskutiert sowie die Rezeption des Robinson Crusoe untersucht wurden. In der Einleitung des Sammelbandes legt Christine Haug dar, unter welchen presse- und buchgeschichtlichen Voraussetzungen sich Daniel Defoe im fr{\"u}hkapitalistischen London als Bestsellerautor und politischer Journalist etablieren konnte. Die folgenden Beitr{\"a}ge behandeln motivgeschichtliche, {\"o}konomische, kultur- und rechtsgeschichtliche Aspekte des Robinson Crusoe (Oliver Bach, Anne Enderwitz, Hania Siebenpfeiffer, Daniel Syrovy), befassen sich mit der Gattung der Robinsonade ( Iwan Michelangelo d'Aprile, Norbert Bachleitner, Wolfram Malte Fues, Wynfrid Kriegleder), mit jugendliterarischen Bearbeitungen des Stoffes (Andrew O`Malley, Peter Pohl, Hans-Heino Ewers) und mit der Robinson-Rezeption in der Lyrik und im Roman des 19. und 20. Jahrhunderts (Bill Bell, Daniela Jancs{\´o}). Der vorliegende Sammelband geh{\"o}rt zu den wenigen neuen Neuerscheinungen, die zum Robinson-Jahr ver{\"o}ffentlicht wurden. Erstmals wird darin im deutschsprachigen Raum die aktuelle internationale Forschung zu Defoe ausf{\"u}hrlich dargestellt und mit einer innovativen Sicht auf den in Entstehung begriffenen globalen Buchmarkt verbunden.},
  language  = {de}
}
@article{CarlaUhinkFreitag2022,
  author    = {Carl{\`a}-Uhink, Filippo and Freitag, Florian},
  title     = {Theme Park Imitations},
  series = {Cultural History},
  volume    = {11},
  journal   = {Cultural History},
  number    = {2},
  publisher = {Edinburgh University Press},
  address   = {Edinburgh},
  issn      = {2045-290X},
  doi       = {10.3366/cult.2022.0267},
  pages     = {181 -- 198},
  year      = {2022},
  abstract  = {Theme parks frequently draw not only on historical themes, from antiquity to the roaring twenties, but also on their own history - that is, the history of the medium of the theme park itself. This article uses the example of the Happy World ride at Happy Valley Beijing (China) to discuss theme park imitations, that is, the fact that theme parks frequently borrow individual elements (themes, technologies, visuals, layouts, names) and/or entire units (rides, restaurants, themed areas) from each other. Opened in 2014 in the Greek-themed Aegean Harbour section of Happy Valley Beijing, Happy World may upon first sight look like an almost exact copy of Disney's 'it's a small world' (opened at Disneyland in California in 1966) but turns out to be, upon closer examination, a complex refunctionalization of central elements of 'it's a small world' that establishes meaningful connections between (ancient) Greece and the city of Beijing via the theme of the Olympic Games: drawing on the origins of 'it's a small world' in the 1964-5 New York World's Fair and the latter's motto of 'Peace through Understanding', Happy World takes visitors on a journey from the ancient Olympiad to contemporary Beijing (the site of the 2008 Summer and the 2022 Winter Olympic Games) to offer a theme park rendition of the 2008 Olympic torch relay as an homage to 'the spirit [of peace, respect, and friendship] in the people's [sic] of the world'.},
  language  = {en}
}
@article{Gloeckner2022,
  author    = {Gl{\"o}ckner, Olaf},
  title     = {Trauma, Sieger, Selbstbehauptung},
  series = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps},
  journal   = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps},
  publisher = {Hentrich und Hentrich Verlag Berlin},
  address   = {Berlin},
  isbn      = {978-3-95565-541-9},
  pages     = {117 -- 122},
  year      = {2022},
  language  = {de}
}
@article{Kotowski2022,
  author    = {Kotowski, Elke-Vera},
  title     = {Die Geschichte als Sinngebung ...},
  series = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps},
  journal   = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps},
  publisher = {Hentrich und Hentrich Verlag Berlin},
  address   = {Berlin},
  isbn      = {978-3-95565-541-9},
  pages     = {79 -- 84},
  year      = {2022},
  language  = {de}
}
@article{Homolka2022,
  author    = {Homolka, Walter},
  title     = {Konvergenzen: Rationale Theologie als Moment christlich-j{\"u}discher Ann{\"a}herung},
  series = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps},
  journal   = {Dynamiken des Erinnerns : der Zukunft ein Ged{\"a}chtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps},
  publisher = {Hentrich und Hentrich Verlag Berlin},
  address   = {Berlin},
  isbn      = {978-3-95565-541-9},
  pages     = {49 -- 57},
  year      = {2022},
  language  = {de}
}
@article{Martykanova2017,
  author    = {Martykanova, Darina},
  title     = {A Gateway to the World},
  series = {Diasporas : circulations, migrations, histoire},
  volume    = {29},
  journal   = {Diasporas : circulations, migrations, histoire},
  publisher = {Presses Universitaires du Midi},
  address   = {Toulouse},
  issn      = {1637-5823},
  doi       = {10.4000/diasporas.718},
  pages     = {33 -- 51},
  year      = {2017},
  abstract  = {In the second half of the 19th century, the French {\´E}cole centrale des arts et manufactures became one of the engineering schools that enjoyed a worldwide reputation. There were many foreigners among its students. This article focuses on the graduates born in the Ottoman Empire, particularly on Jews and Armenians. It analyses their backgrounds, their common features and their professional careers, tracing their links with other centraliens. The patterns in the Ottoman centraliens' professional trajectories help us picture a world full of opportunities where highly qualified men could cross borders and build careers with ease, but where, at the same time, origins, allegiances, contacts and credentials mattered greatly.},
  language  = {en}
}
@article{Ruerup2021,
  author    = {R{\"u}rup, Miriam},
  title     = {Kommentar zum Beitrag von Marion R{\"o}wekamp},
  series = {Emanzipation und Recht : Zur Geschichte der Rechtswissenschaft und der j{\"u}dischen Gleichberechtigung},
  journal   = {Emanzipation und Recht : Zur Geschichte der Rechtswissenschaft und der j{\"u}dischen Gleichberechtigung},
  publisher = {Klostermann},
  address   = {Frankfurt am Main},
  isbn      = {978-3-465-04535-9},
  issn      = {1610-6040},
  pages     = {197 -- 204},
  year      = {2021},
  language  = {de}
}
@article{Boesch2017,
  author    = {B{\"o}sch, Frank},
  title     = {Taming Nuclear Power},
  series = {German history : the journal of the German History Societ},
  volume    = {35},
  journal   = {German history : the journal of the German History Societ},
  number    = {1},
  publisher = {Oxford Univ. Press},
  address   = {Oxford},
  issn      = {0266-3554},
  doi       = {10.1093/gerhis/ghw143},
  pages     = {71 -- 95},
  year      = {2017},
  abstract  = {In 2011 a broad majority in the German Federal Parliament voted to abandon nuclear energy. This article explores the origins of the change in attitude towards nuclear energy and argues that seven years before the Chernobyl disaster, the accident at the U.S. power plant Three Mile Island near Harrisburg, Pennsylvania, in 1979, had a profound impact which nowadays seems to be largely forgotten in Europe. The article identifies the structural causes underlying the transnational reception of the Three Mile Island accident and explores international reactions, particularly in the Federal Republic of Germany. The accident near Harrisburg led to a loss of public confidence and created unease about nuclear expansion in many industrialized nations. Reactions to the accident can be understood as an attempt to tame nuclear energy both technically, by increasing safety measures and abandoning plans for new nuclear power stations, and politically, with a more critical appraisal of nuclear energy and with semantics that encouraged a long-term withdrawal from nuclear power. Critics were now also accepted as experts. Nuclear policy in all countries became closely dependent on public opinion, indicating a high level of political responsiveness. Various factors, however, including the contemporaneous oil crisis put the brakes on this critical approach to nuclear power, while safety improvements and the limited expansion of nuclear power created new confidence in the early 1980s.},
  language  = {en}
}
@article{AltieriKessler2022,
  author    = {Altieri, Riccardo and Keßler, Mario},
  title     = {Arbeiterbewegung, Antisemitismus und j{\"u}dische Emanzipation},
  series = {J{\"u}disches Leben in Deutschland},
  journal   = {J{\"u}disches Leben in Deutschland},
  publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung},
  address   = {Bonn},
  isbn      = {978-3-7425-0799-0},
  pages     = {82 -- 92},
  year      = {2022},
  language  = {de}
}
@article{Goertemaker2021,
  author    = {G{\"o}rtemaker, Manfred},
  title     = {Die aktuelle geschichtspolitische Debatte und die Kommission des Bundesministeriums der Justiz},
  series = {Aufarbeitung des Nationalsozialismus : ein Kompendium},
  journal   = {Aufarbeitung des Nationalsozialismus : ein Kompendium},
  publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung},
  address   = {Bonn},
  isbn      = {978-3-7425-0772-3},
  pages     = {455},
  year      = {2021},
  language  = {de}
}
@article{DixKlohr2022,
  author    = {Dix, Sophie and Klohr, Silvia},
  title     = {Ein studentischer Bericht zur Tagung „IMAGINES VII: PLAYFUL CLASSICS" (05. - 06. 03. 2021)},
  series = {thersites 14},
  volume    = {2022},
  journal   = {thersites 14},
  number    = {14},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol14.193},
  pages     = {141 -- 151},
  year      = {2022},
  abstract  = {In March 2021, the IMAGINES Project - an international and interdisciplinary research network for the modern reception of antiquity in the visual and performing arts - held their seventh conference online. The event focused on PLAYFUL CLASSICS, and was hosted from G{\"o}ttingen University by the organizers Juliette Harrisson, Antje Kuhle and Martin Lindner. The keynote by Dunstan Lowe on „The Danger of Seriousness: Play and the Future of Classics" outlined the potential of researching classical reception as a creative process. The following sections brought this to life with in-depth treatments of the underlying mechanics of constructing and deconstructing, playful learning, the „Faces of Antiquity", forms of interaction and national/nationalistic traditions. The programme combined scholarly contributions with presentations and workshops by various artists and open discussion elements. The shift to an online format allowed the participation of an unusually international audience, while the interactive elements - including a thematic game as a continuous side event - especially encouraged a large number of students to participate actively. Therefore, this conference report will not just summarize the content of the event, but also provide a student perspective on attending a conference on classical reception - a research area which is mostly neglected in the teaching curriculum.},
  language  = {de}
}
@article{Hanisch2022,
  author    = {Hanisch, Xenia},
  title     = {Demagogen dichten},
  series = {thersites 14},
  volume    = {2022},
  journal   = {thersites 14},
  number    = {14},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol14.201},
  pages     = {121 -- 140},
  year      = {2022},
  abstract  = {Manipulative rhetoric is a common issue in ancient sources. As the issue of political populism and rhetoric still attracts a high degree of interest among a wide range of people, the author, a singer-songwriter, attempts to 'revive' these ancient sources and to adapt them into a lyrical/musical format for modern audiences, in order to test different strategies of manipulation and gauge the reactions of modern audiences. The following article describes the process of adapting and performing two of these experiments, as well as the results and feedback from audiences. The ancient case studies chosen for this are Thucydides' description of how Alcibiades lead the Athenians into a fatal expedition to Sicily, and Xenophon's blames of two public orators for executing Athenian generals after the battle of Arginusae through their manipulative speeches.},
  language  = {de}
}
@article{UncetaGomezCarlaUhinkFreitag2022,
  author    = {Unceta G{\´o}mez, Luis and Carl{\`a}-Uhink, Filippo and Freitag, Florian},
  title     = {De h{\´e}roes y efebos. El mundo cl{\´a}sico en la fotograf{\´i}a de desnudo masculino contempor{\´a}neo. Entrevista a Carmelo Bl{\´a}zquez},
  series = {thersites 14},
  volume    = {2022},
  journal   = {thersites 14},
  number    = {14},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol14.208},
  pages     = {103 -- 120},
  year      = {2022},
  abstract  = {Entrevista a Carmelo Bl{\´a}zquez, fot{\´o}grafo especializado en fotograf{\´i}a de desnudo masculino, que trabaja con motivos y modelos procedentes de la Antig{\"u}edad grecolatina.},
  language  = {es}
}
@article{Brueck2022,
  author    = {Br{\"u}ck, Alexander},
  title     = {„Rom lernt von den Griechen, Europa von Rom"},
  series = {thersites 14},
  volume    = {2022},
  journal   = {thersites 14},
  number    = {14},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol14.198},
  pages     = {41 -- 102},
  year      = {2022},
  abstract  = {Given the immense ethnic and cultural diversity as well as the vast geographical dimensions of the Roman Empire, the teaching of Roman antiquity comprises an enormous potential to deal with the increasing heterogeneity in German-speaking classrooms. This article aims to show how the majority of contemporaneous Latin textbooks, however, fail to use this potential by being limited to mono-perspective and Eurocentric approaches to the ancient world. In spite of didactical claims to foster students' intercultural competence, most of the textbooks depict the city of Rome as an ethnically and culturally homogeneous sphere. At the same time, they present the Roman Empire nearly exclusively from the perspective of representatives of Italian-born, powerful upper-class families firmly connected to 'Roman' culture. In doing so, the Latin textbooks falsify the ancient historical realities and deprive students of the perspectives of figures like provincials or slaves. Furthermore, the textbooks' narrative scope clearly focusses on Rome and Greece, still paying noticeable attention to West-European provinces, with the African and Asian ones being remarkably excluded. Only few exceptions among the textbooks apply alternative approaches which allow students to engage with the Roman Empire's intercultural dynamics in a more differentiated and multi-perspective way.},
  language  = {de}
}
@article{Cromwell2022,
  author    = {Cromwell, Jennifer},
  title     = {From Pyramids to Obscure Gods},
  series = {thersites 14},
  volume    = {2022},
  journal   = {thersites 14},
  number    = {14},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol14.199},
  pages     = {1 -- 40},
  year      = {2022},
  abstract  = {Within Persona 5's modern Tokyo setting, imagined worlds are created that represent the cognitive processes of various characters. These 'palaces' allow the player to explore locations far removed from the game's real-world, contemporary backdrop. One episode creates an ancient Egyptian world. This article examines how this world has been produced and the different transmedial tropes and other influences that its developers have drawn upon. Many references are recognisable to a broad audience (pyramids, gods, hieroglyphs), while others reflect Japanese pop-cultural trends (in various manga and anime), including the mention of an obscure Egyptian god, Medjed. The intentionally fictitious nature of these 'palaces' means that the Egypt that appears in this game is not bound by the need to replicate an 'accurate' landscape. Instead, the developers were free to design a gamescape that combines multiple and diverse receptions of ancient Egypt.},
  language  = {en}
}
@article{Gaertner2018,
  author    = {G{\"a}rtner, Ursula},
  title     = {nempe exemplis discimus},
  series = {Antike Erz{\"a}hl- und Deutungsmuster : Zwischen Exemplarit{\"a}t und Transformation},
  volume    = {374},
  journal   = {Antike Erz{\"a}hl- und Deutungsmuster : Zwischen Exemplarit{\"a}t und Transformation},
  publisher = {De Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-061251-6},
  issn      = {1616-0452},
  doi       = {10.1515/9783110612516-022},
  pages     = {455 -- 472},
  year      = {2018},
  abstract  = {'Tradition' and 'example' are key concepts of the ancient fable. The fable has not only developed a literary tradition of its own, but from the beginning, it was also used as a rhetorical device, the exemplum. A diachronic overview of the genre and especially the use of the fable as exemplum reveals that Phaedrus adapts these terms in a new and ingenious way. In a case study of fable 3.9 this paper demonstrates how the fable finds its place in the literary tradition of the motif, how Socrates is presented as a model for the poet's persona and how an intricate network of inter- and intratextual references is established between Socrates, Aesop, Phaedrus, and his potential successors. The subtle irony of the poet is particularly evident in the gradual development of the poet's persona into a caricature, but the message of the fable itself remains unaffected: the value of true friendship.},
  language  = {en}
}
@article{AscheBrechenmacher2022,
  author    = {Asche, Matthias and Brechenmacher, Thomas},
  title     = {Auswahlbibliographie zur berlin-brandenburgischen Immigrationsgeschichte},
  series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  journal   = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-506-4},
  doi       = {10.25932/publishup-54689},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546899},
  pages     = {251 -- 262},
  year      = {2022},
  language  = {de}
}
@article{Schenck2022,
  author    = {Schenck, Marcia C.},
  title     = {Einwanderung aus den ›sozialistischen Bruderl{\"a}ndern‹},
  series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  journal   = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-506-4},
  doi       = {10.25932/publishup-54687},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546875},
  pages     = {225 -- 237},
  year      = {2022},
  language  = {de}
}
@article{Bahl2022,
  author    = {Bahl, Peter},
  title     = {Belastung und Bereicherung - Vertriebene in Brandenburg ab 1945},
  series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  journal   = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-506-4},
  doi       = {10.25932/publishup-54686},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546864},
  pages     = {209 -- 223},
  year      = {2022},
  language  = {de}
}
@article{Czech2022,
  author    = {Czech, Vinzenz},
  title     = {Ein- und Binnenwanderungen nach Berlin, Brandenburg und in die Niederlausitz am {\"U}bergang von der Agrar- zur Industriegesellschaft},
  series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  journal   = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-506-4},
  doi       = {10.25932/publishup-54683},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546838},
  pages     = {159 -- 176},
  year      = {2022},
  language  = {de}
}
@article{Goese2022,
  author    = {G{\"o}se, Frank},
  title     = {Einwanderung und hohenzollernsche Siedlungspolitik in der Kurmark im 18. Jahrhundert},
  series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  journal   = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-506-4},
  doi       = {10.25932/publishup-54681},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546814},
  pages     = {127 -- 138},
  year      = {2022},
  language  = {de}
}
@article{Asche2022,
  author    = {Asche, Matthias},
  title     = {Know-how f{\"u}r den Hohenzollernstaat},
  series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  journal   = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-506-4},
  doi       = {10.25932/publishup-54661},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546612},
  pages     = {109 -- 125},
  year      = {2022},
  language  = {de}
}
@article{Brechenmacher2022,
  author    = {Brechenmacher, Thomas},
  title     = {Streng reglementierte Einwanderung},
  series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  journal   = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-506-4},
  doi       = {10.25932/publishup-54659},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546593},
  pages     = {77 -- 93},
  year      = {2022},
  language  = {de}
}
@article{Partenheimer2022,
  author    = {Partenheimer, Lutz},
  title     = {Die Ansiedlungspolitik der Markgrafen von Brandenburg aus dem Hause der Askanier},
  series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  journal   = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-506-4},
  doi       = {10.25932/publishup-54653},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546539},
  pages     = {49 -- 63},
  year      = {2022},
  language  = {de}
}
@article{AscheBrechenmacher2022,
  author    = {Asche, Matthias and Brechenmacher, Thomas},
  title     = {Brandenburg und die Migration - thematische Einf{\"u}hrung und chronologische {\"U}bersicht},
  series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  journal   = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-506-4},
  doi       = {10.25932/publishup-54651},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-546516},
  pages     = {11 -- 34},
  year      = {2022},
  language  = {de}
}
@article{Scianna2018,
  author    = {Scianna, Bastian Matteo},
  title     = {Rommel Almighty?},
  series = {The Journal of Military History},
  volume    = {82},
  journal   = {The Journal of Military History},
  number    = {1},
  publisher = {Society for Military History},
  address   = {Lexington},
  issn      = {0899-3718},
  pages     = {125 -- 145},
  year      = {2018},
  abstract  = {Erwin Rommel is by any standard a mythical figure. He has been the subject of countless studies in English and German. However, the "Italian side of the hill" has been largely neglected, despite the fact that the foundation of the myth around him lies in the North African campaign, where, after all, thousands of soldiers of the Italian army fought alongside the african campaign, where, after all, thousands of soldiers of the Italian army fought along-side the Afrika Korps. This article will provide an Italian view of the "Desert Fox," using new primary material that provides insights into Italian assessments during the war. A major source is material gathered by way of eavesdropping by British intelligence on Italian officers held as POWs in Cairo and in England.},
  language  = {en}
}
@article{Fischbacher2018,
  author    = {Fischbacher, Thomas},
  title     = {Ein Werk zweier K{\"u}nstler?},
  series = {Zeitschrift f{\"u}r Kunstgeschichte},
  volume    = {81},
  journal   = {Zeitschrift f{\"u}r Kunstgeschichte},
  number    = {2},
  publisher = {Deutscher Kunstverlag GMBH},
  address   = {M{\"u}nchen},
  issn      = {0044-2992},
  pages     = {268 -- 281},
  year      = {2018},
  abstract  = {The author suggests an attribution for two largely unknown Baroque sculptures inside the Church of St. Peter and Paul at Potsdam. The crucifixus, which has so far not been attributed to an artist, is shown to exhibit parallels to a 1716 work by Paul Egell. It remains unclear, however, whether the Potsdam crucifixus was also created by Egell himself or by Johann Peter Benckert, who congenially completed it in 1763 with a statue of the kneeling Maria Magdalena. The appealing depiction of the saint as an elegant sinner and penitent offers believers various possibilities for identification.},
  language  = {de}
}
@article{Sandberg2016,
  author    = {Sandberg, Matthias},
  title     = {Von der Dem{\"u}tigung zur Demut},
  series = {La ca{\´i}da del Imperio Romano : cuestiones historiogr{\´a}ficas},
  journal   = {La ca{\´i}da del Imperio Romano : cuestiones historiogr{\´a}ficas},
  publisher = {Steiner},
  address   = {Stuttgart},
  isbn      = {978-3-515-10963-5},
  pages     = {191 -- 220},
  year      = {2016},
  language  = {de}
}
@article{Barcelo2016,
  author    = {Barcel{\´o}, Pedro},
  title     = {Ainmianus Marcellinus},
  series = {La ca{\´i}da del Imperio Romano : cuestiones historiogr{\´a}ficas},
  journal   = {La ca{\´i}da del Imperio Romano : cuestiones historiogr{\´a}ficas},
  publisher = {Steiner},
  address   = {Stuttgart},
  isbn      = {978-3-515-10963-5},
  pages     = {11 -- 31},
  year      = {2016},
  language  = {de}
}
@article{BehrendsKatzerLindenberger2017,
  author    = {Behrends, Jan C. and Katzer, Nikolaus and Lindenberger, Thomas},
  title     = {100 Jahre Roter Oktober},
  series = {100 Jahre Roter Oktober : zur Weltgeschichte der russischen Revolution},
  journal   = {100 Jahre Roter Oktober : zur Weltgeschichte der russischen Revolution},
  publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung},
  address   = {Berlin},
  isbn      = {978-3-7425-0081-6},
  pages     = {9 -- 27},
  year      = {2017},
  language  = {de}
}
@article{OPUS4-54323,
  title     = {100 Jahre Roter Oktober},
  editor    = {Behrends, Jan C. and Katzer, Nikolaus and Lindenberger, Thomas},
  publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung},
  address   = {Berlin},
  isbn      = {978-3-7425-0081-6},
  pages     = {350},
  year      = {2017},
  language  = {de}
}
@article{AscheCzechGoeseetal.2021,
  author    = {Asche, Matthias and Czech, Vinzenz and G{\"o}se, Frank and Neitmann, Klaus},
  title     = {Zur Einf{\"u}hrung},
  series = {Brandenburgische Erinnerungsorte - Erinnerungsorte in Brandenburg, Bd. 1 (= Einzelver{\"o}ffentlichungen der Brandenburgischen Historischen Kommission e.V. 24)},
  journal   = {Brandenburgische Erinnerungsorte - Erinnerungsorte in Brandenburg, Bd. 1 (= Einzelver{\"o}ffentlichungen der Brandenburgischen Historischen Kommission e.V. 24)},
  editor    = {Asche, Matthias and Czech, Vinzenz and G{\"o}se, Frank and Neitmann, Klaus},
  publisher = {be.bra wissenschaft verlag},
  address   = {Berlin},
  isbn      = {978-3-95410-294-5},
  pages     = {7 -- 13},
  year      = {2021},
  language  = {de}
}
@article{AscheSchindling2021,
  author    = {Asche, Matthias and Schindling, Anton},
  title     = {Konfessionspolitik und Religionsfrieden},
  series = {Vom ein- zum mehrkonfessionellen Landesstaat - die Religionsfrage in den brandenburgisch-preußischen Territorien vom 16. bis zum fr{\"u}hen 18. Jahrhundert (= Forschungen zur Brandenburgischen und Preußischen Geschichte. Neue Folge. Beihefte 16)},
  journal   = {Vom ein- zum mehrkonfessionellen Landesstaat - die Religionsfrage in den brandenburgisch-preußischen Territorien vom 16. bis zum fr{\"u}hen 18. Jahrhundert (= Forschungen zur Brandenburgischen und Preußischen Geschichte. Neue Folge. Beihefte 16)},
  number    = {16},
  publisher = {Duncker \& Humblot},
  address   = {Berlin},
  isbn      = {978-3-428-18174-2},
  pages     = {15 -- 40},
  year      = {2021},
  language  = {de}
}
@article{AscheGerber2021,
  author    = {Asche, Matthias and Gerber, Stefan},
  title     = {Universit{\"a}t},
  series = {Historische Bildungsforschung. Konzepte - Methoden - Forschungsfelder},
  journal   = {Historische Bildungsforschung. Konzepte - Methoden - Forschungsfelder},
  publisher = {Klinkhardt},
  address   = {Bad Heilbrunn},
  isbn      = {978-3-8252-5563-3},
  pages     = {299 -- 312},
  year      = {2021},
  language  = {de}
}
@article{Oppermann2018,
  author    = {Oppermann, Matthias},
  title     = {Neither Condillac nor Bonaparte. Pierre-Paul Royer-Collard and the Rediscovery of Common Sense, 1797-1814},
  series = {Historisches Jahrbuch},
  volume    = {138},
  journal   = {Historisches Jahrbuch},
  publisher = {Alber},
  address   = {M{\"u}nchen},
  isbn      = {978-3-451-38316-8},
  issn      = {0018-2621},
  pages     = {280 -- 307},
  year      = {2018},
  language  = {en}
}
@article{Rieck2022,
  author    = {Rieck, Christian E.},
  title     = {Strange New Worlds},
  series = {European Strategic Approaches to the Indo-Pacific},
  volume    = {2021},
  journal   = {European Strategic Approaches to the Indo-Pacific},
  number    = {1},
  publisher = {Konrad-Adenauer-Stiftung},
  address   = {Singapore},
  issn      = {0119-5204},
  pages     = {39 -- 53},
  year      = {2022},
  abstract  = {The Indo-Pacific is fast becoming the main arena for great power competition. After explaining the regional power hierarchy, the paper describes how the EU defines like-mindedness as an explicit partnership category in the Indo-Pacific and which of the countries qualify. Finally, the paper also examines the structural problems the EU faces when projecting power into a faraway region such as this one. The paper argues that for China's rise to remain peaceful and in the absence of fully regional security arrangements, other Asian actors are increasingly looking for new regional structures that combine elements of cooperation, competition and containment vis-{\`a}-vis China - including a more pronounced EU role in the region.},
  language  = {en}
}
@article{Jaeschke2021,
  author    = {Jaeschke, Victor},
  title     = {Die FDP, Europa und das Ende des Ost-West-Konflikts 1987-1992},
  series = {Jahrbuch zur Liberalismus-Forschung},
  volume    = {33},
  journal   = {Jahrbuch zur Liberalismus-Forschung},
  publisher = {Nomos},
  address   = {Baden-Baden},
  pages     = {117 -- 138},
  year      = {2021},
  language  = {de}
}
@article{Kay2019,
  author    = {Kay, Alex James},
  title     = {Speaking the Unspeakable},
  series = {Holocaust Studies: A Journal of Culture and History},
  volume    = {27},
  journal   = {Holocaust Studies: A Journal of Culture and History},
  number    = {2},
  publisher = {Routledge},
  address   = {Abingdon, Oxon},
  doi       = {10.1080/17504902.2019.1637492},
  pages     = {187 -- 200},
  year      = {2019},
  abstract  = {This article discusses the filmic representation of the infamous Wannsee Conference, when fifteen senior German officials met at a villa on the shore of a Berlin lake to discuss and co-ordinate the implementation of the so-called final solution to the Jewish question. The understanding reached during the course of the ninety-minute meeting cleared the way for the Europe-wide killing of six million Jews. The article sets out to answer the principal challenge facing anyone attempting to recreate the Wannsee Conference on film: what was the atmosphere of this conference and the attitude of the participants? Moreover, it discusses various ethical aspects related to the portrayal of evil, not in actions but in words, using the medium of film. In doing so, it focuses on the BBC/HBO television film Conspiracy (2001), directed by Frank Pierson, probing its historical accuracy and discussing its artistic credibility.},
  language  = {en}
}
@article{Heimann2021,
  author    = {Heimann, Heinz-Dieter},
  title     = {per totum orbem longe lateque diffudit angesichts des closters barfusser ordens in unser stadt Berlin},
  series = {Das Graue Kloster in Berlin : Perspektiven aus der Geschichte},
  journal   = {Das Graue Kloster in Berlin : Perspektiven aus der Geschichte},
  publisher = {Berliner Wissenschafts-Verlag},
  address   = {Berlin},
  isbn      = {978-3-8305-5069-3},
  doi       = {10.35998/9783830542339-02},
  pages     = {21 -- 42},
  year      = {2021},
  language  = {de}
}
@article{Goese2022,
  author    = {G{\"o}se, Frank},
  title     = {Einwanderung und hohenzollernsche Siedlungspolitik in der Kurmark im 18. Jahrhundert},
  series = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  journal   = {Hier geblieben? Brandenburg als Einwanderungsland vom Mittelalter bis heute},
  editor    = {Asche, Matthias and Brechenmacher, Thomas},
  publisher = {Universit{\"a}tsverlag},
  address   = {Potsdam},
  isbn      = {978-3-86956-506-4},
  pages     = {127 -- 138},
  year      = {2022},
  language  = {de}
}
@article{Goese2021,
  author    = {G{\"o}se, Frank},
  title     = {Schlacht bei Fehrbellin},
  series = {Brandenburgische Erinnerungsorte - Erinnerungsorte in Brandenburg : Band 1},
  journal   = {Brandenburgische Erinnerungsorte - Erinnerungsorte in Brandenburg : Band 1},
  publisher = {be.bra wissenschaft verlag},
  address   = {Berlin},
  isbn      = {978-3-95410-294-5},
  pages     = {115 -- 126},
  year      = {2021},
  language  = {de}
}
@article{Goese2021,
  author    = {G{\"o}se, Frank},
  title     = {Soldatenk{\"o}nig},
  series = {Brandenburgische Erinnerungsorte - Erinnerungsorte in Brandenburg : Band 1},
  journal   = {Brandenburgische Erinnerungsorte - Erinnerungsorte in Brandenburg : Band 1},
  publisher = {be.bra wissenschaft verlag},
  address   = {Berlin},
  isbn      = {978-3-95410-294-5},
  pages     = {141 -- 152},
  year      = {2021},
  language  = {de}
}
@article{Goese2021,
  author    = {G{\"o}se, Frank},
  title     = {Garnisonkirche \& der Geist von Potsdam},
  publisher = {be.bra wissenschaft verlag},
  address   = {Berlin},
  isbn      = {978-3-95410-294-5},
  pages     = {167 -- 180},
  year      = {2021},
  language  = {de}
}
@article{Goese2021,
  author    = {G{\"o}se, Frank},
  title     = {Zur Konfessionspolitik Friedrichs I. und Friedrich Wilhelms I. in den brandenburgisch-preußischen Landen und im Reich (1688-1740)},
  series = {Vom ein- zum mehrkonfessionellen Landesstaat : die Religionsfrage in den brandenburgisch-preußischen Territorien vom 16. bis zum fr{\"u}hen 18. Jahrhundert},
  journal   = {Vom ein- zum mehrkonfessionellen Landesstaat : die Religionsfrage in den brandenburgisch-preußischen Territorien vom 16. bis zum fr{\"u}hen 18. Jahrhundert},
  editor    = {Neitmann, Klaus},
  publisher = {Duncker \& Humblot},
  address   = {Berlin},
  isbn      = {978-3-428-18174-2},
  pages     = {335 -- 369},
  year      = {2021},
  language  = {de}
}
@article{Goese2020,
  author    = {G{\"o}se, Frank},
  title     = {Luise als Politikerin},
  series = {Berliner Geschichte - Zeitschrift f{\"u}r Geschichte und Kultur : K{\"o}nigin Luise},
  volume    = {25},
  journal   = {Berliner Geschichte - Zeitschrift f{\"u}r Geschichte und Kultur : K{\"o}nigin Luise},
  publisher = {Elsengold Verlag},
  address   = {Berlin},
  isbn      = {978-3-96201-062-1},
  pages     = {28 -- 35},
  year      = {2020},
  language  = {de}
}
@article{Kleinjung2021,
  author    = {Kleinjung, Christine},
  title     = {Stiftische und monastische Lebensformen in Frauenkl{\"o}stern am s{\"u}dlichen Oberrhein zwischen Kategorisierung und Dynamik (mit Schwerpunkt auf Waldkirch und S{\"a}ckingen)},
  series = {Religi{\"o}se Frauengemeinschaften am s{\"u}dlichen Oberrhein},
  journal   = {Religi{\"o}se Frauengemeinschaften am s{\"u}dlichen Oberrhein},
  editor    = {Kleinjung, Christine},
  publisher = {Thorbecke},
  address   = {Ostfildern},
  isbn      = {978-3-7995-7842-4},
  pages     = {17 -- 30},
  year      = {2021},
  language  = {de}
}
@article{Neitzel2017,
  author    = {Neitzel, S{\"o}nke},
  title     = {Rezension zu: Chiari, Bernhard: Die Bundeswehr als Zauberlehrling der Politik? Der ISAF-Einsatz und das Provincial Reconstruction Team (PRT)Kunduz 2003 bis 2012. - In: Militaergeschichtliche Zeitschrift MGZ. - 72 (2013), 2, S. 317-351; https://doi.org/10.1515/mgzs-2013-0013},
  series = {Milit{\"a}rgeschichtliche Zeitschrift},
  volume    = {76},
  journal   = {Milit{\"a}rgeschichtliche Zeitschrift},
  publisher = {De Gruyter},
  address   = {Berlin},
  issn      = {2193-2336},
  doi       = {10.1515/mgzs-2017-0166},
  pages     = {160 -- 167},
  year      = {2017},
  language  = {de}
}
@article{FennUrban2021,
  author    = {Fenn, Monika and Urban, Stefanie},
  title     = {Das Potsdamer Modell des erweiterten Fachwissens f{\"u}r den schulischen Kontext Geschichte},
  series = {Motivation - Kognition - Reflexion : Schlaglichter geschichtsdidaktischer Professionsforschung},
  journal   = {Motivation - Kognition - Reflexion : Schlaglichter geschichtsdidaktischer Professionsforschung},
  publisher = {Wochenschau Verlag},
  address   = {Frankfurt},
  isbn      = {978-3-7344-1229-5},
  pages     = {105 -- 133},
  year      = {2021},
  language  = {de}
}
@article{Botsch2014,
  author    = {Botsch, Gideon},
  title     = {„Nur der Freiheit …"?},
  series = {Jugendbewegung, Antisemitismus und rechtsradikale Politik Vom „Freideutschen Jugendtag" bis zur Gegenwart},
  journal   = {Jugendbewegung, Antisemitismus und rechtsradikale Politik Vom „Freideutschen Jugendtag" bis zur Gegenwart},
  publisher = {de Gruyter},
  address   = {Oldenburg},
  isbn      = {978-3-11-030642-2},
  doi       = {10.1515/9783110306422},
  pages     = {242 -- 261},
  year      = {2014},
  language  = {de}
}
@article{BotschHaverkamp2014,
  author    = {Botsch, Gideon and Haverkamp, Josef},
  title     = {Einleitung},
  series = {Jugendbewegung, Antisemitismus und rechtsradikale Politik Vom „Freideutschen Jugendtag" bis zur Gegenwart},
  journal   = {Jugendbewegung, Antisemitismus und rechtsradikale Politik Vom „Freideutschen Jugendtag" bis zur Gegenwart},
  publisher = {de Gruyter},
  address   = {Oldenburg},
  isbn      = {978-3-11-030642-2},
  doi       = {10.1515/9783110306422},
  pages     = {1 -- 8},
  year      = {2014},
  language  = {de}
}
@article{CreuzbergerGeppert2018,
  author    = {Creuzberger, Stefan and Geppert, Dominik Nicolas},
  title     = {Die {\"A}mter und ihre Vergangenheit},
  series = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  journal   = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung},
  address   = {Berlin},
  isbn      = {978-3-657-78821-7},
  pages     = {183 -- 199},
  year      = {2018},
  language  = {de}
}
@article{CreuzbergerGeppert2018,
  author    = {Creuzberger, Stefan and Geppert, Dominik Nicolas},
  title     = {Das Erbe des NS-Staats als deutsch-deutsches Problem},
  series = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  journal   = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung},
  address   = {Berlin},
  isbn      = {978-3-7425-0320-6},
  pages     = {7 -- 15},
  year      = {2018},
  language  = {de}
}
@article{BoeschWirsching2018,
  author    = {B{\"o}sch, Frank and Wirsching, Andreas},
  title     = {Erfahrene M{\"a}nner},
  series = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  journal   = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung},
  address   = {Berlin},
  isbn      = {978-3-7425-0320-6},
  pages     = {163 -- 181},
  year      = {2018},
  language  = {de}
}
@article{Wentker2018,
  author    = {Wentker, Hermann},
  title     = {Von der Deutschen Zentralverwaltung f{\"u}r Justiz zum Ministerium der Justiz},
  series = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  journal   = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung},
  address   = {Berlin},
  isbn      = {978-3-7425-0320-6},
  pages     = {71 -- 86},
  year      = {2018},
  language  = {de}
}
@article{Goertemaker2018,
  author    = {G{\"o}rtemaker, Manfred},
  title     = {Die heile Welt der Rosenburg},
  series = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  journal   = {Die {\"A}mter und ihre Vergangenheit : Ministerien und Beh{\"o}rden im geteilten Deutschland 1949-1972},
  publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung},
  address   = {Berlin},
  isbn      = {978-3-7425-0320-6},
  pages     = {47 -- 69},
  year      = {2018},
  language  = {de}
}
@article{Scianna2018,
  author    = {Scianna, Bastian Matteo},
  title     = {A prelude to total war?},
  series = {International Journal of Military History and Historiography},
  volume    = {38},
  journal   = {International Journal of Military History and Historiography},
  number    = {1},
  publisher = {Brill},
  address   = {Leiden},
  issn      = {2468-3299},
  doi       = {10.1163/24683302-03801001},
  pages     = {5 -- 33},
  year      = {2018},
  abstract  = {The conflict between Italy and Ethiopia in 1935-36 has been framed as a prelude to the Second World War and as a watershed towards 'Total War'. One perspective has so far been neglected: the assessments of foreign military observers. This article examines American, British, German, and Austrian views on the operations and thereby also analyses the mindset of European officers at the time. The core argument emerging from these reports is that the war was perceived as a rather 'normal' colonial conflict. Neither the use of gas, nor the employment of aircraft against civilians was seen as a taboo or created significant outrage among the military observers. Instead, they lauded the Italians' steady logistical efforts and employment of artillery and airpower to overcome nature and the enemy's resistance.},
  language  = {en}
}
@article{HornungNitezkiKraemer2018,
  author    = {Hornung, Jessica and Nitezki, Tina and Kraemer, Stephanie},
  title     = {Zieht die Schubladen auf! Ein Appell zur Ver{\"o}ffentlichung von Negativ-Ergebnissen in der tierbasierten Forschung},
  series = {Berliner und M{\"u}nchener Tier{\"a}rztliche Wochenschrift},
  volume    = {131},
  journal   = {Berliner und M{\"u}nchener Tier{\"a}rztliche Wochenschrift},
  number    = {7-8},
  publisher = {Schl{\"u}tersche Verlagsgesellschaft mbH \& Co. KG.},
  address   = {Hannover},
  issn      = {0005-9366},
  doi       = {10.2376/0005-9366-17093},
  pages     = {279 -- 283},
  year      = {2018},
  abstract  = {In der Humanmedizin stellt die sogenannte evidenzbasierte Medizin nach Einf{\"u}hrung des Begriffs durch D.L. Sackett (Sackett et al. 1996) und der Gr{\"u}ndung des Cochrane Instituts (1972) einen wichtigen Standard in der Aufbereitung und dem Transfer von Ergebnissen aus klinischen Studien in den {\"a}rztlichen Alltag dar. Ziel ist es, die Vermittlung von Erkenntnissen aus der Wissenschaft f{\"u}r die praktizierenden {\"A}rzte zu erleichtern. Dabei werden Studienergebnisse in Abh{\"a}ngigkeit von der jeweiligen Fragestellung mittels systematischer Literaturrecherche zusammengetragen und hinsichtlich ihrer Evidenz bewertet, um so dem Arzt ein Instrument an die Hand zu geben, mit dem die gewonnenen Erkenntnisse im Hinblick auf eine konkrete klinische Situation abgewogen und angewendet werden k{\"o}nnen. In den letzten Jahren wurde allerdings vermehrt Kritik laut, dass der Ausgang vieler klinischer Studien in den {\"U}bersichtsarbeiten zu positiv dargestellt werde. Urs{\"a}chlich hierf{\"u}r ist der Aspekt des Publikationsbias, also die Beobachtung, dass Autoren wissenschaftliche Ergebnisse mit positivem Ausgang bevorzugt publizieren. {\"U}bertr{\"a}gt man diesen Sachverhalt auf die pr{\"a}klinische Forschung, die in weiten Teilen auf der Durchf{\"u}hrung tierexperimenteller Untersuchungen beruht, so widerspr{\"a}che das Zur{\"u}ckhalten negativer Ergebnisse in fataler Weise dem 3R-Konzept von Russel und Burch, da dadurch die Gefahr besteht, dass Forschungsvorhaben wiederholt durchgef{\"u}hrt werden.},
  language  = {de}
}
@article{Scapin2021,
  author    = {Scapin, Mathieu},
  title     = {Les chefs d'œuvre de l'Art antique dans la bande dessin{\´e}e du XXIᵉ s. Usages et Background},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol13.128},
  pages     = {169 -- 199},
  year      = {2021},
  abstract  = {Whether you open a manga, a French-language comic strip or a North-American comic strip with Classic subject, it seems normal to the reader to encounter many representations of sculptures, paintings or object of daily life from this period throughout the story. These images are taken from catalogues notably available online. The artists also seem to have drawn their inspiration from museum publications or directly from the collections exhibited by these cultural institutions. This article will review the masterpieces used in comic strips and the reasons why they are chosen. Depending on the formats and cultures that stage them, these works do not constitute decorative elements of an ancient past but contribute to the narrative.},
  language  = {fr}
}
@article{SauraZiegelmeyer2021,
  author    = {Saura-Ziegelmeyer, Arnaud},
  title     = {Construire ses propres mod{\`e}les : le cas des bandes sonores post-Gladiator},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol13.150},
  pages     = {141 -- 168},
  year      = {2021},
  abstract  = {Ringing trumpets announcing the arrival of a Roman emperor, an oriental flowing and delicate harp reverberating inside the intimate palace of an Egyptian queen, a rude aulos singing in a bucolic Greek landscape: where are these familiar sound images coming from? Are these creations inspired by archaeological data or built after modern fantasy? The scarcity of ancient musical data necessitated, in fact, to reinvent the films' soundscape taking place in the Ancient world. It is therefore a question of seeing on which models a peplum's soundtrack is conceived and what it can reveal on our way of perceiving the ancient and contemporary world. Far from wanting to gauge the historicity of the sound backgrounds offered to the spectator of dark rooms, it is rather a question of seeing the imitation phenomena that can appear from the sound clich{\´e}s created by the peplum itself and of also deducing from them thought patterns which, contextualized, influence these compositions. This article will focus on post-2000 productions.},
  language  = {fr}
}
@article{Costanzo2021,
  author    = {Costanzo, Daniela},
  title     = {Le destin des ic{\^o}nes : perception, symboles et images des Bronzes de Riace dans la culture contemporaine},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol13.153},
  pages     = {100 -- 124},
  year      = {2021},
  abstract  = {Tr{\`e}s peu d'originaux nous permettent de conna{\^i}tre la statuaire grecque ancienne. Eu {\´e}gard {\`a} la grande production de statues en bronze, un nombre tr{\`e}s limit{\´e} d'oeuvres a {\´e}t{\´e} sauv{\´e} de la fureur du temps et des hommes. Le reste nous est connu de mani{\`e}re partielle et imparfaite par les copies romaines en marbre ou par des notes rapides d'auteurs anciens, qui mentionnent des artistes et des oeuvres dont le seul nom demeure. La d{\´e}couverte de statues en bronze de production grecque est donc un {\´e}v{\´e}nement exceptionnel d'un point de vue scientifique. Les « Bronzes de Riace » ont notamment eu, d{\`e}s leur d{\´e}couverte en 1972, une immense influence dans la culture populaire, que nous allons aborder dans cet article sous l'angle des Reception Studies, en essayant d'int{\´e}grer ces r{\´e}flexions au d{\´e}bat sur leur perception dans le monde contemporain, d{\´e}j{\`a} abord{\´e} par deux volumes sortis en 1986 et 2015 (Gli eroi venuti dal mare/Heroes from the sea et Sul buono e sul cattivo uso dei Bronzi di Riace1), en portant une attention particuli{\`e}re au Web et aux r{\´e}seaux sociaux. 1 Je remercie Maurizio Paoletti et Fabien Bi{\`e}vre-Perrin pour la relecture de cet article ; Domenico Benedetto D'Agostino pour m'avoir fait conna{\^i}tre, il y a quelques ann{\´e}es, le po{\`e}me de Felice Mastroianni d{\´e}di{\´e} au Bronzes de Riace ; l'Archivio du Mus{\´e}e Arch{\´e}ologique National de Reggio Calabria, Mike_art04, le collectif La Psicoscimmia et Emanuela Robustelli pour les images qu'ils ont partag{\´e}es.},
  language  = {fr}
}
@article{Besnard2021,
  author    = {Besnard, Tiphaine Annabelle},
  title     = {La V{\´e}nus de Milo dans l'art contemporain (de 1980 {\`a} nos jours) : une ic{\^o}ne globalis{\´e}e},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol13.156},
  pages     = {84 -- 99},
  year      = {2021},
  abstract  = {This paper aims to analyse the figure of the Venus of Milo in (extreme) contemporary art productions. The reception of this sculpture has already been studied in the past, but without considering the last ten years (2010 - 2020), during which artists like Yinka Shonibare, Fabio Viale, or Daniel Arsham decided to use the Venus for their new productions. The paper also explains how the Venus of Milo became a globalised icon and an inspiration for artists from all over the world.},
  language  = {fr}
}
@article{Pampanay2021,
  author    = {Pampanay, {\´E}lise},
  title     = {The Nike of Samothrace's presences during the XX and XXI centuries: mysteries and victories},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol13.146},
  pages     = {71 -- 83},
  year      = {2021},
  abstract  = {Despite its fame, the Winged Victory of Samothrace keeps on fascinating not only every visitor of the Louvre museum, but also the eye of the connoisseur. Despite its recent restoration in 2014, some of its mysteries might indeed never be solved, like the identity of its sculptor. But this fascination also comes from the statue itself, its majestic aesthetics and lack of head, in a similar fashion perhaps to the loss of the Venus of Milo's arms. Since her discovery more than 150 years ago by Charles Champoiseau, she's been on the throne at the top of the Daru stairs at the Louvre Museum. This hellenistic masterpiece, that Champoiseau called a "mousseline de marbre", became a must see in the Paris museum, together with the Mona Lisa and its other chefs d'oeuvre. But this statue's fate is not set in stone. Many modern artists, like Omar Hassan or Xu Zhen, have tried to make it their own and give it a new depth. Recently, Beyonce and Jay-Z also offered a new perspective by including this Louvre masterpiece, among others, in their political masterstroke, the video clip "Apeshit". This paper seeks to decode the meanings and symbolism of these new versions of the Nike.},
  language  = {en}
}