@book{Ette2023, author = {Ette, Ottmar}, title = {Sin domicilio fijo}, series = {Colecci{\´o}n iridiscencias}, journal = {Colecci{\´o}n iridiscencias}, publisher = {Ubu ediciones}, address = {Olivios, Buenos Aires}, isbn = {978-987-8495-25-5}, pages = {141}, year = {2023}, language = {es} } @book{TallbergBaeckstrandAartScholteetal.2023, author = {Tallberg, Jonas and B{\"a}ckstrand, Karin and Aart Scholte, Jan and Sommerer, Thomas}, title = {SNS Democracy Council 2023}, publisher = {SNS F{\"o}rlag}, address = {Stockholm}, isbn = {978-91-89754-06-5}, pages = {199}, year = {2023}, abstract = {Transboundary problems such as climate change, military conflicts, trade barriers, and refugee flows require increased collaboration across borders. This is to a large extent possible using existing international organizations. In such a case, however, they need to be considerably strengthened - while current trends take us in the opposite direction, according to the researchers in the SNS Democracy Council 2023.}, language = {en} } @book{Kosman2023, author = {Kosman, Admiʾel}, title = {So Many Things are Yours}, publisher = {Zephyr Press}, address = {Brookline}, isbn = {978-1938890918}, pages = {128}, year = {2023}, abstract = {The poet and Talmud scholar examines Jewish texts, sexuality, and human vulnerability in poems that brim with wonder, sadness, sensuality, and humor. Kosman's second volume in English explores Jewish texts ―Bible, Talmud, midrash ― alongside bodies, physical desires, military experiences, even a refrigerator. Demons and fantasy enter these poems; so do politics, so does God. These are not religious poems in a conventionally liturgical, "inspirational" sense; yet they point to the big questions that religion asks: about love, hate, desire, violence, transgression, disappointment.}, language = {en} } @book{Petersen2023, author = {Petersen, Jens}, title = {Studien zur juristischen Ideengeschichte}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-543-9}, doi = {10.25932/publishup-55980}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-559805}, publisher = {Universit{\"a}t Potsdam}, pages = {211}, year = {2023}, abstract = {Albert Hirschman hat sein schmales, aber {\"u}beraus gehaltvolles Werk {\"u}ber ‚Leidenschaften und Interessen' mit einer nachdenkenswerten Bemerkung beschlossen, die veranschaulicht, warum die Besch{\"a}ftigung mit der Ideen- und Geistesgeschichte auch aus heutiger Sicht noch lohnenswert ist: „Das ist wohl das einzige, was man vom Studium der Geschichte, insbesondere der Theorie- und Geistesgeschichte erwarten darf: Nicht, dass die Streitfragen entschieden, sondern dass das Niveau der Auseinandersetzung {\"u}ber sie gehoben wird." Die im vorliegenden Band abgedruckten Beitr{\"a}ge wurden in den 25 Jahren zwischen 1997 und 2022 in unterschiedlichen Zeit- und Festschriften ver{\"o}ffentlicht und f{\"u}r die vorliegende Zusammenstellung behutsam {\"u}berarbeitet.}, language = {de} } @book{Fliessbach2023, author = {Fliessbach, Jan}, title = {The intonation of expectations}, publisher = {Language Science Press}, address = {Berlin}, isbn = {978-3-96110-413-0}, issn = {2940-1100}, doi = {10.5281/zenodo.7929375}, pages = {285}, year = {2023}, abstract = {This book provides a new perspective on prosodically marked declaratives, wh-exclamatives, and discourse particles in the Madrid variety of Spanish. It argues that some marked forms differ from unmarked forms in that they encode modal evaluations of the at-issue meaning. Two epistemic evaluations that can be shown to be encoded by intonation in Spanish are obviousness and mirativity, which present the at-issue meaning as expected and unexpected, respectively. An empirical investigation via a production experiment finds that they are associated with distinct intonational features under constant focus scope, with stances of (dis)agreement showing an impact on obvious declaratives. Wh-exclamatives are found not to differ significantly in intonational marking from neutral declaratives, showing that they need not be miratives. Moreover, we find that intonational marking on different discourse particles in natural dialogue correlates with their meaning contribution without being fully determined by it. In part, these findings quantitatively confirm previous qualitative findings on the meaning of intonational configurations in Madrid Spanish. But they also add new insights on the role intonation plays in the negotiation of commitments and expectations between interlocutors.}, language = {en} } @book{OPUS4-57864, title = {The Right to Research}, series = {McGill-Queen's Refugee and Forced Migration Studies}, journal = {McGill-Queen's Refugee and Forced Migration Studies}, editor = {Reed, Kate and Schenck, Marcia C.}, publisher = {McGill-Queens University Press}, address = {Montreal}, isbn = {978-0-228-01455-3}, pages = {xvi, 257}, year = {2023}, abstract = {Refugees and displaced people rarely figure as historical actors, and almost never as historical narrators. We often assume a person residing in a refugee camp, lacking funding, training, social networks, and other material resources that enable the research and writing of academic history, cannot be a historian because a historian cannot be a person residing in a refugee camp. The Right to Research disrupts this tautology by featuring nine works by refugee and host-community researchers from across Africa, Europe, and the Middle East. Identifying the intrinsic challenges of making space for diverse voices within a research framework and infrastructure that is inherently unequal, this edited volume offers a critical reflection on what history means, who narrates it, and what happens when those long excluded from authorship bring their knowledge and perspectives to bear. Chapters address topics such as education in Kakuma Refugee Camp, the political power of hip-hop in Rwanda, women migrants to Yemen, and the development of photojournalism in Kurdistan. Exploring what it means to become a researcher, The Right to Research understands historical scholarship as an ongoing conversation - one in which we all have a right to participate.}, language = {en} } @book{CarlaUhinkRollinger2023, author = {Carl{\`a}-Uhink, Filippo and Rollinger, Chrstian}, title = {The Tetrarchy as Ideology}, series = {Heidelberger althistorische Beitr{\"a}ge und epigraphische Studien (HABES) ; 64}, journal = {Heidelberger althistorische Beitr{\"a}ge und epigraphische Studien (HABES) ; 64}, editor = {Carl{\`a}-Uhink, Filippo and Rollinger, Christian}, publisher = {Franz Steiner}, address = {Stuttgart}, isbn = {978-3-515-13400-2}, pages = {382}, year = {2023}, abstract = {The 'Tetrarchy', the modern name assigned to the period of Roman history that started with the emperor Diocletian and ended with Constantine I, has been a much-studied and much-debated field of the Roman Empire. Debate, however, has focused primarily on whether it was a true 'system' of government, or rather a collection of ad-hoc measures undertaken to stabilise the empire after the troubled period of the 3rd century CE. The papers collected here aim to go beyond this question and to present an innovative approach to a fascinating period of Roman history by understanding the Tetrarchy not as a system of government, but primarily as a political language. Their focus thus lies on the language and ideology of the imperial college and court, on the performance of power in imperial ceremonies, the representation of the emperors and their enemies in the provinces of the Roman world, as well as on the afterlife of Tetrarchic power in the Constantinian period.}, language = {en} } @book{OPUS4-58482, title = {Theodor Fontane Handbuch}, editor = {Parr, Rolf and Radecke, Gabriele and Trickle, Peer and Bertschik, Julia}, edition = {2 Teilb{\"a}nde}, publisher = {de Gruyter}, address = {Berlin}, isbn = {978-3-11-054538-8}, doi = {10.1515/9783110545388}, pages = {XXVII, 1465}, year = {2023}, abstract = {F{\"u}r Theodor Fontanes Werk und Leben liegt derzeit keine umfassend angelegte Publikation vor, die den aktuellen Stand der Forschung f{\"u}r das Gesamtwerk (einschließlich der Texte aus dem Nachlass) auf Basis des aktuellen Stands der Editionen aufarbeiten w{\"u}rde. Diese L{\"u}cke f{\"u}llt das vorliegende Handbuch, indem es einen differenzierten Einblick in Fontanes facettenreiches Œuvre bietet, dieses in seiner ganzen Breite vorstellt, in seinen Traditionslinien verortet und mit Blick auf die zeitgen{\"o}ssischen Kontexte erschließt. Werke und Schriften sowie die wichtigsten Korrespondenzen werden in Artikelgruppen behandelt, wobei Entstehungsgeschichte und -kontexte ber{\"u}cksichtigt werden. Weiter stellt das Handbuch die Lebenswelten und sozialen Beziehungen, in denen sich Fontane bewegte, dar und situiert sein Werk sowie sein Wirken im Spektrum der mentalit{\"a}ts-, ideen-, wissens- und nicht zuletzt mediengeschichtlichen Rahmenbedingungen des 19. Jahrhunderts. Die einzelnen Artikel stellen dabei zum gr{\"o}ßten Teil genuine Forschungsarbeiten dar, die ein Gebiet, ein Thema oder einen Gegenstand mit Blick auf Fontane neu erschließen. umfassend angelegt auf Basis des neuesten Forschungsstandes unter Einbezug der Texte im Nachlass}, language = {de} } @book{Goldmann2023, author = {Goldmann, Stefan}, title = {Topik und Memoria}, publisher = {Schwabe}, address = {Basel}, isbn = {978-3-7965-4842-0}, pages = {211}, year = {2023}, abstract = {In diesem Buch werden Topik und Memoria in ihren antiken Grundlagen und ihrer neuzeitlichen Rezeption und Transformation untersucht. Der Autor widmet sich diesen einzu{\"u}benden rhetorischen Fertigkeiten anhand von Platon und Kleist, Simonides von Keos und Pausanias, Lichtenberg und Forster, Schliemann, Freud und Ernst Robert Curtius. In unterschiedlicher Akzentuierung er{\"o}rtert er den komplexen Zusammenhang von Topik und Memoria, von Argumentation und Fantasie, Erinnerung und Affekt. Eine interdisziplin{\"a}re Topos-Forschung, die sich ihrer Herkunft und Geschichte, wie sie hier entfaltet wird, bewusst ist, d{\"u}rfte sich als ein methodisches Paradigma einer anthropologischen Literatur- und Kulturwissenschaft empfehlen.}, language = {de} } @book{Ungelenk2023, author = {Ungelenk, Johannes}, title = {Touching at a Distance}, series = {Edinburgh Critical Studies in Shakespeare and Philosophy : ECSSP}, journal = {Edinburgh Critical Studies in Shakespeare and Philosophy : ECSSP}, publisher = {Edinburgh University Press}, address = {Edinburgh}, isbn = {978-1-4744-9784-8}, doi = {10.1515/9781474497848}, pages = {296}, year = {2023}, abstract = {Studies the capacity of Shakespeare's plays to touch and think about touchBased on plays from all major genres: Hamlet, The Tempest, Richard III, Much Ado About Nothing and Troilus and CressidaCentres on creative, close readings of Shakespeare's plays, which aim to generate critical impulses for the 21st century readerBrings Shakespeare Studies into touch with philosophers and theoreticians from a range of disciplinary areas - continental philosophy, literary criticism, psychoanalysis, sociology, phenomenology, law, linguistics: Friedrich Nietzsche, Maurice Blanchot, Jacques Lacan, Luce Irigaray, Jacques Derrida, Roland Barthes, Niklas Luhmann, Hans Blumenberg, Carl Schmitt, J. L. AustinTheatre has a remarkable capacity: it touches from a distance. The audience is affected, despite their physical separation from the stage. The spectators are moved, even though the fictional world presented to them will never come into direct touch with their real lives. Shakespeare is clearly one of the master practitioners of theatrical touch. As the study shows, his exceptional dramaturgic talent is intrinsically connected with being one of the great thinkers of touch. His plays fathom the complexity and power of a fascinating notion - touch as a productive proximity that is characterised by unbridgeable distance - which philosophers like Friedrich Nietzsche, Maurice Blanchot, Jacques Derrida, Luce Irigaray and Jean-Luc Nancy have written about, centuries later. By playing with touch and its metatheatrical implications, Shakespeare raises questions that make his theatrical art point towards modernity: how are communities to form when traditional institutions begin to crumble? What happens to selfhood when time speeds up, when oneness and timeless truth can no longer serve as reliable foundations? What is the role and the capacity of language in a world that has lost its seemingly unshakeable belief and trust in meaning? How are we to conceive of the unthinkable extremes of human existence - birth and death - when the religious orthodoxy slowly ceases to give satisfactory explanations? Shakespeare's theatre not only prompts these questions, but provides us with answers. They are all related to touch, and they are all theatrical at their core: they are argued and performed by the striking experience of theatre's capacities to touch - at a distance}, language = {en} }