@unpublished{Eckstein2012, author = {Eckstein, Lars}, title = {'We're destroyed if we mix. And we're destroyed if we don't'}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85529}, pages = {11}, year = {2012}, language = {en} } @misc{Eckstein2009, author = {Eckstein, Lars}, title = {Witi Ihimaera, The Whale Rider}, isbn = {978-3- 476-04000-8}, year = {2009}, language = {en} } @misc{Eckstein2004, author = {Eckstein, Lars}, title = {Wilson Harris}, isbn = {3-520-83804-4}, year = {2004}, language = {de} } @article{EcksteinSchwarz2019, author = {Eckstein, Lars and Schwarz, Anja}, title = {Vision d'une mer faite d'{\^i}les: la carte de Tupaia (1769-1770)}, series = {Bulletin de la Soci{\´e}t{\´e} des Etudes Oc{\´e}aniennes : Polyn{\´e}sie Orientale}, volume = {347}, journal = {Bulletin de la Soci{\´e}t{\´e} des Etudes Oc{\´e}aniennes : Polyn{\´e}sie Orientale}, number = {Janvier / Avril}, publisher = {Soc.}, address = {Papeete}, issn = {0373-8957}, pages = {6 -- 23}, year = {2019}, language = {fr} } @misc{Eckstein2004, author = {Eckstein, Lars}, title = {V.S. Reid}, isbn = {3-520-83804-4}, year = {2004}, language = {de} } @article{EcksteinPeitschSchwarz2017, author = {Eckstein, Lars and Peitsch, Helmut and Schwarz, Anja}, title = {Tusitalas Wandlungen}, series = {Pazifikismus : Poetiken des Stillen Ozeans}, journal = {Pazifikismus : Poetiken des Stillen Ozeans}, publisher = {K{\"o}nigshausen \& Neumann}, address = {W{\"u}rzburg}, isbn = {978-3-8260-6169-1}, pages = {443 -- 460}, year = {2017}, language = {de} } @unpublished{Eckstein2009, author = {Eckstein, Lars}, title = {Transatlantic slavery and the literary imagination}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85548}, pages = {9}, year = {2009}, language = {en} } @misc{Eckstein2009, author = {Eckstein, Lars}, title = {Transatlantic slavery and the literary imagination}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59201}, year = {2009}, abstract = {Transatlantic slavery and the literary imagination The challenges of turning transatlantic slavery into literature A polyphony of historical voices: Caryl Phillips's dialogic imagination Literary imagination and the Zong Massacre: Fred D'Aguiar and David Dabydeen Perspectives}, language = {en} } @misc{Eckstein2009, author = {Eckstein, Lars}, title = {Torpedoing the authorship of popular music : a reading of Gorillaz' 'Feel Good Inc.'}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59116}, year = {2009}, abstract = {This article addresses problems of authorship and creative authority in popular music, in particular in view of a pervasive split between modes of aesthetic production (involving modernist assemblage, multiple authorship, and the late capitalist logic of major label policies) and modes of aesthetic reception (which tend to take popular music as the organic output of individual performers). While rock musicians have attempted to come to terms with this phenomenon by either performing a 'Romantic' sense of authenticity (basically by importing folk values to the production process) or 'Modernist authenticity' (by highlighting experimen- tation and alienation), Damon Albarn and Jamie Hewlett, creators of Gorillaz, found a third way which ingeniously allows them to do both. By creating a virtual rock band, and by hiding their own media personalities behind those of their virtual alter egos, they brought themselves into a position which allows them to produce 'sincere' popular music which 'playfully' stages the absurdities of major label music business while very successfully operating within its very confines.}, language = {en} } @article{Eckstein2007, author = {Eckstein, Lars}, title = {Three ways of looking at illegal immigration : clandestine existence in novels by Salman Rushdie, Christopher Hope and Caryl Phillips}, isbn = {978-3-8260-3769-6}, year = {2007}, language = {en} }