@article{GallasRuerup2021,
  author    = {Gallas, Elisabeth and R{\"u}rup, Miriam},
  title     = {"Advocate of the Jewish People"},
  series = {PaRDeS : Journal of the Association for Jewish Studies in Germany},
  journal   = {PaRDeS : Journal of the Association for Jewish Studies in Germany},
  number    = {27},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-520-0},
  issn      = {1614-6492},
  doi       = {10.25932/publishup-53750},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-537501},
  pages     = {135 -- 142},
  year      = {2021},
  language  = {en}
}
@article{BievrePerrin2021,
  author    = {Bi{\`e}vre-Perrin, Fabien},
  title     = {"Everything is a copy of a copy of a copy"},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol13.191},
  pages     = {i -- v},
  year      = {2021},
  abstract  = {A quote from Fight Club (Chuck Palahniuk, 1996) may seem unusual for a Classicist. Nevertheless, this famous sentence summarises the contents of this special issue of thersites perfectly. As specialists in classical reception frequently witness, there is a sort of d{\´e}j{\`a}-vu effect when it comes to the presence of Antiquity within popular culture. In 2019, to try to better understand the phenomenon, Antiquipop invited researchers to take an interest in the construction and semantic path of these "masterpieces" in contemporary popular culture, with a particular focus on the 21st century.},
  language  = {en}
}
@article{Grote2021,
  author    = {Grote, Mathias},
  title     = {„Aus dem Kleinen bauen sich die Welten" - Christian Gottfried Ehrenbergs {\"o}kologische Mikrobiologie avant la lettre},
  series = {HiN : Alexander von Humboldt im Netz = Christian Gottfried Ehrenberg},
  volume    = {XXII},
  journal   = {HiN : Alexander von Humboldt im Netz = Christian Gottfried Ehrenberg},
  number    = {42},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  issn      = {1617-5239},
  doi       = {https://doi.org/10.18443/318},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-515016},
  pages     = {19 -- 32},
  year      = {2021},
  abstract  = {Die Geschichte der Mikrobiologie als Laborwissenschaft des sp{\"a}ten 19. Jahrhunderts hat f{\"u}r Ehrenberg keinen Platz. Unmodern, ja fehlerhaft scheinen die Befunde dieses „Humboldt en miniature", der die Belebtheit von Wasser oder Luft mikroskopisch untersuchte, der Proben aus aller Welt sammelte und so zahlreiche „Infusorien" genannte Mikroben sowie deren Effekte etwa bei Blutwundern beschrieb, deren Beteiligung an Infektionskrankheiten aber verneinte. Zugleich scheint sein {\"o}kologischer Blick auf den Mikrokosmos die Gegenwart auf {\"u}berraschende Weise anzusprechen - einerseits weil Mikroben omnipr{\"a}sentes Faszinosum wie Bedrohung bleiben, andererseits weil viele der Pr{\"a}missen von Pasteur und Koch im Zeitalter der Genomik {\"u}berholt erscheinen. Ausgehend von der zwiesp{\"a}ltigen Position Ehrenbergs fragt dieser Artikel, warum er m{\"o}glicherweise gerade deswegen spannender ist, als ihn die Historiographie bislang hat erscheinen lassen.},
  language  = {de}
}
@article{Kann2021,
  author    = {Kann, Oliver},
  title     = {„Gut, besser, Vermesser."},
  series = {Milit{\"a}r und Gesellschaft in der Fr{\"u}hen Neuzeit = Themenheft: Milit{\"a}risches Wissen vom 16. bis zum 19. Jahrhundert},
  volume    = {22},
  journal   = {Milit{\"a}r und Gesellschaft in der Fr{\"u}hen Neuzeit = Themenheft: Milit{\"a}risches Wissen vom 16. bis zum 19. Jahrhundert},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  doi       = {10.25932/publishup-51533},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-515333},
  pages     = {87 -- 114},
  year      = {2021},
  language  = {de}
}
@article{Ursin2021,
  author    = {Ursin, Frank},
  title     = {„The mother of chemical peeling" - Oder: Wie Kleopatra zum Bad in Eselsmilch kam},
  series = {thersites 12},
  volume    = {2020},
  journal   = {thersites 12},
  number    = {12},
  editor    = {Rollinger, Christian},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol12.95},
  pages     = {38 -- 70},
  year      = {2021},
  abstract  = {Application areas and drugs of Egyptian, Greek and Roman medi-cine are popular references of research in the field of recent aes-thetic dermatology. There, Cleopatra VII is referred to as "mother of chemical peeling" because she is said to have bathed in donkey's milk. Although extremely popular, there is no ancient source sup-porting Cleopatra's bath in milk. Nevertheless, Poppaea Sabina, the second wife of Emperor Nero, is said to has bathed in donkey's milk to beautify her skin. The aim of the paper is to reconstruct the genesis and develop-ment of the modern myth of Cleopatra bathing in donkey's milk. The origin of this myth can be traced back to the cinema of the 1930s. The result is that in the person of the actress Claudette Colbert her two roles as Cleopatra and Poppaea converged. This convergence was the basis for the popularization of the milk bath by the Cleopat-ra movie of 1963 with Elizabeth Taylor.},
  language  = {de}
}