@article{FreitagHild2022, author = {Freitag-Hild, Britta}, title = {Young Adult Literature and critical literacy}, series = {Fremdsprachen lehren und lernen}, volume = {51}, journal = {Fremdsprachen lehren und lernen}, number = {1}, publisher = {Narr}, address = {T{\"u}bingen}, isbn = {0932-6936}, pages = {107 -- 120}, year = {2022}, language = {de} } @article{FreitagHild2022, author = {Freitag-Hild, Britta}, title = {Ethnografisches Lernen, symbolische Kompetenz und critical literacy}, series = {unterricht_kultur_theorie: Kulturelles Lernen im Fremdsprachenunterricht gemeinsam anders denken}, journal = {unterricht_kultur_theorie: Kulturelles Lernen im Fremdsprachenunterricht gemeinsam anders denken}, publisher = {J.B. Metzler}, address = {Berlin}, isbn = {978-3-662-63781-4}, doi = {10.1007/978-3-662-63782-1_18}, pages = {299 -- 315}, year = {2022}, abstract = {Welche Rolle spielt Kultur im Fremdsprachenunterricht, welcher Kulturbegriff eignet sich f{\"u}r die Kulturdidaktik und welche Zielsetzungen werden mit Blick auf kulturelle Lernprozesse verfolgt? Die Antworten der Fremdsprachendidaktik auf diese Fragen haben sich nicht nur in der Vergangenheit immer wieder ver{\"a}ndert, sondern sind auch mit Blick auf die gegenw{\"a}rtige Diskussion {\"a}ußerst vielf{\"a}ltig.}, language = {de} } @article{FreitagHildDelius2022, author = {Freitag-Hild, Britta and Delius, Katharina}, title = {Freies Sprechen vor der Kamera unterst{\"u}tzen}, series = {Der fremdsprachliche Unterricht Englisch}, volume = {56}, journal = {Der fremdsprachliche Unterricht Englisch}, number = {172}, publisher = {Friedrich-Verlag}, address = {Hannover}, issn = {0945-1250}, pages = {8 -- 9}, year = {2022}, language = {de} } @article{FreitagHildDelius2022, author = {Freitag-Hild, Britta and Delius, Katharina}, title = {Neue M{\"u}ndlichkeiten}, series = {Der fremdsprachliche Unterricht Englisch}, volume = {56}, journal = {Der fremdsprachliche Unterricht Englisch}, number = {172}, publisher = {Friedrich Verlag GmbH}, address = {Hannover}, issn = {0945-1250}, pages = {2 -- 7}, year = {2022}, language = {de} } @article{FreitagHild2022, author = {Freitag-Hild, Britta}, title = {Child-friendly cities and communities}, series = {Bildung f{\"u}r nachhaltige Entwicklung im Englischunterricht. Grundlagen und Unterrichtsbeispiele}, journal = {Bildung f{\"u}r nachhaltige Entwicklung im Englischunterricht. Grundlagen und Unterrichtsbeispiele}, publisher = {Klett Kallmeyer}, address = {Hannover}, isbn = {978-3-7727-1660-7}, pages = {185 -- 193}, year = {2022}, language = {de} } @book{VanHalVanLoonMercelisetal.2023, author = {Van Hal, Toon and Van Loon, Zanna and Mercelis, Wouter and Steckley, John and Peetermans, Andy and Van Rooy, Raf and Dionne, Fannie}, title = {Anchored in ink}, editor = {Van Loon, Zanna and Steckley, John and Van Hal, Toon and Peetermans, Andy}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-516-3}, doi = {10.25932/publishup-51306}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-513062}, publisher = {Universit{\"a}t Potsdam}, pages = {448}, year = {2023}, abstract = {This book serves as a gateway to the Elementa grammaticae Huronicae, an eighteenth-century grammar of the Wendat ('Huron') language by Jesuit Pierre-Philippe Potier (1708-1781). The volume falls into three main parts. The first part introduces the grammar and some of its contexts, offering information about the Huron-Wendat and Wyandot, the early modern Jesuit mission in New France and the Jesuits' linguistic output. The heart of the volume is made up by its second part, a text edition of the Elementa. The third part presents some avenues of research by way of specific case studies.}, language = {en} } @article{AdairMcLaughlin2022, author = {Adair, Gigi and McLaughlin, Carly}, title = {Beyond humanitarianism}, series = {Narrating Flight and Asylum}, journal = {Narrating Flight and Asylum}, publisher = {Trier}, address = {WVT Wissenschaftlicher Verlag Trier}, isbn = {978-3-86821-965-4}, pages = {165 -- 182}, year = {2022}, language = {en} } @article{Rath2020, author = {Rath, Anna von}, title = {Strategic label}, series = {Afropolitan Literature as World Literature}, journal = {Afropolitan Literature as World Literature}, publisher = {Bloomsbury Academic}, address = {New York}, isbn = {978-1-5013-4260-8}, doi = {10.5040/9781501342615.ch-003}, pages = {37 -- 56}, year = {2020}, abstract = {The Afropolitan Berlin novel Biskaya by SchwarzRund (2016) is probably the first novel written in German which demonstratively wears this label - on the front cover of the book, the author announces it to be an Afropolitaner Berlin Roman underneath the title. While addressing quite a few particulars of the Berlin-Brandenburg area, the novel writes itself willingly into the globally popular, yet controversial realm of African inflected cosmopolitanism. In this essay, I will argue that the author uses the label strategically to negotiate the global and the local - or worldliness and cultural specificity - with the aim to increase the visibility of queer of Color critique in Germany. SchwarzRund's approach may seem contradictory at first: Even though she could have called her novel queer, neuro-diverse, diasporic or Black, she chose Afropolitan. While she wrote an outspokenly political novel, she labeled it with a term often critically denounced as apolitical. Using Afropolitanism, she seems to aim at a rather mainstream audience, but at the same time, she published with a small, activist publishing house. While attempting to tap into the transnational cultural and literary capital of Afropolitanism, the language of the book is German and restricts it to the German-speaking parts of the world. This essay will explore the Afropolitanism depicted in Biskaya and elaborate on the strategic choice of label. I will offer one possible interpretation of the characters and settings which illustrate SchwarzRund's vision and version of Afropolitanism. In my analyses, I am interested in political questions around the characters' identities and the setting. The Black protagonists of the novel, Tue and Dwayne, live in Berlin, but grew up on the fictional island Biskaya. This island is located somewhere close to the European mainland and part of the continent; it had an entirely Black population until a destructive event forced many to move to the mainland. The protagonists, now living in a mainly white society, are depicted in a state of interrogation of their own sense of self, measuring oppressive societal norms against other possible ways of interaction. The novel shows how people are deemed strange and not fitting into a network of unspoken rules because of racialized bodies, sexual preferences and\#shor lifestyle choices. However, SchwarzRund counters those structures of inequality with her characters' playful ways to deal with queerness, femininity and blackness subverting imposed norms. The novel challenges imperatives of subordination, creates new visions and inscribes Black Germans as political subjects.}, language = {en} } @article{Waller2022, author = {Waller, Nicole}, title = {Marronage or underground?}, series = {MELUS : multi-ethnic literature of the U.S. / Society for the Study of the Multi-Ethnic Literature of the United States}, volume = {47}, journal = {MELUS : multi-ethnic literature of the U.S. / Society for the Study of the Multi-Ethnic Literature of the United States}, number = {1}, publisher = {Oxford Univ. Press}, address = {Oxford}, issn = {0163-755X}, doi = {10.1093/melus/mlac021}, pages = {45 -- 70}, year = {2022}, abstract = {I combine a reading of contemporary scholarship on US maroon histories and the Underground Railroad—and the concomitant notions of marronage and the underground—with a reading of two recent works of African American literature: Colson Whitehead's The Underground Railroad (2016) and Ta-Nehisi Coates's The Water Dancer (2019). Foregrounding the idea of Black geographies as a form of placemaking and "thinking otherwise" about land and water, I suggest that despite the differing, and at times contrasting, trajectories of maroon histories and the histories of Black flight to the North, African American maroon experiences and the Underground Railroad are conceptually connected in contemporary African American literature. I read the two novels as recent literary expressions of this conceptual link, which is played out via representations of relating to the land. By reimagining and intertwining marronage and the underground, both novels articulate a critique of settler-colonial and plantation modes of spatial practice, modes they identify as formative for US-American nationhood. They also, tentatively but forcefully, gesture toward alternative ways of being "above" and "below" the land while affirming African American connectedness to place.}, language = {en} } @article{Mischke2021, author = {Mischke, Dennis}, title = {Deleuze and the digital}, series = {Deleuze and Guattari studies}, volume = {15}, journal = {Deleuze and Guattari studies}, number = {4}, publisher = {Edinburgh University Press}, address = {Edinburgh}, issn = {2398-9777}, doi = {10.3366/dlgs.2021.0459}, pages = {593 -- 609}, year = {2021}, abstract = {In his short and often quoted essay 'Postscript on the Societies of Control', Gilles Deleuze famously describes the structures of power in the dawning twenty-first century as driven by 'machines of a third type, computers', as novel and predominantly digital infrastructures. In fact, from a Deleuzian perspective the entire ecosystem of the digital transformation can be described as a larger shift in modes of production and the political economy. This essay proposes to read this 'technological evolution' as the power of algorithms and their material substance - digital infrastructures that entail a different mode of interaction between humans and technology. In looking at these infrastructures from a materialist position, my essay reconceptualises the digital as the unfolding logic of assemblages that have been shaping a 'long now' of technological modernity. In bringing a Deleuzian reading of infrastructures to the study of technology and society, this essay seeks to shed a new light on the political function-and the increasing abstraction-of infrastructures in the realm of the digital.}, language = {en} }