@phdthesis{Priewe2006,
  author    = {Priewe, Marc},
  title     = {Writing transit : refiguring national imaginaries in Chicana/o narratives},
  series = {American Studies},
  volume    = {140},
  journal   = {American Studies},
  publisher = {Winter},
  address   = {Heidelberg},
  isbn      = {978-3-8253-5215-8},
  pages     = {XII, 267 S. : Ill.},
  year      = {2006},
  language  = {en}
}
@article{Priewe2005,
  author    = {Priewe, Marc},
  title     = {Transgressive Performances : Guillermo G{\´o}mez-Pe{\~n}a @ the Borders of Culture},
  isbn      = {3-88476-724-0},
  year      = {2005},
  abstract  = {This essay focuses on the work of Mexican/Chicano performance artist Guillermo G{\´o}mez-Pe{\~n}a, whose main aesthetic principle lies in the criss-crossing of cultural, geographic and linguistic borders. Through his unique fusion of genres, discourses and media, G{\´o}mez-Pe{\~n}a creates a hybrid art form that also transgresses more conventional definitions of what constitutes culture. One of the central features of his "New World Border" (1992-1994) performance is the artistic transposition of site-specific border identities and texts to a global level; i.e., the border (and its transgression) becomes a metaphor to address a multiplicity of aesthetic, cultural and socio-political agendas. His performance "Temple of Confessions" (1994) aims, among others, at debunking the rather celebratory discourse of mainstream U.S. multiculturalism. In addition, his project of "reverse anthropology", which informs a number of his performance pieces, seeks to retain the resistance potential of minoritarian art by subverting hegemonic power hierarchies. As will be shown, his representational strategy of "as if" is used by G{\´o}mez-Pe{\~n}a and his collaborators to envision a postnational and transcultural spaciousness of the Americas.},
  language  = {en}
}
@article{Priewe2002,
  author    = {Priewe, Marc},
  title     = {The transnational mimic man : el vez's (Re-)appropriation of Elvis Presley},
  isbn      = {3-8258-6433-2},
  year      = {2002},
  language  = {en}
}
@article{Priewe2011,
  author    = {Priewe, Marc},
  title     = {The commuting island : cultural (im)mobility in 'The flying bus'},
  issn      = {2192-3027},
  year      = {2011},
  language  = {en}
}
@article{Priewe2011,
  author    = {Priewe, Marc},
  title     = {Resistance without borders : shifting cultural politics in Chicana/o narratives},
  isbn      = {978-1-611-68189-5},
  year      = {2011},
  language  = {en}
}
@misc{Priewe2011,
  author    = {Priewe, Marc},
  title     = {Prospero's America: John Winthrop, Jr., Alchemy, and the Creation of New England Culture, 1606-1676},
  series = {Zeitschrift f{\"u}r Anglistik und Amerikanistik : a quarterly of language, literature and cultur},
  volume    = {59},
  journal   = {Zeitschrift f{\"u}r Anglistik und Amerikanistik : a quarterly of language, literature and cultur},
  number    = {2},
  publisher = {K{\"o}nigshausen \& Neumann},
  address   = {W{\"u}rzburg},
  issn      = {0044-2305},
  pages     = {199 -- 200},
  year      = {2011},
  language  = {en}
}
@article{Priewe2002,
  author    = {Priewe, Marc},
  title     = {Negotiating the global and the local : Leslie Marmon Silko's almanac of the dead as 'Glocal Fiction'},
  year      = {2002},
  abstract  = {This essay explores Leslie Marmon Silko's fictional negotiations of conflicting and overlapping discourses from Native American and Euroamerican cultures in the transnational contact spaces of the Americas. The dialogic juxtapositions of a variety of cultural practices, ranging from indigenous prophecies to the writings of Marx, are central aspects of the glocal formations in Silko's Almanac of the Dead. The novel furthermore functions as a cultural representation and projection of globalization-from-below, i.e., a transgressive social movement which counters the effects of neocolonial globalization by a critical inclusion of global and local forms of consciousness and agencies.},
  language  = {en}
}
@article{Priewe2004,
  author    = {Priewe, Marc},
  title     = {Bio-Politics and the contamination of the body in Alejandro Morales's the rag doll plagues},
  year      = {2004},
  language  = {en}
}
@article{Priewe2002,
  author    = {Priewe, Marc},
  title     = {An den Grenzen der Kultur(en)},
  year      = {2002},
  language  = {de}
}
@article{Priewe2005,
  author    = {Priewe, Marc},
  title     = {"Make a Run for the Border": Chicano Performance Art and the Search for a Space of/for Difference},
  year      = {2005},
  language  = {en}
}