@article{AmatuzziAyresBennettGerstenbergetal.2020,
  author    = {Amatuzzi, Antonella and Ayres-Bennett, Wendy and Gerstenberg, Annette and Schosler, Lene and Skupien-Dekens, Carine},
  title     = {Changement linguistique et p{\´e}riodisation du fran{\c{c}}ais (pr{\´e})classique},
  series = {Journal of French language studies},
  volume    = {30},
  journal   = {Journal of French language studies},
  number    = {3},
  publisher = {Cambridge Univ. Press},
  address   = {Cambridge},
  issn      = {0959-2695},
  doi       = {10.1017/S0959269520000058},
  pages     = {301 -- 326},
  year      = {2020},
  abstract  = {RESUME Cette etude propose d'explorer et d'identifier des moments particuliers oU le changement linguistique se produit, afin de confirmer ou de rejeter l'idee d'une periode specifique designee par le terme << francais preclassique >>, avec une rupture - ou frontiere chronolectale - detectable autour de 1630 (cf. Ayres-Bennett et Caron, 2016). Afin de verifier dans quelle mesure cette chronologie peut etre confirmee, il est necessaire de multiplier des analyses fines et pointues sur des traits linguistiques qui ont subi des changements a l'epoque en question et d'interroger une gamme de textes qui refletent la variation discursive et pragmatique, au lieu de consulter le canon des traditions textuelles actuellement disponibles sur des bases numerisees, qui sont essentiellement litteraires. C'est pourquoi nous avons consulte des sources de nature differente, qui pourraient attester des usages emergents, a savoir les corpus du Reseau Corpus Francais Preclassique et Classique (RCFC). Seront presentes les resultats de deux etudes de cas (la recategorisation des formes dedans/dessous/dessus/dehors et la montee des clitiques), abondamment discutes par les remarqueurs.},
  language  = {fr}
}
@book{Bauer2015,
  author    = {Bauer, Sidona},
  title     = {La po{\´e}sie v{\´e}cue d'Andr{\´e} Velter},
  series = {Sanssouci - Forschungen zur Romanistik},
  volume    = {9},
  journal   = {Sanssouci - Forschungen zur Romanistik},
  editor    = {Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  pages     = {528},
  year      = {2015},
  language  = {fr}
}
@misc{Benedetti2020,
  author    = {Benedetti, Ginevra},
  title     = {Recension de Fabien Bi{\`e}vre-Perrin \& {\´E}lise Pampanay (dir.) Antiquipop. La r{\´e}f{\´e}rence {\`a} l'Antiquit{\´e} dans la culture populaire contemporaine},
  series = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture},
  volume    = {2020},
  journal   = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture},
  number    = {11},
  editor    = {Amb{\"u}hl, Annemarie},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol11.121},
  pages     = {401 -- 410},
  year      = {2020},
  language  = {fr}
}
@incollection{BercegolKlettke2017,
  author    = {Bercegol, Fabienne and Klettke, Cornelia},
  title     = {Transferts et entrelacements des {\´e}crits f{\´e}minins au d{\´e}but du XIXe si{\`e}cle},
  series = {Les femmes en mouvement - l'univers sentimental et intellectuel des romanci{\`e}res du d{\´e}but du XIXe si{\`e}cle},
  booktitle = {Les femmes en mouvement - l'univers sentimental et intellectuel des romanci{\`e}res du d{\´e}but du XIXe si{\`e}cle},
  editor    = {Bercegol, Fabienne and Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0322-1},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {13 -- 28},
  year      = {2017},
  language  = {fr}
}
@article{Besnard2021,
  author    = {Besnard, Tiphaine Annabelle},
  title     = {La V{\´e}nus de Milo dans l'art contemporain (de 1980 {\`a} nos jours) : une ic{\^o}ne globalis{\´e}e},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol13.156},
  pages     = {84 -- 99},
  year      = {2021},
  abstract  = {This paper aims to analyse the figure of the Venus of Milo in (extreme) contemporary art productions. The reception of this sculpture has already been studied in the past, but without considering the last ten years (2010 - 2020), during which artists like Yinka Shonibare, Fabio Viale, or Daniel Arsham decided to use the Venus for their new productions. The paper also explains how the Venus of Milo became a globalised icon and an inspiration for artists from all over the world.},
  language  = {fr}
}
@article{BorrellyStorost1994,
  author    = {Borrelly, Jean-Alexis and Storost, J{\"u}rgen},
  title     = {Histoire sommaire et philosophique de la langue fran{\c{c}}oise - 1784. Consid{\´e}rations sur le dictionnaire de la langue allemande, con{\c{c}}u autrefois par Leibnitz - 1792},
  publisher = {Narr},
  address   = {T{\"u}bingen},
  pages     = {162 S.},
  year      = {1994},
  language  = {fr}
}
@article{Braun2001,
  author    = {Braun, Sebastian},
  title     = {L'engagement civique dans le discours politique en Allemagne},
  isbn      = {2-86272-225-1},
  year      = {2001},
  language  = {fr}
}
@article{Briand2021,
  author    = {Briand, Michel},
  title     = {Le Laocoon en ic{\^o}ne queer et camp},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol13.133},
  pages     = {1 -- 42},
  year      = {2021},
  abstract  = {The Laoco{\"o}n group, a famous source of inspiration for modern artists and a crucial masterpiece for historians of art and philosophers, is also a popular figure in queer contemporary art and culture, both distorted and celebrated through camp performative devices. After remarks about 1. "queer gaze" and the complex relation of queer or LGBTQIA+ culture and politics to the dialectics of kitsch/camp and classical / contemporary / pop art, and 2. (not straight but) queer classics, using "anachronisme raisonn{\´e}" (Loraux") and "{\´e}cart" (Dupont), this article focuses on case studies from the 2010's: 1. The untold gay history of Vatican guided tour; the music video Falling, by the "queer cowboy" Drew Beckman. 2. Paintings by Richard Wallace (esp. Laoco{\"o}n); photographic series of Danil Golovkin (Modern Heroes : Photographing Bodybuilders in the Digital Age), 3. Julien Servy (Collages : Photo vs. Statues) ; the design firm modern8 (for the 2017 Utah Pride Festival). 4. The indigenous Canadian artist Kent Monkman, who, in paintings (The Academy), performances, installations, altogether stages and questions the violence of historical and cultural colonization and its impact on issues of gender and identity, and promotes dynamic interactions of aesthetics and politics, as well of pathos and camp.},
  language  = {fr}
}
@misc{Boelling1997,
  author    = {B{\"o}lling, Reinhard},
  title     = {Guzevic, D., Petr Petrovic Bazen, 1786 - 1838; Sankt-Peterburg, Nauka, 1995},
  year      = {1997},
  language  = {fr}
}
@article{Carroll1997,
  author    = {Carroll, Susanne},
  title     = {Le point de d{\´e}part : la notion d'input dans une th{\´e}orie de l'acquisition d'une langue seconde},
  year      = {1997},
  language  = {fr}
}