@article{Pittel2021,
  author    = {Pittel, Harald},
  title     = {Fin du globe},
  series = {Thesis eleven : critical theory and historical sociology},
  volume    = {162},
  journal   = {Thesis eleven : critical theory and historical sociology},
  number    = {1},
  publisher = {Sage},
  address   = {London},
  issn      = {0725-5136},
  doi       = {10.1177/0725513621994702},
  pages     = {121 -- 136},
  year      = {2021},
  abstract  = {This essay argues that Oscar Wilde noticeably contributed to the emerging discourse about world literature, even though his views in this regard have to be unearthed from the margins of his works, from his early and unpublished American lectures and 'between the lines' of his major critical essays. Wilde's implicit ideas around world literature can be understood as being closely related to his broader endeavour of redirecting and revaluing the pejorative discourse around 'decadence' in art and literature. More specifically, the arch-aesthete preferred to use the word 'romance' rather than 'decadence' (a term he hardly used at all in his writings), signalling a sensitivity attuned to what he called the 'love of things impossible'. This reconceptualization of the decadent outlook was to inspire a critical ideal of literature which relied on creatively activating the other as Other, culminating in a vision of intersubjective, transcultural and unlimited literary communication. Wilde's thought can be more specifically understood as anticipating central tenets of Gayatri Chakravorty Spivak's evocations of the planetary, thus preparing the way for an alterity-oriented understanding of literary cosmopolitanism.},
  language  = {en}
}