@article{Weilandt2022,
  author    = {Weilandt, Maria},
  title     = {Nationality as Intersectional Storytelling},
  series = {New Perspectives on Imagology},
  journal   = {New Perspectives on Imagology},
  editor    = {Edtstadler, Katharina and Folie, Sandra and Zocco, Gianna},
  publisher = {Brill},
  address   = {Leiden},
  isbn      = {978-90-04-45012-7},
  doi       = {10.1163/9789004513150_016},
  pages     = {297 -- 311},
  year      = {2022},
  abstract  = {Nationality traditionally is one of imagology's key terms. In this article, I propose an intersectional understanding of this category, conceiving nationality as an interdependent dynamic. I thus conclude it to be always internally constructed by notions of gender, sexuality, race, class, religion, age, ability, and other identity categories. This complex and multi-layered construct, I argue, is formed narratively. To exemplify this, I analyse practices of stereotyping in Honor{\´e} de Balzac's Illusions perdues (1843) and Henry James's The American (1877) which construct the so-called Parisienne as a synecdoche for nineteenth-century France.},
  language  = {en}
}