@article{Selting2007,
  author    = {Selting, Margret},
  title     = {"Grammatik des gesprochenen Deutsch" im Rahmen der Interaktionalen Linguistik},
  isbn      = {3-484-31269-6},
  year      = {2007},
  language  = {de}
}
@misc{Selting1986,
  author    = {Selting, Margret},
  title     = {"Nebeneinander-her-reden" : Struktur und Entwicklung eines Verst{\"a}ndigungsproblems},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-43169},
  year      = {1986},
  abstract  = {Inhalt: 1. Einleitung 2. Analyse- und Beschreibungskategorien 3. Das zu analysierende Gespr{\"a}ch: "Beglaubigungen hinten drauf?" 4. Unterschiedliche Kategorisierung des Problems: Erwartungsproblem versus Sachverhaltsproblem 5. Fazit},
  language  = {de}
}
@misc{SeltingSandig1994,
  author    = {Selting, Margret and Sandig, Barbara},
  title     = {[Bericht der] Sektion Textlinguistik und Stilistik : Schwerpunkt 'Sprech- und Gespr{\"a}chsstile'; Beitrag im Rahmen der 24. Jahrestagung der Gesellschaft f{\"u}r Angewandte Linguistik GAL e.V.},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-43010},
  year      = {1994},
  language  = {de}
}
@misc{SeltingSandig1995,
  author    = {Selting, Margret and Sandig, Barbara},
  title     = {[Bericht zur] Sektion Textlinguistik und Stilistik : Schwerpunkt 'Sprech- und Gespr{\"a}chsstile'; Beitrag im Rahmen der 25. Jahrestagung der Gesellschaft f{\"u}r Angewandte Linguistik GAL e.V.},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-39259},
  year      = {1995},
  language  = {de}
}
@article{Selting2003,
  author    = {Selting, Margret},
  title     = {A salient regionalized intonation contour in the Dresden vernacular (regionalized intonation in German)},
  issn      = {0301-3294},
  year      = {2003},
  abstract  = {After reviewing the research on Saxon regionalized intonation and giving an overview of our research project on regionalized intonation in German, a particular salient regionalized intonation contour from the Dresden vernacular is described in detail. In addition to a more widespread contour that is also used in the Berlin vernacular, albeit in different contexts, the so-called 'upward staircase contour' which is formed by a lower plateau, a rise and a higher plateau, the Dresden vernacular also uses very salient regionalized variants of such staircase contours: These variants entail upward staircases with, metaphorically speaking, two steps; i.e. after the lower plateau and the rise up to a higher plateau, the pitch rises up again in order to form a third plateau. Depending upon the alignment of the second rise and the third plateau, with only the final unaccented syllable of the intonation phrase or with the nuclear accented syllable and the following tail, the contour needs to be distinguished, yielding either an 'upward staircase with an additional final rise plateau' or a 'double upward staircase'. These two contours are shown to be used in different conversational contexts and in different functions in the Dresden vernacular. - Data for this study come from natural speech by speakers of the Dresden vernacular. The phonetic and phonological analysis of the contour is based on auditive, acoustic-phonetic and phonological methodology; the functional analysis of the utterances with the salient contours relies on the techniques of conversation analysis},
  language  = {en}
}
@article{Selting2010,
  author    = {Selting, Margret},
  title     = {Affectivity in conversational storytelling : an analysis of displays of anger or indignation in complaint stories},
  issn      = {1018-2101},
  year      = {2010},
  abstract  = {This paper reports on some recent work on affectivity, or emotive involvement, in conversational storytelling. After presenting the approach, some case studies of the display and management of affectivity in storytelling in telephone and face-to-face conversations are presented. The analysis reconstructs the display and handling of affectivity by both storyteller and story recipient. In particular, I describe the following kinds of resources: the verbal and segmental display: Rhetorical, lexico-semantic, syntactic, phonetic-phonological resources; the prosodic and suprasegmentalvocal display: Resources from the realms of prosody and voice quality; visual or "multimodal" resources from the realms of body posture and its changes, head movements, gaze, and hand movements and gestures. It is shown that the display of affectivity is organized in orderly ways in sequences of storytelling in conversation. I reconstruct (a) how verbal, vocal and visual cues are deployed in co-occurrence in order to make affectivity in general and specific affects in particular interpretable for the recipient and (b) how in turn the recipient responds and takes up the displayed affect. As a result, affectivity is shown to be managed by teller and recipient in storytelling sequences in conversation, involving both the reporting of affects from the story world as well as the negotiation of in-situ affects in the here-and-now of the storytelling situation.},
  language  = {en}
}
@article{Selting2000,
  author    = {Selting, Margret},
  title     = {Argumente f{\"u}r die Entwicklung einer interaktionalen Linguistik},
  year      = {2000},
  language  = {de}
}
@article{Selting2007,
  author    = {Selting, Margret},
  title     = {Beendigung(en) als interaktive Leistung},
  year      = {2007},
  language  = {de}
}
@article{Selting2000,
  author    = {Selting, Margret},
  title     = {Berlinische Intonationskonturen : der "Springton"},
  year      = {2000},
  language  = {de}
}
@article{Selting1999,
  author    = {Selting, Margret},
  title     = {Berlinische Intonationskonturen : Der Springton},
  year      = {1999},
  language  = {de}
}