@article{Gwozdz2020,
  author    = {Gwozdz, Patricia Aneta},
  title     = {Feld und Stil},
  series = {Stilwechsel und ihre Funktionen in Textsorten der Fach- und Wissenschaftskommunikation},
  journal   = {Stilwechsel und ihre Funktionen in Textsorten der Fach- und Wissenschaftskommunikation},
  editor    = {Adamzik, Kirsten and Kessanlis, Mikaela},
  publisher = {Narr Verlag},
  address   = {T{\"u}bingen},
  isbn      = {978-3-8233-8223-2},
  pages     = {111 -- 145},
  year      = {2020},
  language  = {de}
}
@article{Gwozdz2020,
  author    = {Gwozdz, Patricia Aneta},
  title     = {Figura Tropicana},
  series = {Ding und Bild in der Europ{\"a}ischen Romantik},
  journal   = {Ding und Bild in der Europ{\"a}ischen Romantik},
  editor    = {Heller, Jakob and Sch{\"o}nbeck, Sebastian and Martik, Erik},
  publisher = {De Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-068598-5},
  doi       = {10.1515/9783110686197-007},
  pages     = {135 -- 156},
  year      = {2020},
  language  = {de}
}
@article{Gwozdz2020,
  author    = {Gwozdz, Patricia Aneta},
  title     = {Autopoiesis als Modell interdiskursive Selbst{\"u}bersetzung},
  series = {Selbst{\"u}bersetzung als Wissenstransfer},
  journal   = {Selbst{\"u}bersetzung als Wissenstransfer},
  editor    = {Willer, Stefan and Keller, Andreas},
  publisher = {Kadmos},
  address   = {Berlin},
  isbn      = {978-3-86599-467-7},
  pages     = {279 -- 301},
  year      = {2020},
  language  = {de}
}
@phdthesis{Arndt2020,
  author    = {Arndt, Mario},
  title     = {Die portugiesisch-basierten Kreolsprachen S{\"u}dostasiens im Sprachkontakt},
  series = {Sprachkontakte. Variation, Migration und Sprachdynamik / Language contacts. Variation, migration and dynamics of languages / Contacts linguistiques. Variation, migration et dynamique linguistique ; 5},
  journal   = {Sprachkontakte. Variation, Migration und Sprachdynamik / Language contacts. Variation, migration and dynamics of languages / Contacts linguistiques. Variation, migration et dynamique linguistique ; 5},
  publisher = {Peter Lang GmbH},
  address   = {Frankfurt am Main},
  isbn      = {978-3-631-82570-9},
  issn      = {1868-176X},
  doi       = {10.3726/b17106},
  pages     = {311},
  year      = {2020},
  abstract  = {Ein Ergebnis der interkulturellen Beziehungen in S{\"u}dostasien sind die immer noch existierenden portugiesisch-basierten Kreolsprachen Papia Kristang und Maca{\´i}sta, die zu Muttersprachen von Generationen von Menschen in Malakka und Macau geworden sind. Welche Faktoren bewirken den Sprachwandel dieser Idiome, und wie ist dieser erkennbar? Dieser Band besch{\"a}ftigt sich nicht nur mit der Sprachdynamik der portugiesisch-basierten Kreolsprachen S{\"u}dostasiens, sondern auch mit anderen wesentlichen Fragestellungen der Variationslinguistik. Als Basis dienen die Ergebnisse einer empirischen Datenerhebung, die insbesondere die Ver{\"a}nderungen im Sprachgebrauch dokumentieren. Dar{\"u}ber hinaus stellt der Autor neue Resultate hinsichtlich der Sprachidentifikationen vor, die nicht nur f{\"u}r die Kreolistik von Bedeutung sind, sondern auch fach{\"u}bergreifend f{\"u}r das Interesse der allgemeinen Sprachwissenschaft.},
  language  = {de}
}
@article{Klettke2020,
  author    = {Klettke, Cornelia},
  title     = {Feuer und Flamme},
  series = {Deutsches Dante-Jahrbuch},
  volume    = {95},
  journal   = {Deutsches Dante-Jahrbuch},
  number    = {1},
  publisher = {de Gruyter},
  address   = {Berlin},
  doi       = {https://doi.org/10.1515/dante-2020-0002},
  pages     = {1 -- 21},
  year      = {2020},
  abstract  = {Il contributo prende in esame la poetizzazione dell'elemento ›fuoco‹ nell'aldil{\`a} dantesco. Nell'Inferno, l'universo metaforico associato al fuoco fa da contrappunto all'interiorizzazione e alla trascendenza che stanno alla base della concezione del fuoco nel Paradiso, dove esso, in senso astratto, viene trasformato in luce e rappresenta anche l'illuminazione spirituale. Dante mette in scena san Tommaso, presentando nelle varie figure il corpus spirituale, che tuttavia nell'Inferno era stato pervertito e caricato di una connotazione quasi parodistica, se confrontato alla solennit{\`a} sacrale della luce spirituale nel Paradiso. Nella sua qualit{\`a} di luce, l'elemento ›fuoco‹ diventa la componente pi{\`u} importante delle sfere del Paradiso. L'idea della permanenza di un regno di Dio {\`e} simbolicamente veicolata da un uso virtuosistico della gamma metaforica associata alla luce: la visualizzazione del principio supremo del Divino, come esso si costituisce nella dottrina cristiana, {\`e} affidata alla forza suggestiva della travolgente poesia.},
  language  = {de}
}
@article{Klettke2020,
  author    = {Klettke, Cornelia},
  title     = {Kunst als ,voie n{\´e}gativeʻ und {\´e}criture der Landschaft in L'Opposante von Lydie Parisse},
  series = {Die Gegenspielerin : Dramatische Erz{\"a}hlung. Franz{\"o}sisch / Deutsch},
  journal   = {Die Gegenspielerin : Dramatische Erz{\"a}hlung. Franz{\"o}sisch / Deutsch},
  editor    = {Klettke, Cornelia},
  publisher = {Edition Noack \& Block},
  address   = {Berlin},
  isbn      = {978-3-86813-088-1},
  pages     = {155 -- 168},
  year      = {2020},
  language  = {de}
}
@book{Parisse2020,
  author    = {Parisse, Lydie},
  title     = {Die Gegenspielerin},
  editor    = {Klettke, Cornelia and Kilian, Sven Thorsten},
  publisher = {Edition Noack \& Block},
  address   = {Berlin},
  isbn      = {978-3-86813-088-1},
  pages     = {190},
  year      = {2020},
  language  = {de}
}
@incollection{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {Kollokationen in der Pressesprache und in politischen Reden},
  series = {Dynamische Approximationen. Festschriftliches p{\"u}nktlichst zu Eva Lavrics 62,5. Geburtstag},
  booktitle = {Dynamische Approximationen. Festschriftliches p{\"u}nktlichst zu Eva Lavrics 62,5. Geburtstag},
  publisher = {Lang},
  address   = {Berlin, Bern},
  isbn      = {978-3-631-79973-4},
  doi       = {10.3726/b16043},
  pages     = {351 -- 369},
  year      = {2020},
  language  = {de}
}
@article{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {Sprache als Epiph{\"a}nomen in der Geschichte der Sprachwissenschaft},
  series = {Per la storia della linguistica. Saggi in onore di Giorgio Graffi per il suo 70esimo compleanno = Blityri. Studi di storia delle idee sui segni e le lingue VIII, 1-2 (2019)},
  volume    = {VIII /2019},
  journal   = {Per la storia della linguistica. Saggi in onore di Giorgio Graffi per il suo 70esimo compleanno = Blityri. Studi di storia delle idee sui segni e le lingue VIII, 1-2 (2019)},
  number    = {1-2},
  publisher = {Edizioni ETS},
  address   = {Pisa},
  isbn      = {88-467-5675-4},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-441580},
  pages     = {191 -- 206},
  year      = {2020},
  abstract  = {The notion of 'epiphenomenon' is usually used to exclude certain aspects of a scientific object because they are considered to be deduced from others. In linguistics, restrictions of the research object were made, invoking the notion of 'epiphenomenon', which was partially done with a polemical attitude, and was always responded to polemically. The best-known definition of languages as an epiphenomenon is that proposed by Chomsky, who declared that the specific realisations of language do not warrant scientific attention, but there were early relegations of properties of individual languages to the domain of an epiphenomenon of grammar, to the domain of an art and not a science. These relegations from a certain point of abstraction did advance theories of language, even though they took a point of abstraction that did not correspond to the complexity of language.},
  language  = {de}
}