@misc{Prieto2017, author = {Prieto, Julio}, title = {El concepto de intermedialidad}, series = {Pasavento : revista de estudios hisp{\´a}nicos}, volume = {5}, journal = {Pasavento : revista de estudios hisp{\´a}nicos}, publisher = {Universidad de Alcal{\´a}, Servicio Publicaciones}, address = {Madrid}, issn = {2255-4505}, pages = {7 -- 18}, year = {2017}, language = {es} } @article{McElvenny2017, author = {McElvenny, James}, title = {Grammar, typology and the Humboldtian tradition in the work of Georg von der Gabelentz}, series = {Language \& history : journal of the Henry Sweet Society for the History of Linguistic Ideas}, volume = {60}, journal = {Language \& history : journal of the Henry Sweet Society for the History of Linguistic Ideas}, publisher = {Routledge, Taylor \& Francis Group}, address = {Abingdon}, issn = {1759-7536}, doi = {10.1080/17597536.2016.1212580}, pages = {1 -- 20}, year = {2017}, abstract = {A frequently mentioned if somewhat peripheral figure in the historiography of late nineteenth-century linguistics is the German sinologist and general linguist Georg von der Gabelentz (1840-1893). Today Gabelentz is chiefly remembered for several insights that proved to be productive in the development of subsequent schools and subdisciplines. In this paper, we examine two of these insights, his analytic and synthetic systems of grammar and his foundational work on typology. We show how they were intimately connected within his conception of linguistic research, and how this was in turn embedded in the tradition established by Wilhelm von Humboldt (1767-1835), especially as it was further developed by H. Steinthal (1823-1899). This paper goes beyond several previous works with a similar focus by drawing on a wider range of Gabelentz' writings, including manuscript sources that have only recently been published, and by examining specific textual connections between Gabelentz and his predecessors.}, language = {en} } @phdthesis{OhligschlaegerLim2017, author = {Ohligschlaeger-Lim, Kerstin}, title = {Erkenntnistheorie im ausgehenden 18. Jahrhundert in Frankreich}, series = {Studium Sprachwissenschaft / Beiheft ; 44}, journal = {Studium Sprachwissenschaft / Beiheft ; 44}, editor = {Haßler, Gerda}, publisher = {Nodus}, address = {M{\"u}nster}, isbn = {978-3-89323-144-7}, school = {Universit{\"a}t Potsdam}, pages = {277}, year = {2017}, abstract = {1. Einleitung: Gegenstand und Vorgehensweise (Ziel und Anliegen der Arbeit / Forschungsstand / Methode) ― 2. Die Ideologen und die Seconde Classe des Institut national (Etienne Bonnot de Condillac als Referenz der Ideologen / Antoine Laurent de Lavoisier und die Nomenklatur der Chemie (1787) / Die Grup¬pe der Ideologen / Institutionelle Wirkungsm{\"o}glichkeiten der Ideologen: Die Classe des Sciences morales et politiques am Institut national / Vorlesungen in der Ecole normale de l'an III ) ― 3. Zum Korpus: Rekonstruktion der Ausschreibung (The¬men¬findung und Ausschreibung / Die erste Bewertung (1797) und die Neuausschreibung / Die zweite Bewertung (1799): Bekanntgabe des Gewinners) ― 4. Das archivalische Korpus (Zur Auffindsituation der Preisbewerbungsschriften / Serie B1 (1797) / Serie B2 (1799)) ― 5. Auswertung des Korpus: {\"U}bergreifende Topoi und Argumentationsstrukturen (Semiotisierung und Entsemiotisierung / Der Nutzen der Analyse / Hervorhebung der Schriftsprache gegen{\"u}ber der Lautsprache / Das Mate¬ria¬lisieren / Die Zeichen der Mathematik als Vorbild) ― 6. Schlussbetrachtungen ― Literatur}, language = {de} } @article{Garcia2017, author = {Garcia, Francisca}, title = {Imaginer{\´i}a fotosensible: guadalupe santa cruz y la escritura con grabado}, series = {Pasavento : revista de estudios hisp{\´a}nicos}, volume = {5}, journal = {Pasavento : revista de estudios hisp{\´a}nicos}, publisher = {Universidad de Alcal{\´a}, Servicio Publicaciones}, address = {Madrid}, issn = {2255-4505}, pages = {53 -- 62}, year = {2017}, abstract = {A partir de la met{\´a}fora "imaginer{\´i}a fotosensible", el ensayo explora c{\´o}mo el fotograbado afecta la escritura de la autora chilena guadalupe santa Cruz. el grabado no solo implica aqu{\´i} una t{\´e}cnica art{\´i}stica, sino tambi{\´e}n una imaginaci{\´o}n cr{\´i}tica sobre el movimiento, las huellas y la memoria colectiva. la revisi{\´o}n del programa literario de la autora (ars poetica), permite afirmar que el grabado brinda la principal estrategia para activar la prosa y arraigar la palabra en el contexto de alienaci{\´o}n social generalizada en la post-dictadura chilena (d{\´e}cada del 90). Si bien planteo que la influencia de esta imaginaci{\´o}n del gra-bado est{\´a} presente en todo el proyecto literario de la autora, me centro en la revisi{\´o}n de dos novelas: Quebrada: las cordilleras en andas (2007) y la reciente-mente publicada y p{\´o}stuma Esta parcela (2015), las cuales incorporan una serie de im{\´a}genes impresas.}, language = {es} } @article{Saendig2017, author = {S{\"a}ndig, Brigitte}, title = {Trag{\´e}die et psychologie}, series = {Revue romane : langue et litt{\´e}rature}, volume = {52}, journal = {Revue romane : langue et litt{\´e}rature}, number = {1}, publisher = {Benjamins}, address = {Amsterdam}, issn = {0035-3906}, doi = {10.1075/rro.52.1.07san}, pages = {70 -- 79}, year = {2017}, abstract = {His dislike for psychological analysis accompanied Albert Camus throughout his life and had a profound impact on his idea of theatre. Especially in his early years, he sees psychology as the antagonist of the kind of theater that he envisages, the "modern tragedy". In the last decade of his life, Camus worked on the novel "Requiem for a Nun" by William Faulkner, whom he greatly respected, in order to stage it. The confrontation with this work and its highly psychologically driven plot makes Camus virtually give up on his anti-psychological attitude.}, language = {en} } @incollection{HasslerBoehmHennemann2017, author = {Haßler, Gerda and B{\"o}hm, Ver{\´o}nica Julia and Hennemann, Anja}, title = {On the evidential use of English adverbials and their equivalents in Romance languages and Russian}, series = {Evidentiality revisited : Cognitive grammar, functional and discourse-pragmatic perspectives (Pragmatics \& Beyond New Series ; 271)}, volume = {271}, booktitle = {Evidentiality revisited : Cognitive grammar, functional and discourse-pragmatic perspectives (Pragmatics \& Beyond New Series ; 271)}, editor = {Mar{\´i}n Arrese, Juana I. and Haßler, Gerda and Carretero, Marta}, publisher = {John Benjamins}, address = {Amsterdam, Philadelphia}, isbn = {9789027256768}, issn = {0922-842X}, doi = {10.1075/pbns.271.04boh}, publisher = {Universit{\"a}t Potsdam}, pages = {87 -- 104}, year = {2017}, abstract = {The present study investigates the use of equivalents of the English adverbials seemingly and apparently with a specific morphological structure in Romance languages and Russian, i.e. Spanish al parecer, Portuguese ao parecer and ao que parece, French avoir l'air de, Italian all'apparenza and in apparenza as well as Russian по-видимому. The underlying hypothesis is that the function and syntactic behaviour of these adverbial locutions are motivated by their morphological composition. It is to investigate whether the adverbials may be used sentence-initially, parenthetically, as an adverbial with broad or narrow scope or as a component of a modalised predication. The adverbial locutions are treated as means of expression where evidentiality and epistemic modality represent overlapping functional-semantic categories.}, language = {en} } @book{OPUS4-40398, title = {Forster - Humboldt - Chamisso}, series = {Chamisso-Studien ; 2}, journal = {Chamisso-Studien ; 2}, editor = {Drews, Julian and Ette, Ottmar and Kraft, Tobias and Schneider-Kempf, Barbara and Weber, Jutta}, publisher = {V \& R unipress}, address = {G{\"o}ttingen}, isbn = {978-3-8471-0751-4}, publisher = {Universit{\"a}t Potsdam}, pages = {432}, year = {2017}, abstract = {Dieser Band nimmt Reinhold und Georg Forster, Alexander von Humboldt und Adelbert von Chamisso mit ihren Erfahrungen als reisende Autoren und Naturforscher, als Landsleute wie als »Fremde« in den Blick. Er rekonstruiert aus den Hinterlassenschaften der Reisen die Praktiken des Schreibens, Sammelns und des Transfers hinsichtlich ihrer Rolle f{\"u}r die Genese moderner Wissensordnungen. Die einzelnen Beitr{\"a}ge des Bandes untersuchen die Horizonte der Protagonisten, vermittelt durch ihre Tageb{\"u}cher, Skizzenhefte und Briefwechsel, die gesammelten Naturalien und Artefakte, ihre Beobachtungen der Tier- und Pflanzenwelt, der Landschaften und Menschen. Sie behandeln die Werk- und Wirkungszusammenh{\"a}nge untereinander sowie zu anderen Forschenden und Forschungsreisen.}, language = {de} } @phdthesis{MondolLopez2017, author = {Mondol L{\´o}pez, Mijail}, title = {Historiograf{\´i}a literaria y Sociedad}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-406409}, school = {Universit{\"a}t Potsdam}, pages = {344}, year = {2017}, abstract = {Throughout all different socio-historical tensions undergone by the Latin American modernit(ies), the literary-historical production as well as the reflection on the topic - regional, national, supranational and/or continental - have been part of the critical and intellectual itinerary of very significant political and cultural projects, whose particular development allows the analysis of the socio-discursive dynamics fulfilled by the literary historiography in the search of a historical conscience and representation of the esthetic-literary processes. In present literary and cultural Central American literary studies, the academic thought on the development of the literary historiography has given place to some works whose main objects of study involve a significant corpus of national literature histories published mainly in the 20th century, between the forties and the eighties. Although these studies differ greatly from the vast academic production undertaken by the literary critics in the last two decades, the field of research of the literary historiography in Central America has made a theoretical-methodological effort, as of the eighties and until now, to analyze the local literary-historical productions. However, this effort was carried out more systematically in the last five years of the 20th century, within the Central American democratic transition and post-war context, when a national, supra national and transnational model of literary history was boosted. This gave place to the creation and launching of the project Hacia una Historia de las Literaturas Centroamericanas (HILCAS) at the beginning of the new millennium. Given the ideological relevance which the literary historiography has played in the process of the historical formation of the Hispano-American States, and whose philological tradition has also had an impact in the various Central American nation states, the emergence of this historiographic project marks an important rupture in relation with the national paradigms, and it is also manifested in a movement of transition and tension with regard to the new cultural, comparative and transareal dynamics, which seek to understand the geographical, transnational, medial and transdisciplinary movements within which the esthetic narrative processes and the idea and formation of a critical Central American subject gain shape. Taking this aspect into account, our study puts forward as its main hypothesis that the historiographic thought developed as a consequence of the project Hacia una Historia de las Literaturas Centroamericanas (HILCAS) constitutes a socio-discursive practice, which reflects the formation of a historic-literary conscience and of a critical intellectual subject, an emergence that takes place between the mid-nineties and the first decade of the 21st century. In this respect, and taking as a basis the general purpose of this investigation indicated before, the main justification for our object of study consists of making the Central American historiographic reflection visible as a part of the epistemological and cultural changes shown by the Latin American historiographic thought, and from which a new way of conceptualization of the space, the coexistence and the historic conscience emerge with regard to the esthetic-literary practices and processes. Based on the field and hypothesis stated before, the general purpose of this research is framed by the socio-discursive dimension fulfilled by the Latin American literary historiography, and it aims to analyze the Central American historical-literary thought developed between the second half of the nineties and the beginning of the first decade of the 21st century.}, language = {es} } @phdthesis{Garcia2017, author = {Garcia, Francisca}, title = {Mundos comunes}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-400582}, school = {Universit{\"a}t Potsdam}, pages = {270}, year = {2017}, abstract = {Vor dem Hintergrund unterschiedlicher Bewegungen und k{\"u}nstlerischer Dialoge in den siebziger und achtziger Jahren, stellt ihre Doktorarbeit den Begriff des „Lateinamerikanischen" auf dem Gebiet der Kunst und Kultur in Frage. {\"U}ber eine „sammelnde Reise" von Spuren, Zeichen und F{\"a}hrten durch europ{\"a}ische St{\"a}dte, analysiert die Arbeit die Begriffe Ort, Gemeinschaft und kulturelles Ged{\"a}chtnis, um eine neue Form des lateinamerikanischen Kontinents bilden zu k{\"o}nnen.}, language = {es} } @incollection{Ette2017, author = {Ette, Ottmar}, title = {Bild-Schrift, Schrift-Bild, Hand-Schrift}, series = {Visualisierung, Visibilisierung und Verschriftlichung}, booktitle = {Visualisierung, Visibilisierung und Verschriftlichung}, publisher = {Tranvia}, address = {Berlin}, isbn = {978-3-938944-93-6}, publisher = {Universit{\"a}t Potsdam}, pages = {11 -- 64}, year = {2017}, language = {de} }