@article{WiemannMahlberg2014,
  author    = {Wiemann, Dirk and Mahlberg, Gaby},
  title     = {Introduction : Perspectives on English revolutionary republicanism},
  series = {Perspectives on English revolutionary republicanism},
  journal   = {Perspectives on English revolutionary republicanism},
  editor    = {Wiemann, Dirk and Mahlberg, Gaby},
  publisher = {Ashgate},
  address   = {Farnham},
  pages     = {1 -- 12},
  year      = {2014},
  language  = {en}
}
@article{Roeder2014,
  author    = {R{\"o}der, Katrin},
  title     = {Reparative reading, post-structuralist Hermeneutics and T. S. Eliot's four quartets},
  series = {Anglia : journal of English philology},
  volume    = {132},
  journal   = {Anglia : journal of English philology},
  number    = {1},
  publisher = {De Gruyter},
  address   = {Berlin},
  issn      = {0340-5222},
  doi       = {10.1515/anglia-2014-0004},
  pages     = {58 -- 77},
  year      = {2014},
  abstract  = {This essay approaches T. S. Eliot's Four Quartets (1935-1942) from the perspectives of Eve Kosofsky Sedgwick's critical practice of reparative reading and of Paul Ricoeur's poststructuralist hermeneutics. It demonstrates that Sedgwick's and Ricoeur's approaches can be productively combined to investigate hermeneutic processes in which the textual energy of a dissemination of meaning is redirected by a reparative or integrative impulse. In Four Quartets, this impetus induces the creation of semantic innovation through a violation of semantic pertinence, that is, through novel, tensional and provisional connections between formerly separate textual elements and semantic units.},
  language  = {en}
}
@article{Kuettner2014,
  author    = {K{\"u}ttner, Uwe-Alexander},
  title     = {Rhythmic analyses as a proof-procedure?},
  series = {Prosodie und Phonetik in der Interaktion = Prosody and phonetics in interaction},
  journal   = {Prosodie und Phonetik in der Interaktion = Prosody and phonetics in interaction},
  publisher = {Verlag f{\"u}r Gespr{\"a}chsforschung},
  address   = {Mannheim},
  isbn      = {978-3-936656-60-2},
  pages     = {46 -- 69},
  year      = {2014},
  abstract  = {This paper reports a problematic case of unequivocally evidencing participant orientation to the projective force of some turn-initial demonstrative wh-clefts (DCs) within the framework of Conversation Analysis (CA) and Interactional Linguistics (IL). Conducting rhythmic analyses appears helpful in this regard, in that they disclose rhythmic regularities which suggest a speaker's orientation towards a projected turn continuation. In this particular case, rhythmic analyses can therefore be shown to meaningfully complement sequential analyses and analyses of turn-design, so as to gather additional evidence for participant orientations. In conclusion, I will point to possibly more extensive relations between rhythmicity and projection and proffer a tentative outlook for the usability of rhythmic analyses as an analytic tool in CA and IL.},
  language  = {en}
}