@article{Lenz2013,
  author    = {Lenz, Markus Alexander},
  title     = {Paolo Marzolo und Giacomo Lignana : evolutionstheorie und Darwinismus in der italienischen Philologie des 19. Jahrhunderts},
  isbn      = {978-3-7705-5407-2},
  year      = {2013},
  language  = {de}
}
@article{Lenz2016,
  author    = {Lenz, Markus Alexander},
  title     = {THINKING THE CONTEMPORARY BY THE LYRICAL: THE WORK OF NICANOR PARRA AND ROBERT BOLANO},
  series = {Alea : estudos neolatinos},
  volume    = {18},
  journal   = {Alea : estudos neolatinos},
  publisher = {Universidade Federal do Rio de Janeiro, Faculdade de Letras},
  address   = {Rio de Janeiro RJ},
  issn      = {1517-106X},
  doi       = {10.1590/1517-106X/182-313},
  pages     = {313 -- 328},
  year      = {2016},
  abstract  = {Two Chilean poets with equal and yet different conceptions of poetry: While Nicanor Parra is considered one of the most important Latin American lyricists of the 20th century, the poetry of novelist Roberto Bola{\~n}o only finds little attention in comparison to his highly successful prose. Yet both authors give constructive answers to the possible functions of contemporary poetry under an epistemology based upon materialism that affects language as emancipatory capacity of each human individual. A comparative reading of two volumes of their poetry, Parra's well known Poemas y antipoemas (1954) and Bola{\~n}o's last 'collection of poems' Tres (2000), does not only demonstrate some structural links. The urgent question concerning the benefits of literature among globalized societies, involving highly complex cultural and linguistic identities, could benefit from a revived awareness towards poetry as historically relative formalization of language, but also as an efficient instrument to reflect the restrictions of language in times of its economic and cultural-industrial standardization.},
  language  = {es}
}
@article{Lenz2020,
  author    = {Lenz, Markus Alexander},
  title     = {La guerre et le t{\´e}moin},
  series = {(Post-)koloniale frankophone Kriegsreportagen : Genrehybridisierungen, Medienkonkurrenzen},
  journal   = {(Post-)koloniale frankophone Kriegsreportagen : Genrehybridisierungen, Medienkonkurrenzen},
  editor    = {Izzo, Sara},
  publisher = {Lang},
  address   = {Berlin},
  isbn      = {978-3-631-82881-6},
  doi       = {https://doi.org/10.3726/b17241},
  pages     = {75 -- 89},
  year      = {2020},
  abstract  = {En 2012, l'{\´e}crivain Jonathan Littell s'est rendu dans la ville syrienne de Homs, marqu{\´e}e par la guerre civile, pour rendre compte de cette guerre dans le quotidien Le Monde. Toutefois, il a publi{\´e} ses notes non seulement sous la forme d'une s{\´e}rie d'articles, mais aussi comme un livre ind{\´e}pendant. Dans ce contexte, la question se pose de savoir pourquoi cette d{\´e}cision a {\´e}t{\´e} prise. Le statut de t{\´e}moin de guerre acquiert-il une qualit{\´e} diff{\´e}rente avec une autre forme de publication ? En outre, il faut souligner la probl{\´e}matique de la recontextualisation et de l'esth{\´e}tisation du reportage quotidien de guerre {\`a} travers une allocation formelle et archi-textuelle de l'{\´e}crit du domaine journalistique au domaine litt{\´e}raire. Car la publication d'un journal de guerre {\´e}dit{\´e} doit s'inscrire dans une longue tradition, comme on l'appellera dans l'article {\`a} l'exemple des œuvres d'Ernst J{\"u}nger, dont les relations avec l'{\´e}criture de Jonathan Littell sont {\`a} remettre en question ici.},
  language  = {fr}
}
@article{Lenz2020,
  author    = {Lenz, Markus Alexander},
  title     = {A Prophet of Divine Wisdom?},
  series = {Philological Encounters Special Issus: Early Modern 'New Sciences': Inquiries into Ibn Khaldun and Giambattista Vico},
  volume    = {5},
  journal   = {Philological Encounters Special Issus: Early Modern 'New Sciences': Inquiries into Ibn Khaldun and Giambattista Vico},
  number    = {1},
  editor    = {Islam, Dayeh},
  publisher = {Brill},
  address   = {Leiden},
  isbn      = {2451-9189},
  issn      = {2451-9197},
  pages     = {50 -- 75},
  year      = {2020},
  abstract  = {In the nineteenth century, the reception of Giambattista Vico's writings came along with nationalist interpretations of his Scienza Nuova as an 'Italian Science'. This tendency was based upon an increased examination of the role that the philosopher Pythagoras and his Italian school of Croton played in Vico's hierarchical conception of the ancient Greek and Italian civilizations. Writers, archaeologists and historians used the New Science as a metonymic reference work for their own nationalist concepts by updating the Pythagorean myth in accordance with relevant narratives of exclusive genealogies concerning an ancient Italian wisdom. These narratives follow tendencies in Vico's own writings that were quoted strategically and mixed with further interpretations of the Scienza Nuova as reliable testimonial for a glorious Italian history. A theological poet characterized by deeper insight into the secrets of nature and some parts of the divine providence, Pythagoras gains his special position in Vico's general conception of knowledge.},
  language  = {en}
}
@article{Lenz2020,
  author    = {Lenz, Markus Alexander},
  title     = {Zone: une 'dialectique n{\´e}gative' de la conscience?},
  series = {Mathias {\´E}nard et l'{\´e}rudition du roman},
  journal   = {Mathias {\´E}nard et l'{\´e}rudition du roman},
  number    = {439},
  editor    = {Messling, Markus and Ruhe, Cornelia and Seauve, Lena and De Senarclens, Vanessa},
  publisher = {Brill Rodopi},
  address   = {Leiden},
  isbn      = {978-90-04-42396-1},
  pages     = {183 -- 199},
  year      = {2020},
  abstract  = {Depuis plus de dix ans, les romans de Mathias {\´E}nard connaissent un succ{\`e}s qui ne se d{\´e}ment pas. La Perfection du tir en 2003, mais aussi Zone en 2008, Parle-leur de batailles, de rois et d'{\´e}l{\´e}phants en 2010 et Rue des voleurs en 2012 ont remport{\´e} des prix litt{\´e}raires de grand renom. Enfin, le jury du prix Goncourt a opt{\´e} en 2015 avec Boussole pour un roman dans lequel « l'imagination » romanesque a pour support une {\´e}poustouflante {\´e}rudition portant sur l'Orient. Ce volume cherche {\`a} {\´e}clairer les modalit{\´e}s narratives qui permettent {\`a} l'auteur de transformer l'{\´e}rudition en roman, mais aussi {\`a} situer son œuvre dans le contexte litt{\´e}raire actuel},
  language  = {fr}
}
@article{Lenz2015,
  author    = {Lenz, Markus Alexander},
  title     = {Bewegte Systematik},
  series = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  volume    = {XVI},
  journal   = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  number    = {31},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  issn      = {1617-5239},
  doi       = {10.18443/224},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-89001},
  pages     = {80 -- 106},
  year      = {2015},
  abstract  = {Die Amerikanischen Reisetageb{\"u}cher stellen eine Herausforderung f{\"u}r die Erforschung historischer Epistemologie dar. Der vorliegende Aufsatz will ausgehend vom Scheitern einer eindeutigen gattungsgeschichtlichen Zuschreibung die Sonderstellung der B{\"a}nde als Instrumente der Erfahrung herausarbeiten, welche an der Schwelle zum 19. Jh. den ontologischen Optimismus sowie das methodische Tasten eines Wissenschaftlers, Schriftstellers und Forschungsreisenden in subjektbezogener Form zug{\"a}nglich machen. Gerade der multifunktionale Charakter der ‚Journale' als Log- bzw. Reisetageb{\"u}cher und Skizzenhefte, die noch weit entfernt von der Ordnung wissenschaftlichen Schreibens scheinen, lassen jene Voraussetzungen wissenschaftlicher Erkenntnisprozesse sichtbar werden, mithilfe derer Humboldt innerhalb der kantschen Koordinaten Raum und Zeit einen ‚Rhythmus' situativ verarbeiteter Natur- und Welterfahrung in ein dynamisches Speichermedium einfließen l{\"a}sst.},
  language  = {de}
}