@book{BarceloMaestro2016,
  author    = {Barcel{\´o}, Pedro and Maestro, Juan Jose Ferrer},
  title     = {Historia de la Hispania romana},
  publisher = {Alianza},
  address   = {Madrid},
  isbn      = {978-8-49104-418-5},
  pages     = {673},
  year      = {2016},
  abstract  = {Los romanos llamaron Hispania a la Pen{\´i}nsula Ib{\´e}rica, nombre derivado del top{\´o}nimo I-sepha-im con el que la identificaron los fenicios; los bizantinos usar{\´a}n Spania para referirse a ella, y con el tiempo acabar{\´a} origin{\´a}ndose el t{\´e}rmino moderno Espa{\~n}a. Esta prolongaci{\´o}n topon{\´i}mica es un ejemplo sutil del profundo arraigo de los patrones de toda clase que los casi siete siglos de presencia romana en la Pen{\´i}nsula proporcionaron. Aunando el an{\´a}lisis del procedimiento de conquista e incorporaci{\´o}n de Hispania en el amplio marco pol{\´i}tico y territorial dominado por Roma con el dise{\~n}o de la din{\´a}mica econ{\´o}mica y social inherente a dicho proceso, Pedro Barcel{\´o} y Juan Jos{\´e} Ferrer Maestro ofrecen en esta "Historia de la Hispania romana" una obra regida por un enfoque tan riguroso como moderno que se ha convertido en referencia indispensable en la materia.},
  language  = {es}
}
@book{Hassler2016,
  author    = {Haßler, Gerda},
  title     = {La historiograf{\´i}a de la ling{\"u}{\´i}stica y la memoria de la ling{\"u}{\´i}stica moderna},
  series = {Studium Sprachwissenschaft / Beiheft ; 43},
  journal   = {Studium Sprachwissenschaft / Beiheft ; 43},
  editor    = {Calero Vaquerao, Mar{\´i}a Luisa and Haßler, Gerda},
  edition   = {1},
  publisher = {Nodus Publikationen},
  address   = {M{\"u}nster},
  isbn      = {978-3-89323-143-0},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {232},
  year      = {2016},
  abstract  = {Gerda Haßler, Mar{\´i}a Luisa Calero Vaquera: Prefacio — Hacia un di{\´a}logo necesario entre el pasado y el presente de la ling{\"u}{\´i}stica / Susana Azpiazu, Carmen Quijada: El trabajo de Alarcos sobre los perfectos simple y compuesto en espa{\~n}ol como hito gramaticogr{\´a}fico: antecedentes y proyecci{\´o}n / Ver{\´o}nica B{\"o}hm, Anja Hennemann: Algunas reflexiones historiogr{\´a}ficas y recientes sobre el uso del subjuntivo en espa{\~n}ol / Carmen Gal{\´a}n Rodr{\´i}guez: Un outsider de la Ling{\"u}{\´i}stica — Alberto Liptay y su proyecto Lengua Cat{\´o}lica / Manuel Galeote: Los Discursos (1607) de Echave Orio. La lengua vascongada y su antig{\"u}edad / Jos{\´e} Mar{\´i}a Garc{\´i}a Mart{\´i}n: El valor del Glosario de voces antiquadas y raras contenido en el Fulero Juzgo (1815). El ejemplo del adverbio / Rolf Kemmler: Die Kurzgefaßte Spanische Grammatik (1778) von Friedrich Gottlieb Barth (1738-1794) / Xavier Laborda Gil: Tiempo personal e historia en 24 autobiograf{\´i}as de ling{\"u}istas espa{\~n}oles / Mar{\´i}a Dolores Mart{\´i}nez Gavil{\´a}n: Los inicios del racionalismo en la tradici{\´o}n gramatical espa{\~n}ola (de 1614 a 1769) / Mario Pedrazuela Fuentes: Una visi{\´o}n de la filolog{\´i}a europea de entreguerras a trav{\´e}s del archivo de Jos{\´e} Fern{\´a}ndez Montesinos / Barbara Sch{\"a}fer- Prieß: Universalistische Sprachtheorie in volkssprachlichen Grammatiken des 17. Jahrhunderts. Amaro de Roboredos M{\´e}todo gramatical (1619) und Gonzalo Correas' Arte grande (1625) / Isabel Zollna: Continuidad y (re-)comienzo en la ling{\"u}{\´i}stica de la Espa{\~n}a decimon{\´o}nica. Tradici{\´o}n y modernidad en la gram{\´a}tica general de Garc{\´i}a Luna (1845)},
  language  = {es}
}
@article{Lenz2016,
  author    = {Lenz, Markus Alexander},
  title     = {THINKING THE CONTEMPORARY BY THE LYRICAL: THE WORK OF NICANOR PARRA AND ROBERT BOLANO},
  series = {Alea : estudos neolatinos},
  volume    = {18},
  journal   = {Alea : estudos neolatinos},
  publisher = {Universidade Federal do Rio de Janeiro, Faculdade de Letras},
  address   = {Rio de Janeiro RJ},
  issn      = {1517-106X},
  doi       = {10.1590/1517-106X/182-313},
  pages     = {313 -- 328},
  year      = {2016},
  abstract  = {Two Chilean poets with equal and yet different conceptions of poetry: While Nicanor Parra is considered one of the most important Latin American lyricists of the 20th century, the poetry of novelist Roberto Bola{\~n}o only finds little attention in comparison to his highly successful prose. Yet both authors give constructive answers to the possible functions of contemporary poetry under an epistemology based upon materialism that affects language as emancipatory capacity of each human individual. A comparative reading of two volumes of their poetry, Parra's well known Poemas y antipoemas (1954) and Bola{\~n}o's last 'collection of poems' Tres (2000), does not only demonstrate some structural links. The urgent question concerning the benefits of literature among globalized societies, involving highly complex cultural and linguistic identities, could benefit from a revived awareness towards poetry as historically relative formalization of language, but also as an efficient instrument to reflect the restrictions of language in times of its economic and cultural-industrial standardization.},
  language  = {es}
}
@misc{Hassler2016,
  author    = {Haßler, Gerda},
  title     = {French in the Baroque and Enlightenment. Studies on the Linguistic Thinking in Germany in the 17th and 18th Centuries},
  series = {Zeitschrift f{\~A}¼r Romanische Philologie},
  volume    = {132},
  journal   = {Zeitschrift f{\~A}¼r Romanische Philologie},
  publisher = {De Gruyter},
  address   = {Berlin},
  issn      = {0049-8661},
  doi       = {10.1515/zrp-2016-0014},
  pages     = {279 -- 286},
  year      = {2016},
  language  = {de}
}
@article{McElvenny2016,
  author    = {McElvenny, James},
  title     = {The fate of form in the Humboldtian tradition: The Formungstrieb of Georg von der Gabelentz},
  series = {Journal of geophysical research : Solid earth},
  volume    = {47},
  journal   = {Journal of geophysical research : Solid earth},
  publisher = {Elsevier},
  address   = {Oxford},
  issn      = {0271-5309},
  doi       = {10.1016/j.langcom.2015.12.004},
  pages     = {30 -- 42},
  year      = {2016},
  abstract  = {The multifaceted concept of 'form' plays a central tole in the linguistic work of Wilhelm von Humboldt (1767-1835), where it is deeply entwined with aesthetic questions. H. Steinthal's (1823-1899) interpretation of linguistic form, however, made it the servant of psychology. The Formungstrieb (drive to formation) of Georg von der Gabelentz (1840-1893) challenged Steinthal's conception and placed a renewed emphasis on aesthetics. In this endeavour, Gabelentz drew on the work of such figures as August Friedrich Pott (1802-1887), Hans Conon von der Gabelentz (1807-1874) and William Dwight Whitney (1827-1894). In this paper, we examine Gabelentz' Formungstrieb and place it in its historical context.},
  language  = {en}
}
@article{Hennemann2016,
  author    = {Hennemann, Anja},
  title     = {A cognitive-constructionist approach to Spanish creo empty set and creo},
  series = {Folia linguistica},
  volume    = {50},
  journal   = {Folia linguistica},
  publisher = {De Gruyter},
  address   = {Berlin},
  issn      = {0165-4004},
  doi       = {10.1515/flin-2016-0017},
  pages     = {449 -- 474},
  year      = {2016},
  language  = {en}
}
@incollection{Schneider2016,
  author    = {Schneider, Birgit},
  title     = {Der "Totaleindruck einer Gegend" Alexander von Humboldts synoptische Visualisierunge des Klimas},
  series = {Horizonte der Humboldt-Forschung},
  booktitle = {Horizonte der Humboldt-Forschung},
  publisher = {Georg Olms Verlag},
  address   = {Hildesheim},
  pages     = {53 -- 78},
  year      = {2016},
  language  = {de}
}
@article{Ette2016,
  author    = {Ette, Ottmar},
  title     = {Toward a Polylogical Philology of the Literatures of the World},
  series = {Modern language quarterly : a journal of literary history},
  volume    = {77},
  journal   = {Modern language quarterly : a journal of literary history},
  publisher = {Duke Univ. Press},
  address   = {Durham},
  issn      = {0026-7929},
  doi       = {10.1215/00267929-3464841},
  pages     = {143 -- 173},
  year      = {2016},
  abstract  = {As the world cannot be adequately understood from the vantage point of a single language, the literatures of the world can no longer be trimmed to a single world literature in the Goethean sense. This recognition bodes well for the future of philology and of literary production. Through multiperspectival writing, knowledge of life may be attainable without being reduced to a single political, medial, cartographical, geocultural, or aesthetic logic. As a laboratory for polylogical thinking, literature does not represent reality, as Erich Auerbach put it. Rather, it represents multiple lived, experienced, or relivable realities. Whoever is open to a polylogical reception of the literatures of the world can perceive and experience how life knowledge transforms into lived knowledge and how knowledge for survival turns into knowledge for living together. However, literature can be more than it is only if it stays aware of the void, of lack, of privation, of the interminable: aware of the end that never is an end. Such a planetary concept of the literatures of the world offers valuable opportunities to all those who do not fall into the trap of contenting themselves with a supposed abundance of text.},
  language  = {en}
}
@article{Ette2016,
  author    = {Ette, Ottmar},
  title     = {Magic Screens. Biombos, Namban Art, the Art of Globalization and Education between China, Japan, India, Spanish America and Europe in the 17th and 18th Centuries},
  series = {European review : interdisciplinary journal of the humanities and sciences of the Academia Europea},
  volume    = {24},
  journal   = {European review : interdisciplinary journal of the humanities and sciences of the Academia Europea},
  publisher = {Cambridge Univ. Press},
  address   = {Cambridge},
  issn      = {1062-7987},
  doi       = {10.1017/S1062798715000630},
  pages     = {285 -- 296},
  year      = {2016},
  abstract  = {Garcilaso de la Vega el Inca, for several centuries doubtlessly the most discussed and most eminent writer of Andean America in the 16th and 17th centuries, throughout his life set the utmost value on the fact that he descended matrilineally from Atahualpa Yupanqui and from the last Inca emperor, Huayna C{\´a}pac. Thus, both in his person and in his creative work he combined different cultural worlds in a polylogical way.1 Two painters boasted that very same Inca descent - they were the last two great masters of the Cuzco school of painting, which over several generations of artists had been an institution of excellent renown and prestige, and whose economic downfall and artistic marginalization was vividly described by the French traveller Paul Mancoy in 1837.2 While, during the 18th century, Cuzco school paintings were still much cherished and sought after, by the beginning of the following century the elite of Lima regarded them as behind the times and provincial, committed to an 'indigenous' painting style. The artists from up-country - such was the reproach - could not keep up with the modern forms of seeing and creating, as exemplified by European paragons. Yet, just how 'provincial', truly, was this art?},
  language  = {en}
}
@book{Ette2016,
  author    = {Ette, Ottmar},
  title     = {Roland Barthes : paisajes de la teor{\´i}a},
  series = {Serie Monograf{\´i}as transatl{\´a}nticas},
  journal   = {Serie Monograf{\´i}as transatl{\´a}nticas},
  publisher = {Del Centro Editores},
  address   = {Madrid},
  isbn      = {978-84-945505-5-3},
  pages     = {258},
  year      = {2016},
  language  = {es}
}