@article{Wiemann2013,
  author    = {Wiemann, Dirk},
  title     = {Spectacles of astonishment: tragedy and the regicide in England and Germany, 1649 - 1663},
  isbn      = {978-140-945-556-1},
  year      = {2013},
  language  = {en}
}
@article{Wiemann2013,
  author    = {Wiemann, Dirk},
  title     = {Cities of the mind - villages of the mind},
  series = {Zeitschrift f{\"u}r Anglistik und Amerikanistik : a quarterly of language, literature and cultur},
  volume    = {61},
  journal   = {Zeitschrift f{\"u}r Anglistik und Amerikanistik : a quarterly of language, literature and cultur},
  number    = {1},
  publisher = {K{\"o}nigshausen \& Neumann},
  address   = {W{\"u}rzburg},
  issn      = {0044-2305},
  doi       = {10.1515/zaa.2013.61.1.59},
  pages     = {59 -- 72},
  year      = {2013},
  abstract  = {Deep into the second half of the twentieth century the traditionalist definition of India as a country of villages remained dominant in official political rhetoric as well as cultural production. In the past two decades or so, this ruralist paradigm has been effectively superseded by a metropolitan imaginary in which the modern, globalised megacity increasingly functions as representative of India as a whole. Has the village, then, entirely vanished from the cultural imaginary in contemporary India? Addressing economic practices from upper-class consumerism to working-class family support strategies, this paper attempts to trace how 'the village' resurfaces or survives as a cultural reference point in the midst of the urban.},
  language  = {en}
}
@article{Werner2015,
  author    = {Werner, Anja},
  title     = {Alexander von Humboldt's footnotes},
  series = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  volume    = {XV},
  journal   = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  number    = {28},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  issn      = {1617-5239},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-84076},
  pages     = {59 -- 67},
  year      = {2015},
  abstract  = {Alexander von Humboldts Fußnoten waren ihrer Zeit weit voraus, obwohl sie kaum den heutigen akademischen Standards entsprechen. Dieser Artikel untersucht die Fußnoten in Humboldts Essai politique sur l'{\^i}le de Cuba (1826). Zwar ist es nicht immer leicht, die manchmal recht geheimnisvollen Verweise zu entschl{\"u}sseln, dennoch lohnt sich der Versuch: Humboldts Fußnoten geben nicht nur Auskunft {\"u}ber seine umfassenden Netzwerke des Wissens. Sie verweisen auch auf Auseinandersetzungen verschiedener Gelehrter {\"u}ber Humboldts Schriften. Schließlich beinhalten sie Humboldts Reaktionen auf solche Auseinandersetzungen. Eine Untersuchung von Humboldts Fußnoten erlaubt es folglich dem Leser, mehr {\"u}ber Humboldt den Wissenschaftler aber auch Humboldt den Mensch zu erfahren.},
  language  = {en}
}
@phdthesis{Sojka2022,
  author    = {S{\´o}jka, Pia},
  title     = {Writing travel, writing life},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-537-8},
  issn      = {2629-2548},
  doi       = {10.25932/publishup-55879},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-558799},
  school      = {Universit{\"a}t Potsdam},
  pages     = {319},
  year      = {2022},
  abstract  = {The book compares the texts of three Swiss authors: Ella Maillart, Annemarie Schwarzenbach and Nicolas Bouvier. The focus is on their trip from Gen{\`e}ve to Kabul that Ella Maillart and Annemarie Schwarzenbach made together in 1939/1940 and Nicolas Bouvier 1953/1954 with the artist Thierry Vernet. The comparison shows the strong connection between the journey and life and between ars vivendi and travel literature. This book also gives an overview of and organises the numerous terms, genres, and categories that already exist to describe various travel texts and proposes the new term travelling narration. The travelling narration looks at the text from a narratological perspective that distinguishes the author, narrator, and protagonist within the narration. In the examination, ten motifs could be found to characterise the travelling narration: Culture, Crossing Borders, Freedom, Time and Space, the Aesthetics of Landscapes, Writing and Reading, the Self and/as the Other, Home, Religion and Spirituality as well as the Journey. The importance of each individual motif does not only apply in the 1930s or 1950s but also transmits important findings for living together today and in the future.},
  language  = {en}
}
@article{Saendig2017,
  author    = {S{\"a}ndig, Brigitte},
  title     = {Trag{\´e}die et psychologie},
  series = {Revue romane : langue et litt{\´e}rature},
  volume    = {52},
  journal   = {Revue romane : langue et litt{\´e}rature},
  number    = {1},
  publisher = {Benjamins},
  address   = {Amsterdam},
  issn      = {0035-3906},
  doi       = {10.1075/rro.52.1.07san},
  pages     = {70 -- 79},
  year      = {2017},
  abstract  = {His dislike for psychological analysis accompanied Albert Camus throughout his life and had a profound impact on his idea of theatre. Especially in his early years, he sees psychology as the antagonist of the kind of theater that he envisages, the "modern tragedy". In the last decade of his life, Camus worked on the novel "Requiem for a Nun" by William Faulkner, whom he greatly respected, in order to stage it. The confrontation with this work and its highly psychologically driven plot makes Camus virtually give up on his anti-psychological attitude.},
  language  = {en}
}
@article{SternagelLevittMersch2012,
  author    = {Sternagel, J{\"o}rg and Levitt, Deborah and Mersch, Dieter},
  title     = {Etymological uncoveries, creative displays : acting as force and performance as eloquence in moving image culture},
  isbn      = {978-3-8376-1648-4},
  year      = {2012},
  language  = {en}
}
@article{Sternagel2012,
  author    = {Sternagel, J{\"o}rg},
  title     = {An emphasis in Being : moving towards a responsive phenomenology of film('s) performance},
  isbn      = {978-3-8376-1648-4},
  year      = {2012},
  language  = {en}
}
@article{RobertsStablerFischeretal.2013,
  author    = {Roberts, Andrew Michael and Stabler, Jane and Fischer, Martin H. and Otty, Lisa},
  title     = {Space and pattern in linear and postlinear poetry empirical and theoretical approaches},
  series = {European journal of English studies : official journal of the European Society for the Study of English (ESSE)},
  volume    = {17},
  journal   = {European journal of English studies : official journal of the European Society for the Study of English (ESSE)},
  number    = {1},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {1382-5577},
  doi       = {10.1080/13825577.2012.754967},
  pages     = {23 -- 40},
  year      = {2013},
  abstract  = {This article derives from two interdisciplinary research projects funded by the UK Arts and Humanities Research Council, involving the application of psychological experimental techniques to the study of poetic form and reader response. It discusses the semantic and expressive effects of space and pattern in innovative forms of contemporary British and American poetry. After referring to some historical and theoretical contexts for these issues, the article analyses the results of experiments using eye-tracking, manipulations of text, memory tests and readers' recorded responses and interpretations. The first group of poems studied were lineated, with extended spaces within lines and displacement of lines from the left margin. Referring to a poem from Geoffrey Hill'sCanaan(1996), the authors show that such use of space may serve to articulate syntactical structures, but may also promote richer interpretation by encouraging cross-linear semantic connections. The second technique studied was the break from linear into postlinear poetry, as an initially lineated sequence shifts to pages of dispersed text. In readings of Susan Howe'sPythagorean Silence(fromThe Europe of Trusts, 1990), the authors detected more radical effects of space, shape and pattern, with associated consequences for interpretative strategies and aesthetic responses. Finally, the article discusses the potential for both mutual support and heuristic challenge between an empirical study of reader response, and a historical-theoretical approach as exemplified by Jerome McGann's interpretation ofPythagorean Silence.},
  language  = {en}
}
@article{PannewickEtte2006,
  author    = {Pannewick, Friederike and Ette, Ottmar},
  title     = {The American Hemisphere and the Arab World : introduction},
  isbn      = {3-86527-289-4},
  year      = {2006},
  language  = {en}
}
@article{Neis2004,
  author    = {Neis, Cordula},
  title     = {Mithridates in paradise : Small history of language thinking},
  issn      = {0302-5160},
  year      = {2004},
  language  = {en}
}