@misc{NiehusKettler2023,
  author    = {Niehus-Kettler, Melinda},
  title     = {Naturalising perceived otherness},
  series = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe},
  isbn      = {978-3-8474-2679-0},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-60133},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-601332},
  pages     = {20},
  year      = {2023},
  abstract  = {This essay takes an Anglophone Cultural Studies approach to reflect on the interdependence among as well as the individual (implicit) impact of the elements constituting our (embodied) power structures. These are, e.g., bodily experience/s such as shame and fear, everyday and institutional discourses and practices, but also manifestations of differences and particularities that we transform into phenomena such as "norms", "binary systems" and "binary organisations". The analysis of seemingly cyclic "Othering processes" and patterns of violence shows how people who identify as trans*, inter*, or non-binary have to live through and embody epistemological, emotional, and/or physical violence. At the same time, the descriptions illustrate numberless potential forms of resistance and change.},
  language  = {en}
}
@misc{BarthWeingartenOgden2021,
  author    = {Barth-Weingarten, Dagmar and Ogden, Richard},
  title     = {"Chunking" spoken language},
  series = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Zweitver{\"o}ffentlichungen der Universit{\"a}t Potsdam : Philosophische Reihe},
  publisher = {Universit{\"a}t Potsdam},
  address   = {Potsdam},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-53625},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-536259},
  pages     = {531 -- 548},
  year      = {2021},
  abstract  = {In this introductory paper to the special issue on "Weak cesuras in talk-in-interaction", we aim to guide the reader into current work on the "chunking" of naturally occurring talk. It is conducted in the methodological frameworks of Conversation Analysis and Interactional Linguistics - two approaches that consider the interactional aspect of humans talking with each other to be a crucial starting point for its analysis. In doing so, we will (1) lay out the background of this special issue (what is problematic about "chunking" talk-in-interaction, the characteristics of the methodological approach chosen by the contributors, the cesura model), (2) highlight what can be gained from such a revised understanding of "chunking" in talk-in-interaction by referring to previous work with this model as well as the findings of the contributions to this special issue, and (3) indicate further directions such work could take starting from papers in this special issue. We hope to induce a fruitful exchange on the phenomena discussed, across methodological divides.},
  language  = {en}
}
@misc{Kuettner2014,
  author    = {K{\"u}ttner, Uwe-Alexander},
  title     = {Rhythmic analyses as a proof-procedure?},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  number    = {172},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-44536},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-445363},
  pages     = {26},
  year      = {2014},
  abstract  = {This paper reports a problematic case of unequivocally evidencing participant orientation to the projective force of some turn-initial demonstrative wh-clefts (DCs) within the framework of Conversation Analysis (CA) and Interactional Linguistics (IL). Conducting rhythmic analyses appears helpful in this regard, in that they disclose rhythmic regularities which suggest a speaker's orientation towards a projected turn continuation. In this particular case, rhythmic analyses can therefore be shown to meaningfully complement sequential analyses and analyses of turn-design, so as to gather additional evidence for participant orientations. In conclusion, I will point to possibly more extensive relations between rhythmicity and projection and proffer a tentative outlook for the usability of rhythmic analyses as an analytic tool in CA and IL.},
  language  = {en}
}
@misc{EcksteinSchwarz2019,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {La carte de Tupaia, ma{\^i}tre d'astres et de navigation polyn{\´e}sienne},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  number    = {170},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-44538},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-445381},
  pages     = {156},
  year      = {2019},
  abstract  = {La carte de Tupaia constitue l'un des art{\´e}facts les plus c{\´e}l{\`e}bres et les plus {\´e}nigmatiques {\`a} {\´e}merger des toutes premi{\`e}res rencontres entre Europ{\´e}ens et {\^i}liens du Pacifique. Elle a {\´e}t{\´e} {\´e}labor{\´e}e entre ao{\^u}t 1769 et f{\´e}vrier 1770 par Tupaia, pr{\^e}tre 'arioi, conseiller royal et ma{\^i}tre de navigation originaire de Ra'iātea, aux {\^I}les Sous-le-Vent de la Soci{\´e}t{\´e}. En collaboration avec divers membres d'{\´e}quipage de l'Endeavour de James Cook, en deux temps distincts de cartographie et trois {\´e}bauches. L'identit{\´e} de bien des {\^i}les qui y figurent et la logique de leur agencement demeuraient jusqu'{\`a} pr{\´e}sent des {\´e}nigmes. En se fiant en partie {\`a} des pi{\`e}ces d'archives rest{\´e}es ignor{\´e}es, nous proposons, dans ce long essai, une nouvelle compr{\´e}hension de sa logique cartographique, une reconstitution d{\´e}taill{\´e}e de sa gen{\`e}se et donc, pour la toute premi{\`e}re fois, une lecture exhaustive. La carte de Tupaia n'illustre pas seulement la magnitude et la ma{\^i}trise de la navigation polyn{\´e}sienne, elle r{\´e}alise aussi une remarquable synth{\`e}se repr{\´e}sentationnelle de deux syst{\`e}mes d'orientation tr{\`e}s diff{\´e}rents.},
  language  = {fr}
}
@misc{Kuettner2019,
  author    = {K{\"u}ttner, Uwe-Alexander},
  title     = {At the intersection of stance-management and repair},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-44348},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-443485},
  pages     = {115 -- 156},
  year      = {2019},
  abstract  = {This article offers an in-depth analysis of one particular type of meta-talk. It looks at how speakers use the meta-pragmatic claim to have previously communicated ('said' or 'meant') the same as, or the equivalent of, what their interlocutor just said. Through detailed sequential analyses, it is shown that this claim is frequently used as a practice for disarming disaffiliative responses and thus to manage (and often resolve) incipient disagreement. Besides unpacking the precise mechanisms underlying this practice, the paper also takes stock of the various (and partly variable) lexico-morpho-syntactic, prosodic and bodily-visual elements of conduct that recurrently enter into its composition. Since the practice essentially rests on the speaker's insinuation of having been misunderstood by their co-participant, its relationship to the organization of repair will also be discussed. It is argued that the practice operates precisely at the intersection of stance-management (agreement/disagreement) and repair, and that it exhibits features which reflect this intersectional character. Data are in English.},
  language  = {en}
}
@misc{EcksteinSchwarz2018,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {The Making of Tupaia's Map},
  series = {Postprints der Universit{\"a}t Potsdam Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam Philosophische Reihe},
  number    = {154},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-42309},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-423091},
  pages     = {96},
  year      = {2018},
  abstract  = {Tupaia's Map is one of the most famous and enigmatic artefacts to emerge from the early encounters between Europeans and Pacific Islanders. It was drawn by Tupaia, an arioi priest, chiefly advisor and master navigator from Ra'iātea in the Leeward Society Islands in collaboration with various members of the crew of James Cook's Endeavour, in two distinct moments of mapmaking and three draft stages between August 1769 and February 1770. To this day, the identity of many islands on the chart, and the logic of their arrangement have posed a riddle to researchers. Drawing in part on archival material hitherto overlooked, in this long essay we propose a new understanding of the chart's cartographic logic, offer a detailed reconstruction of its genesis, and thus for the first time present a comprehensive reading of Tupaia's Map. The chart not only underscores the extent and mastery of Polynesian navigation, it is also a remarkable feat of translation between two very different wayfinding systems and their respective representational models.},
  language  = {en}
}
@misc{Wiemann2014,
  author    = {Wiemann, Dirk},
  title     = {George, Rosemary Marangoly, Indian English and the Fiction of National Literature / [reviewed by] Dirk Wiemann},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  number    = {135},
  issn      = {1866-8380},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-398664},
  pages     = {4},
  year      = {2014},
  abstract  = {Rezensiertes Werk: George, Rosemary Marangoly, Indian English and the Fiction of National Literature - Cambridge: Cambridge University Press, 2013. - Hb. viii, 285 pp. - (Zeitschrift f{\"u}r Anglistik und Amerikanistik ; 62(4)) ISBN 978-1-107-04000-7.},
  language  = {en}
}
@misc{Reimer2017,
  author    = {Reimer, Anna Maria},
  title     = {Pink, Katharina, Identitas Oriens: Discursive Constructions of Identity and Alterity in British Orient Travelogues / [reviewed by] Anna Maria Reimer},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  number    = {126},
  issn      = {1866-8380},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-397856},
  pages     = {3},
  year      = {2017},
  abstract  = {Rezensiertes Werk Pink, Katharina, Identitas Oriens: Diskursive Konstruktionen von Identit{\"a}t und Alterit{\"a}t in britischer Orient-Reiseliteratur - W{\"u}rzburg, Ergon Verlag, 2014 337 S. - (Literatur - Kultur - Theorie, 19)},
  language  = {en}
}
@misc{Roeder2016,
  author    = {R{\"o}der, Katrin},
  title     = {Engaging with T.S. Eliot: Four Quartets as a Multimedia Performance},
  series = {Zeitschrift f{\"u}r Anglistik und Amerikanistik},
  journal   = {Zeitschrift f{\"u}r Anglistik und Amerikanistik},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-397808},
  pages     = {20},
  year      = {2016},
  abstract  = {This article explores a recent performance of excerpts from T.S. Eliot's Four Quartets (1935/36-1942) entitled Engaging Eliot: Four Quartets in Word, Color, and Sound as an example of live poetry. In this context, Eliot's poem can be analysed as an auditory artefact that interacts strongly with other oral performances (welcome addresses and artists' conversations), as well as with the musical performance of Christopher Theofanidis's quintet "At the Still Point" at the end of the opening of Engaging Eliot. The event served as an introduction to a 13-day art exhibition and engaged in a re-evaluation of Eliot's poem after 9/11: while its first part emphasises the connection between Eliot's poem and Christian doctrine, its second part - especially the combination of poetry reading and musical performance - highlights the philosophical and spiritual dimensions of Four Quartets.},
  language  = {en}
}
@misc{Adair2017,
  author    = {Adair, Gigi},
  title     = {The "Feringhi Hakīm": medical encounters and colonial ambivalence in Isabella Bird's travels in Japan and Persia},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  number    = {120},
  issn      = {1866-8380},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-395316},
  pages     = {13},
  year      = {2017},
  abstract  = {This article considers Isabella Bird's representation of medicine in Unbeaten Tracks in Japan (1880) and Journeys in Persia and Kurdistan (1891), the two books in which she engages most extensively with both local (Chinese/Islamic) and Western medical science and practice. I explore how Bird uses medicine to assert her narrative authority and define her travelling persona in opposition to local medical practitioners. I argue that her ambivalence and the unease she frequently expresses concerning medical practice (expressed particularly in her later adoption of the Persian appellation "Feringhi Hakīm" [European physician] to describe her work) serves as a means for her to negotiate the colonial and gendered pressures on Victorian medicine. While in Japan this attitude works to destabilise her hierarchical understanding of science and results in some acknowledgement of traditional Japanese traditions, in Persia it functions more to disguise her increasing collusion with overt British colonial ambitions.},
  language  = {en}
}