@misc{AbboubBollAvetisyanBhataraetal.2016, author = {Abboub, Nawal and Boll-Avetisyan, Natalie and Bhatara, Anjali and H{\"o}hle, Barbara and Nazzi, Thierry}, title = {An exploration of rhythmic grouping of speech sequences by french- and german-learning infants}, series = {Postprints der Universit{\"a}t Potsdam : Humanwissenschaftliche Reihe}, journal = {Postprints der Universit{\"a}t Potsdam : Humanwissenschaftliche Reihe}, number = {427}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-407201}, pages = {12}, year = {2016}, abstract = {Rhythm in music and speech can be characterized by a constellation of several acoustic cues. Individually, these cues have different effects on rhythmic perception: sequences of sounds alternating in duration are perceived as short-long pairs (weak-strong/iambicpattern), whereas sequences of sounds alternating in intensity or pitch are perceived as loud-soft, or high-low pairs (strong-weak/trochaic pattern). This perceptual bias-called the lambic-Trochaic Law (ITL) has been claimed to be an universal property of the auditory system applying in both the music and the language domains. Recent studies have shown that language experience can modulate the effects of the ITL on rhythmic perception of both speech and non-speech sequences in adults, and of non-speech sequences in 7.5-month-old infants. The goal of the present study was to explore whether language experience also modulates infants' grouping of speech. To do so, we presented sequences of syllables to monolingual French- and German-learning 7.5-month-olds. Using the Headturn Preference Procedure (HPP), we examined whether they were able to perceive a rhythmic structure in sequences of syllables that alternated in duration, pitch, or intensity. Our findings show that both French- and German-learning infants perceived a rhythmic structure when it was cued by duration or pitch but not intensity. Our findings also show differences in how these infants use duration and pitch cues to group syllable sequences, suggesting that pitch cues were the easier ones to use. Moreover, performance did not differ across languages, failing to reveal early language effects on rhythmic perception. These results contribute to our understanding of the origin of rhythmic perception and perceptual mechanisms shared across music and speech, which may bootstrap language acquisition.}, language = {en} } @article{AbboubBollAvetisyanBhataraetal.2016, author = {Abboub, Nawal and Boll-Avetisyan, Natalie and Bhatara, Anjali and H{\"o}hle, Barbara and Nazzi, Thierry}, title = {An Exploration of Rhythmic Grouping of Speech Sequences by French- and German-Learning Infants}, series = {Frontiers in human neuroscienc}, volume = {10}, journal = {Frontiers in human neuroscienc}, publisher = {Frontiers Research Foundation}, address = {Lausanne}, issn = {1662-5161}, doi = {10.3389/fnhum.2016.00292}, pages = {6707 -- 6712}, year = {2016}, abstract = {Rhythm in music and speech can be characterized by a constellation of several acoustic cues. Individually, these cues have different effects on rhythmic perception: sequences of sounds alternating in duration are perceived as short-long pairs (weak-strong/iambic pattern), whereas sequences of sounds alternating in intensity or pitch are perceived as loud-soft, or high-low pairs (strong-weak/trochaic pattern). This perceptual bias—called the Iambic-Trochaic Law (ITL)-has been claimed to be an universal property of the auditory system applying in both the music and the language domains. Recent studies have shown that language experience can modulate the effects of the ITL on rhythmic perception of both speech and non-speech sequences in adults, and of non-speech sequences in 7.5-month-old infants. The goal of the present study was to explore whether language experience also modulates infants' grouping of speech. To do so, we presented sequences of syllables to monolingual French- and German-learning 7.5-month-olds. Using the Headturn Preference Procedure (HPP), we examined whether they were able to perceive a rhythmic structure in sequences of syllables that alternated in duration, pitch, or intensity. Our findings show that both French- and German-learning infants perceived a rhythmic structure when it was cued by duration or pitch but not intensity. Our findings also show differences in how these infants use duration and pitch cues to group syllable sequences, suggesting that pitch cues were the easier ones to use. Moreover, performance did not differ across languages, failing to reveal early language effects on rhythmic perception. These results contribute to our understanding of the origin of rhythmic perception and perceptual mechanisms shared across music and speech, which may bootstrap language acquisition.}, language = {en} } @misc{BollAvetisyanBhataraUngeretal.2016, author = {Boll-Avetisyan, Natalie and Bhatara, Anjali and Unger, Annika and Nazzi, Thierry and H{\"o}hle, Barbara}, title = {Effects of experience with L2 and music on rhythmic grouping by French listeners}, series = {Postprints der Universit{\"a}t Potsdam : Humanwissenschaftliche Reihe}, journal = {Postprints der Universit{\"a}t Potsdam : Humanwissenschaftliche Reihe}, number = {450}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-413786}, pages = {16}, year = {2016}, abstract = {Rhythm perception is assumed to be guided by a domain-general auditory principle, the Iambic/Trochaic Law, stating that sounds varying in intensity are grouped as strong-weak, and sounds varying in duration are grouped as weak-strong. Recently, Bhatara et al. (2013) showed that rhythmic grouping is influenced by native language experience, French listeners having weaker grouping preferences than German listeners. This study explores whether L2 knowledge and musical experience also affect rhythmic grouping. In a grouping task, French late learners of German listened to sequences of coarticulated syllables varying in either intensity or duration. Data on their language and musical experience were obtained by a questionnaire. Mixed-effect model comparisons showed influences of musical experience as well as L2 input quality and quantity on grouping preferences. These results imply that adult French listeners' sensitivity to rhythm can be enhanced through L2 and musical experience.}, language = {en} } @article{BollAvetisyanBhataraUngeretal.2016, author = {Boll-Avetisyan, Natalie and Bhatara, Anjali and Unger, Annika and Nazzi, Thierry and H{\"o}hle, Barbara}, title = {Effects of experience with L2 and music on rhythmic grouping by French listeners}, series = {Bilingualism : language and cognition.}, volume = {19}, journal = {Bilingualism : language and cognition.}, publisher = {Cambridge Univ. Press}, address = {New York}, issn = {1366-7289}, doi = {10.1017/S1366728915000425}, pages = {971 -- 986}, year = {2016}, language = {en} } @article{BollAvetisyanBhataraHoehle2017, author = {Boll-Avetisyan, Natalie and Bhatara, Anjali and H{\"o}hle, Barbara}, title = {Effects of musicality on the perception of rhythmic structure in speech}, series = {Laboratory phonology}, volume = {8}, journal = {Laboratory phonology}, number = {1}, publisher = {Ubiquity Press}, address = {London}, issn = {1868-6346}, doi = {10.5334/labphon.91}, pages = {16}, year = {2017}, abstract = {Language and music share many rhythmic properties, such as variations in intensity and duration leading to repeating patterns. Perception of rhythmic properties may rely on cognitive networks that are shared between the two domains. If so, then variability in speech rhythm perception may relate to individual differences in musicality. To examine this possibility, the present study focuses on rhythmic grouping, which is assumed to be guided by a domain-general principle, the Iambic/Trochaic law, stating that sounds alternating in intensity are grouped as strong-weak, and sounds alternating in duration are grouped as weak-strong. German listeners completed a grouping task: They heard streams of syllables alternating in intensity, duration, or neither, and had to indicate whether they perceived a strong-weak or weak-strong pattern. Moreover, their music perception abilities were measured, and they filled out a questionnaire reporting their productive musical experience. Results showed that better musical rhythm perception - ability was associated with more consistent rhythmic grouping of speech, while melody perception - ability and productive musical experience were not. This suggests shared cognitive procedures in the perception of rhythm in music and speech. Also, the results highlight the relevance of - considering individual differences in musicality when aiming to explain variability in prosody perception.}, language = {en} } @article{BollAvetisyanKager2016, author = {Boll-Avetisyan, Natalie and Kager, Rene}, title = {Is speech processing influenced by abstract or detailed phonotactic representations? The case of the Obligatory Contour Principle}, series = {Lingua : international review of general linguistics}, volume = {171}, journal = {Lingua : international review of general linguistics}, publisher = {Elsevier}, address = {Amsterdam}, issn = {0024-3841}, doi = {10.1016/j.lingua.2015.11.008}, pages = {74 -- 91}, year = {2016}, abstract = {Many languages restrict their lexicons by OCP-Place, a phonotactic constraint against co-occurrences of consonants with shared [place] (e.g., McCarthy, 1986). While many previous studies have suggested that listeners have knowledge of OCP-Place and use this for speech processing, it is less clear whether they make reference to an abstract representation of this constraint. In Dutch, OCP-Place gradiently restricts non-adjacent consonant co-occurrences in the lexicon. Focusing on labial-vowel-labial co-occurrences, we found that there are, however, exceptions from the general effect of OCP-Labial: (A) co-occurrences of identical labials are systematically less restricted than co-occurrences of homorganic labials, and (B) some specific pairs (e.g., /pVp/, /bVv/) occur more often than expected. Setting out to study whether exceptions such as (A) and (B) had an effect on processing, the current study presents an artificial language learning experiment and a reanalysis of Boll-Avetisyan and Kager's (2014) speech segmentation data. Results indicate that Dutch listeners can use both knowledge of phonotactic detail and an abstract constraint OCP-Labial as a cue for speech segmentation. We suggest that whether detailed or abstract representations are drawn on depends on the complexity of processing demands.}, language = {en} } @article{BhataraBollAvetisyanAgusetal.2016, author = {Bhatara, Anjali and Boll-Avetisyan, Natalie and Agus, Trevor and H{\"o}hle, Barbara and Nazzi, Thierry}, title = {Language Experience Affects Grouping of Musical Instrument Sounds}, series = {Cognitive science : a multidisciplinary journal of anthropology, artificial intelligence, education, linguistics, neuroscience, philosophy, psychology ; journal of the Cognitive Science Society}, volume = {40}, journal = {Cognitive science : a multidisciplinary journal of anthropology, artificial intelligence, education, linguistics, neuroscience, philosophy, psychology ; journal of the Cognitive Science Society}, publisher = {Wiley-Blackwell}, address = {Hoboken}, issn = {0364-0213}, doi = {10.1111/cogs.12300}, pages = {1816 -- 1830}, year = {2016}, language = {en} } @article{vanOmmenBollAvetisyanLarrazaetal.2020, author = {van Ommen, Sandrien and Boll-Avetisyan, Natalie and Larraza, Saioa and Wellmann, Caroline and Bijeljac-Babic, Ranka and H{\"o}hle, Barbara and Nazzi, Thierry}, title = {Language-specific prosodic acquisition}, series = {Journal of memory and language: JML}, volume = {112}, journal = {Journal of memory and language: JML}, publisher = {Elsevier}, address = {Amsterdam}, issn = {0749-596X}, doi = {10.1016/j.jml.2020.104108}, pages = {16}, year = {2020}, abstract = {This study compares the development of prosodic processing in French- and German-learning infants. The emergence of language-specific perception of phrase boundaries was directly tested using the same stimuli across these two languages. French-learning (Experiment 1, 2) and German-learning 6- and 8-month-olds (Experiment 3) listened to the same French noun sequences with or without major prosodic boundaries ([Loulou et Manou] [et Nina]; [Loulou et Manou et Nina], respectively). The boundaries were either naturally cued (Experiment 1), or cued exclusively by pitch and duration (Experiment 2, 3). French-learning 6- and 8-month-olds both perceived the natural boundary, but neither perceived the boundary when only two cues were present. In contrast, German-learning infants develop from not perceiving the two-cue boundary at 6 months to perceiving it at 8 months, just like German-learning 8-month-olds listening to German (Wellmann, Holzgrefe, Truckenbrodt, Wartenburger, \& Hohle, 2012). In a control experiment (Experiment 4), we found little difference between German and French adult listeners, suggesting that later, French listeners catch up with German listeners. Taken together, these cross-linguistic differences in the perception of identical stimuli provide direct evidence for language-specific development of prosodic boundary perception.}, language = {en} } @article{BhataraBollAvetisyanUngeretal.2013, author = {Bhatara, Anjali and Boll-Avetisyan, Natalie and Unger, Annika and Nazzi, Thierry and H{\"o}hle, Barbara}, title = {Native language affects rhythmic grouping of speech}, series = {The journal of the Acoustical Society of America}, volume = {134}, journal = {The journal of the Acoustical Society of America}, number = {5}, publisher = {American Institute of Physics}, address = {Melville}, issn = {0001-4966}, doi = {10.1121/1.4823848}, pages = {3828 -- 3843}, year = {2013}, abstract = {Perceptual attunement to one's native language results in language-specific processing of speech sounds. This includes stress cues, instantiated by differences in intensity, pitch, and duration. The present study investigates the effects of linguistic experience on the perception of these cues by studying the Iambic-Trochaic Law (ITL), which states that listeners group sounds trochaically (strong-weak) if the sounds vary in loudness or pitch and iambically (weak-strong) if they vary in duration. Participants were native listeners either of French or German; this comparison was chosen because French adults have been shown to be less sensitive than speakers of German and other languages to word-level stress, which is communicated by variation in cues such as intensity, fundamental frequency (F0), or duration. In experiment 1, participants listened to sequences of co-articulated syllables varying in either intensity or duration. The German participants were more consistent in their grouping than the French for both cues. Experiment 2 was identical to experiment 1 except that intensity variation was replaced by pitch variation. German participants again showed more consistency for both cues, and French participants showed especially inconsistent grouping for the pitch-varied sequences. These experiments show that the perception of linguistic rhythm is strongly influenced by linguistic experience.}, language = {en} } @misc{BollAvetisyanNixonLentzetal.2018, author = {Boll-Avetisyan, Natalie and Nixon, Jessie S. and Lentz, Tomas O. and Liu, Liquan and van Ommen, Sandrien and Coeltekin, Cagri and van Rij, Jacolien}, title = {Neural response development during distributional learning}, series = {19 th annual conference of the international speech communicaton association (INTERSPEECH 2018), VOLS 1-6: Speech research for emerging marjets in multilingual societies}, journal = {19 th annual conference of the international speech communicaton association (INTERSPEECH 2018), VOLS 1-6: Speech research for emerging marjets in multilingual societies}, publisher = {ISCA-International Speech Communication Association}, address = {Baixas}, isbn = {978-1-5108-7221-9}, issn = {2308-457X}, doi = {10.21437/Interspeech.2018-2072}, pages = {1432 -- 1436}, year = {2018}, abstract = {We investigated online electrophysiological components of distributional learning, specifically of tones by listeners of a non tonal language. German listeners were presented with a bimodal distribution of syllables with lexical tones from a synthesized continuum based on Cantonese level tones. Tones were presented in sets of four standards (within-category tokens) followed by a deviant (across-category token). Mismatch negativity (MMN) was measured. Earlier behavioral data showed that exposure to this bimodal distribution improved both categorical perception and perceptual acuity for level tones [I]. In the present study we present analyses of the electrophysiological response recorded during this exposure, i.e., the development of the MMN response during distributional learning. This development over time is analyzed using Generalized Additive Mixed Models and results showed that the MMN amplitude increased for both within and across-category tokens, reflecting higher perceptual acuity accompanying category formation. This is evidence that learners zooming in on phonological categories undergo neural changes associated with more accurate phonetic perception.}, language = {en} }