@misc{Philipowski2020,
  author    = {Philipowski, Katharina},
  title     = {Medieval Forms of First-Person Narration I},
  series = {Beitr{\"a}ge zur medi{\"a}vistischen Erz{\"a}hlforschung},
  volume    = {8},
  journal   = {Beitr{\"a}ge zur medi{\"a}vistischen Erz{\"a}hlforschung},
  number    = {Special Issue},
  editor    = {Philipowski, Katharina},
  publisher = {University of Oldenburg Press},
  address   = {Oldenburg},
  issn      = {2568-9967},
  doi       = {10.25619/BmE_H202038},
  url       = {http://nbn-resolving.de/https://ojs.uni-oldenburg.de/ojs/index.php/bme/issue/view/13},
  pages     = {221},
  year      = {2020},
  abstract  = {In many European vernacular literatures in the 13th and 16th centuries, texts with remarkable congruities clearly emerge. They are allegorical, their subject is worldly love, and they use the first person as their narrative form. The most popular would be the French ›Roman de la Rose‹, the Italian ›Vita Nuova‹ by Dante or the Spanish ›Libro de buen amor‹. German examples are the ›Minnelehre‹ by Johann of Constance or the anonymous ›Minneburg‹. Until now such texts have been classified as (Dream-) allegories, as courtly love (Minne) speeches, or also as (fictional or stylized) autobiographies. As a result, they have rarely, if ever, been compared with each other. The goal of our conferences is to facilitate interdisciplinary exchanges regarding these texts, especially as concerns poetological, narrative, and allegorical dimensions.},
  language  = {mul}
}
@misc{Philipowski2022,
  author    = {Philipowski, Katharina},
  title     = {Medieval Forms of First-Person Narration II},
  series = {Beitr{\"a}ge zur medi{\"a}vistischen Erz{\"a}hlforschung},
  volume    = {14},
  journal   = {Beitr{\"a}ge zur medi{\"a}vistischen Erz{\"a}hlforschung},
  number    = {Special Issue},
  editor    = {Philipowski, Katharina},
  publisher = {University of Oldenburg Press},
  address   = {Oldenburg},
  issn      = {2568-9967},
  doi       = {10.25619/BmE_H20225},
  url       = {http://nbn-resolving.de/https://ojs.uni-oldenburg.de/ojs/index.php/bme/issue/view/24},
  pages     = {128},
  year      = {2022},
  abstract  = {One of the central features that medieval narratives in the first person have in common is their specific structure. Most of them are not continuously and coherently narrative, but in most cases include long discursive sections or textual elements such as letters, prayers, songs, or dialogues. The classification of these texts as narrative literature is thus anything but self-evident. The contributions to this volume examine how first-person discursivity and narrativity interact in French, German, and Italian narratives, what interrelation exists between the first-person narrative stance and discursivity, and how the literary forms of narrativity and discursivity (each of which is assigned a specific tense, namely the past tense and the present tense) relate to each other.},
  language  = {mul}
}
@article{Philipowski2021,
  author    = {Philipowski, Katharina},
  title     = {Konrads ›Klage der Kunst‹ im Kontext von Sangspruchdichtung und allegorischem Ich-Erz{\"a}hlen},
  series = {Konrad von W{\"u}rzburg als Erz{\"a}hler},
  volume    = {10},
  journal   = {Konrad von W{\"u}rzburg als Erz{\"a}hler},
  number    = {Themenheft},
  publisher = {University of Oldenburg Press},
  address   = {Oldenburg},
  issn      = {2568-9967},
  doi       = {10.25619/BmE20214131},
  url       = {http://nbn-resolving.de/https://ojs.uni-oldenburg.de/ojs/index.php/bme/article/view/131},
  pages     = {57 -- 79},
  year      = {2021},
  abstract  = {Die ›Klage der Kunst‹ Konrads wird auf dem Hintergrund und in Bezug zur Sangspruchdichtung sowie der Textfamilie allegorischer Erz{\"a}hlungen in der ersten Person untersucht. W{\"a}hrend Strophik, Sangbarkeit und kunst-Thematik das Werk in den Kontext der Sangspruchdichtung r{\"u}cken, stellt es sich durch seinen Umfang, seine Narrativit{\"a}t und das Erz{\"a}hltempus, das die Handlung zwar nicht dominiert, aber rahmt, an die Seite erster fr{\"u}her Erz{\"a}hlexperimente, die Dialog, Streit oder Rede als erlebte Erfahrung eines Ich pr{\"a}sentieren wie das ›Frauenbuch‹ Ulrichs von Liechtenstein, das aber - {\"a}hnlich wie Konrads ›Klage der Kunst‹ - zu seiner Zeit offenbar nur m{\"a}ßig erfolgreich, jedenfalls nur unikal {\"u}berliefert, ist. Konrad scheint der erste zu sein, der in der h{\"o}fischen Literatur das Erz{\"a}hlen in der ersten Person mit Allegorizit{\"a}t verkn{\"u}pft. Er nutzt dieses neue und in der sp{\"a}teren Literatur so {\"u}beraus fruchtbare Erz{\"a}hlformat geschickt, um seine eigene literarische Meisterschaft unter anderem in den Gestalten von wildekeit und kunst unter Beweis zu stellen, zu thematisieren und szenisch zu verhandeln.},
  language  = {de}
}
@article{Philipowski2022,
  author    = {Philipowski, Katharina},
  title     = {Einf{\"u}hrende Bemerkungen zu Diskursivit{\"a}t und Narrativit{\"a}t},
  series = {Medieval Forms of First-Person Narration: Narrativity and Discoursivity (Villa Vigoni Talks II)},
  volume    = {14},
  journal   = {Medieval Forms of First-Person Narration: Narrativity and Discoursivity (Villa Vigoni Talks II)},
  number    = {Special Issue},
  editor    = {Philipowski, Katharina},
  publisher = {University of Oldenburg Press},
  address   = {Oldenburg},
  issn      = {2568-9967},
  doi       = {10.25619/BmE20225222},
  url       = {http://nbn-resolving.de/https://ojs.uni-oldenburg.de/ojs/index.php/bme/article/view/222},
  pages     = {1 -- 12},
  year      = {2022},
  language  = {de}
}
@incollection{LampartMoser2024,
  author    = {Lampart, Fabian and Moser, Natalie},
  title     = {Reflexionen des Kommenden in der Literatur des 19. Jahrhunderts},
  series = {Zukunft - Zukunftswissen - Zukunfts{\"a}sthetik},
  booktitle = {Zukunft - Zukunftswissen - Zukunfts{\"a}sthetik},
  publisher = {Rombach Wissenschaft},
  address   = {Baden-Baden},
  isbn      = {978-3-96821-870-0},
  doi       = {10.5771/9783968218717},
  pages     = {7 -- 20},
  year      = {2024},
  language  = {de}
}
@incollection{Moser2024,
  author    = {Moser, Natalie},
  title     = {Historisch von der nahen Zukunft erz{\"a}hlen},
  series = {Zukunft - Zukunftswissen - Zukunfts{\"a}sthetik},
  booktitle = {Zukunft - Zukunftswissen - Zukunfts{\"a}sthetik},
  publisher = {Rombach Wissenschaft},
  address   = {Baden-Baden},
  isbn      = {978-3-96821-870-0},
  doi       = {10.5771/9783968218717-85},
  pages     = {85 -- 106},
  year      = {2024},
  language  = {de}
}
@book{OPUS4-64256,
  title     = {Zukunft - Zukunftswissen - Zukunfts{\"a}sthetik},
  series = {Litterae},
  volume    = {259},
  journal   = {Litterae},
  editor    = {Lampart, Fabian and Moser, Natalie},
  publisher = {Rombach Wissenschaft},
  address   = {Baden-Baden},
  isbn      = {978-3-96821-870-0},
  doi       = {10.5771/9783968218717},
  pages     = {292},
  year      = {2024},
  abstract  = {Das historische Erz{\"a}hlen ist im 19. Jahrhundert eine der prominentesten narrativen Formen. Aber es ist immer auch zukunftsaffin. In diesem Band wird diese Kehrseite der Vergangenheitsorientierung in historischer und systematischer Perspektive entlang folgender Leitfragen untersucht: Wie k{\"o}nnen Zukunftsreflexionen in Genres analytisch und konzeptionell gefasst werden, die nicht programmatisch dem Zukunftssujet verpflichtet sind? Wie ist das Wissen um Zukunft organisiert und {\"a}sthetisch strukturiert? Wie verh{\"a}lt sich eine solche implizite {\"a}sthetische Problematisierung von Zukunft gegen{\"u}ber expliziten Zukunftsmodellen der entstehenden Science Fiction?},
  language  = {de}
}
@incollection{Lampart2024,
  author    = {Lampart, Fabian},
  title     = {Prognose, Planung, Sicherung},
  series = {Zukunft - Zukunftswissen - Zukunfts{\"a}sthetik},
  volume    = {259},
  booktitle = {Zukunft - Zukunftswissen - Zukunfts{\"a}sthetik},
  publisher = {Rombach Wissenschaft},
  address   = {Baden-Baden},
  isbn      = {978-3-96821-870-0},
  doi       = {10.5771/9783968218717},
  pages     = {165 -- 188},
  year      = {2024},
  language  = {de}
}
@periodical{OPUS4-64252,
  title     = {Poema},
  volume    = {2},
  editor    = {Lampart, Fabian and Hillebrandt, Claudia and Klimek, Sonja and M{\"u}ller, Ralph},
  publisher = {Universit{\"a}tsverlag Kiel},
  address   = {Kiel},
  issn      = {2751-9821},
  pages     = {150},
  year      = {2023},
  abstract  = {POEMA ist ein komparatistisch angelegtes Jahrbuch, das sich der systematischen Erforschung von Lyrik und Gedicht widmet. Es richtet sich an Fachwissenschaftlerinnen und Fachwissenschaftler aller Phi­lologien wie auch der mit anderen Kunstformen befassten Wissenschaften und der philosophischen {\"A}sthetik. POEMA erscheint als Open-Access-Journal wie auch als Print-on-Demand-Fassung im Uni­versit{\"a}tsverlag Kiel | Kiel University Publishing. Die wissenschaftlichen Beitr{\"a}ge werden in einem double-blind Peer-Review-Verfahren begutachtet.},
  language  = {mul}
}
@article{DeCesare2023,
  author    = {De Cesare, Ilaria},
  title     = {Quantitative Methoden in diachronen Studien},
  series = {Zeitschrift f{\"u}r germanistische Linguistik : ZGL},
  volume    = {51},
  journal   = {Zeitschrift f{\"u}r germanistische Linguistik : ZGL},
  number    = {1},
  publisher = {de Gruyter},
  address   = {Berlin},
  issn      = {0301-3294},
  doi       = {10.1515/zgl-2023-2004},
  pages     = {124 -- 151},
  year      = {2023},
  abstract  = {On the basis of a case study on the linearisation of German infinitival complements, the present paper illustrates the advantages of selected quantitative and statistical methods in diachronic studies. In particular, it first discusses, the problem of the availability of balanced diachronic corpora and how mixed-effects modelling can help make the best of "bad data" and second, it deals with the question of periodisation and shows the advantages of a data-driven method.},
  language  = {de}
}