@article{Strong2023,
  author    = {Strong, Anise K.},
  title     = {The Persistence of Memory},
  series = {thersites 17},
  volume    = {2023},
  journal   = {thersites 17},
  number    = {17},
  editor    = {Potter, Amanda and Gardner, Hunter H.},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol17.255},
  pages     = {125 -- 142},
  year      = {2023},
  abstract  = {The 2017 Pixar film Coco and the 2021 Disney film Encanto form a small part of an increasing modern wave of media focused on parent-child conflicts caused by intergenerational trauma and rejection. Other recent works in this genre include the video game Hades, the films Turning Red and Everything Everywhere All At Once, and the television series Ms. Marvel. The traumas in all these films, some directed explicitly at a younger audience and some pitched more broadly, serve as a distinct set of meditations on the immigrant experience, even while not necessarily focusing on literal immigration. They also all invoke imagery of ghosts and death, both echoing specific classical Mediterranean motifs and tropes and incorporating a wide variety of other cultures' supernatural traditions. These works' concern with familial traumas of separation, culture shock, and loss of ancestral memories and connections contrasts sharply with the individual-focused myth of the American Dream common to earlier generations of American media, in which a lone individual typically emigrates, assimilates, and succeeds in a new culture, forming a new family and set of myths. However, themes of assimilation and questions of cultural imperialism also form a bridge between ancient Roman and modern North American anxieties and traditions.},
  language  = {en}
}
@article{Shabbat2021,
  author    = {Shabbat, Maya},
  title     = {Heimweh},
  series = {Quest : Issues in Contemporary Jewish History ; journal of Fondazione CDEC / Fondazione Centro di Documentazione Ebraica Contemporanea},
  journal   = {Quest : Issues in Contemporary Jewish History ; journal of Fondazione CDEC / Fondazione Centro di Documentazione Ebraica Contemporanea},
  number    = {20},
  publisher = {Fondazione Centro di Documentazione Ebraica Contemporanea},
  address   = {Mailand},
  issn      = {2037-741X},
  doi       = {10.48248/issn.2037-741X/13095},
  pages     = {109 -- 139},
  year      = {2021},
  abstract  = {The concept of Heimweh conveys a set of emotions and images that have been described in different ways in different languages. This article intends to analyze the Heimweh experienced by Galician intellectual Jewry during the process of linguistic and cultural change that took place from 1867 until the mid.-1880s. This will be discussed while focusing on the urban intelligentsia circles in Lemberg (Lviv), which had a tremendous influence on some Galician Jewish intellectuals during that period. I will analyze the nature of a clash of identities that eventually brought some of the urban intelligentsia in Lemberg to consider themselves as living a "Spiritual" or "linguistic exile"(Sprachexil), regardless of whether they had migrated or not. Longing for the homeland as a nostalgic destination, whether they referred to it as Heimat or Ojczyzna, and whether they called it Lemberg or Lwow, was longing to be part of a group holding a distinct Kultur or Kultura, a set of values, culture and language, which coexisted with their Jewish identity.},
  language  = {en}
}