@article{Briand2021, author = {Briand, Michel}, title = {Le Laocoon en ic{\^o}ne queer et camp}, series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, volume = {2021}, journal = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, number = {13}, editor = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol13.133}, pages = {1 -- 42}, year = {2021}, abstract = {The Laoco{\"o}n group, a famous source of inspiration for modern artists and a crucial masterpiece for historians of art and philosophers, is also a popular figure in queer contemporary art and culture, both distorted and celebrated through camp performative devices. After remarks about 1. "queer gaze" and the complex relation of queer or LGBTQIA+ culture and politics to the dialectics of kitsch/camp and classical / contemporary / pop art, and 2. (not straight but) queer classics, using "anachronisme raisonn{\´e}" (Loraux") and "{\´e}cart" (Dupont), this article focuses on case studies from the 2010's: 1. The untold gay history of Vatican guided tour; the music video Falling, by the "queer cowboy" Drew Beckman. 2. Paintings by Richard Wallace (esp. Laoco{\"o}n); photographic series of Danil Golovkin (Modern Heroes : Photographing Bodybuilders in the Digital Age), 3. Julien Servy (Collages : Photo vs. Statues) ; the design firm modern8 (for the 2017 Utah Pride Festival). 4. The indigenous Canadian artist Kent Monkman, who, in paintings (The Academy), performances, installations, altogether stages and questions the violence of historical and cultural colonization and its impact on issues of gender and identity, and promotes dynamic interactions of aesthetics and politics, as well of pathos and camp.}, language = {fr} } @article{BievrePerrin2021, author = {Bi{\`e}vre-Perrin, Fabien}, title = {"Everything is a copy of a copy of a copy"}, series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, volume = {2021}, journal = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s}, number = {13}, editor = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol13.191}, pages = {i -- v}, year = {2021}, abstract = {A quote from Fight Club (Chuck Palahniuk, 1996) may seem unusual for a Classicist. Nevertheless, this famous sentence summarises the contents of this special issue of thersites perfectly. As specialists in classical reception frequently witness, there is a sort of d{\´e}j{\`a}-vu effect when it comes to the presence of Antiquity within popular culture. In 2019, to try to better understand the phenomenon, Antiquipop invited researchers to take an interest in the construction and semantic path of these "masterpieces" in contemporary popular culture, with a particular focus on the 21st century.}, language = {en} } @article{Proeve2021, author = {Pr{\"o}ve, Ralf}, title = {Wie mit Nach-Matrix-Sozialisierten umgehen, oder}, series = {Emotionen in Wissensinstitutionen. Zur Bedeutung affektiver Dimensionen in Forschung, Lehre und Unterricht}, journal = {Emotionen in Wissensinstitutionen. Zur Bedeutung affektiver Dimensionen in Forschung, Lehre und Unterricht}, editor = {Ernst, Sebastian}, publisher = {transcript}, address = {Bielefeld}, isbn = {978-3-8376-5735-7}, pages = {71 -- 92}, year = {2021}, language = {de} } @article{Brechenmacher2021, author = {Brechenmacher, Thomas}, title = {„Katholizismusforschung", „kirchliche Zeitgeschichte", „Katholischsein"}, series = {Kirchliche Zeitgeschichte. Bilanz - Fragen - Perspektiven}, journal = {Kirchliche Zeitgeschichte. Bilanz - Fragen - Perspektiven}, editor = {Brechenmacher, Thomas and Kleinehagenbrock, Frank and Lepp, Claudia and Oelke, Harry}, publisher = {Vandenhoeck \& Ruprecht}, address = {G{\"o}ttingen}, isbn = {978-3-525-56866-8}, pages = {95 -- 112}, year = {2021}, language = {de} } @article{D'Aprile2021, author = {D'Aprile, Iwan-Michelangelo}, title = {Was kann preußischer sein als Nathan}, series = {Theodor Fontane und das Erbe der Aufkl{\"a}rung (Schriften der Theodor Fontane Gesellschaft ; 14)}, journal = {Theodor Fontane und das Erbe der Aufkl{\"a}rung (Schriften der Theodor Fontane Gesellschaft ; 14)}, publisher = {de Gruyter}, address = {Berlin}, doi = {10.1515/9783110666984-002}, pages = {13 -- 30}, year = {2021}, language = {de} } @article{Kotowski2018, author = {Kotowski, Elke-Vera}, title = {„Heimat"-Objekte}, series = {Zeitschrift f{\"u}r Religions- und Geistesgeschichte}, volume = {70}, journal = {Zeitschrift f{\"u}r Religions- und Geistesgeschichte}, number = {4}, publisher = {Brill}, address = {Leiden}, issn = {0044-3441}, doi = {10.1163/15700739-07004004}, pages = {324 -- 347}, year = {2018}, abstract = {Bei ihrer zumeist erzwungenen Emigration aus der deutschsprachigen Heimat nach Lateinamerika konnten bei weitem nicht alle ihren gesamten Hausstand mit in das neue Heimatland nehmen. Vielmehr war es der Mehrzahl der Emigranten nicht m{\"o}glich, mehr als ein paar Kofffer aus ihrem alten Leben in das neue zu retten. Verkauft oder beschlagnahmt, vieles musste zur{\"u}ckbleiben, was {\"u}ber Jahre die Wohnungen und H{\"a}user der deutschen Juden gef{\"u}llt hatte. Das Wenige, was doch mitgenommen werden konnte, hatte somit umso mehr pers{\"o}nlichen Wert f{\"u}r den Besitzer. Was also hatten die deutsch-j{\"u}dischen Emigranten und Exilanten in ihren Kofffern und weshalb waren gerade diese Objekte f{\"u}r sie bedeutend genug, um sie auf den beschwerlichen Weg {\"u}ber den Atlantik und auf einen neuen Kontinent in eine unbekannte Zukunft mitzunehmen?Eine Antwort auf diese Frage k{\"o}nnen die Objekte selbst geben, welche bis heute in den Familien der einstigen Emigranten aufbewahrt und benutzt werden. Sie repr{\"a}sentieren die verlorene Heimat, ein St{\"u}ck Geschichte des Ursprungslandes und der eigenen Familie. Diese Gegenst{\"a}nde sind mehr als nur Gebrauchsobjekte, welche ihren monet{\"a}ren Wert hatten und daher nicht zur{\"u}ckgelassen werden sollten. Es sind vielmehr Tr{\"a}ger von gegebenen und zugeschriebenen Bedeutungen und Erinnerungen an Heimat, die ihnen anhaften und {\"u}ber Generationen hinweg weitergegeben und in ihrem Sym-bolgehalt erg{\"a}nzt und erweitert werden.}, language = {de} } @article{Scianna2019, author = {Scianna, Bastian Matteo}, title = {Rebuilding an Austrian Army}, series = {War in History}, volume = {26}, journal = {War in History}, number = {1}, publisher = {Sage Publ.}, address = {London}, issn = {0968-3445}, doi = {10.1177/0968344516682057}, pages = {105 -- 123}, year = {2019}, abstract = {After the Second World War, a new Austrian Army (the Bundesheer) was formed to guarantee the country's armed neutrality. But the period between 1938 and 1945 remained a point of contention. While some Austrian officers had been sidelined, the majority had served in the Wehrmacht and thus shared experiences and soldierly values. As Cold War realities necessitated a professional experienced army, a group around Erwin Fussenegger (1908-1986) dominated the new Bundesheer and contemplations about reforming the military culture and value system were postponed; while at the same time, the Bundesheer managed to prevent becoming a mere continuation of the Wehrmacht.}, language = {en} } @article{AlbertoSchenck2021, author = {Alberto, Ibraimo and Schenck, Marcia C.}, title = {Paths Are Made by Walking}, series = {Navigating Socialist Encounters}, journal = {Navigating Socialist Encounters}, publisher = {de Gruyter}, address = {Oldenburg}, isbn = {978-3-11-062354-3}, doi = {10.1515/9783110623543-010}, pages = {247 -- 262}, year = {2021}, language = {en} } @article{SchenckRaposo2021, author = {Schenck, Marcia C. and Raposo, Francisca}, title = {Socialist Encounters at the School of Friendship}, series = {Navigating Socialist Encounters}, journal = {Navigating Socialist Encounters}, publisher = {de Gruyter}, address = {Oldenburg}, isbn = {978-3-11-062354-3}, doi = {10.1515/9783110623543-009}, pages = {235 -- 246}, year = {2021}, language = {en} } @article{SchenckHarischDietrichetal.2021, author = {Schenck, Marcia C. and Harisch, Immanuel R. and Dietrich, Anne and Burton, Eric}, title = {Introduction}, series = {Navigating Socialist Encounters}, journal = {Navigating Socialist Encounters}, publisher = {de Gruyter}, address = {Oldenburg}, isbn = {978-3-11-062354-3}, doi = {10.1515/9783110623543-001}, pages = {1 -- 58}, year = {2021}, language = {en} }