@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Escritura breve y estructura relacional},
  series = {Vivir lo breve : nanofilolog{\´i}a y microformatos en las letras y culturas hisp{\´a}nicas contempor{\´a}neas},
  journal   = {Vivir lo breve : nanofilolog{\´i}a y microformatos en las letras y culturas hisp{\´a}nicas contempor{\´a}neas},
  editor    = {Ette, Ottmar and S{\´a}nchez, Yvette},
  publisher = {Iberoamericana},
  address   = {Madrid},
  isbn      = {978-3-96869-038-4},
  pages     = {303 -- 339},
  year      = {2020},
  language  = {es}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Mi primera lectura acad{\´e}mica: "Mimesis", de Erich Auerbach},
  series = {Alabe : Revista de Investigaci{\´o}n sobre Lectura y Escritura},
  volume    = {22},
  journal   = {Alabe : Revista de Investigaci{\´o}n sobre Lectura y Escritura},
  number    = {julio-diciembre},
  issn      = {2171-9624},
  pages     = {4},
  year      = {2020},
  language  = {es}
}
@article{Ette2017,
  author    = {Ette, Ottmar},
  title     = {Entre Mundos. Cornelius de Pauw, Federico II. y el Nuevo Mundo o: El sentidodel poder, el poder sobre el sentido y el poder de los sentidos},
  series = {Entre los mundos: homenaje a Pedro Barcel{\´o} = Zwischen den Welten : Festschrift f{\"u}r Pedro Barcel{\´o}},
  journal   = {Entre los mundos: homenaje a Pedro Barcel{\´o} = Zwischen den Welten : Festschrift f{\"u}r Pedro Barcel{\´o}},
  publisher = {Presses universitaires de Franche-Comt{\´e}},
  address   = {Besan{\c{c}}on},
  isbn      = {978-2-84867-578-7},
  pages     = {615 -- 654},
  year      = {2017},
  language  = {es}
}
@article{FerrerMaestroKunstHernandezdelaFuenteetal.2017,
  author    = {Ferrer-Maestro, Juan Jos{\´e} and Kunst, Christiane and Hern{\´a}ndez de la Fuente, David and Faber, Eike},
  title     = {Pr{\´o}logo},
  series = {Entre los mundos: homenaje a Pedro Barcel{\´o} = Zwischen den Welten : Festschrift f{\"u}r Pedro Barcel{\´o}},
  journal   = {Entre los mundos: homenaje a Pedro Barcel{\´o} = Zwischen den Welten : Festschrift f{\"u}r Pedro Barcel{\´o}},
  publisher = {Presses universitaires de Franche-Comt{\´e}},
  address   = {Besan{\c{c}}on},
  isbn      = {978-2-84867-578-7},
  pages     = {13 -- 17},
  year      = {2017},
  language  = {es}
}
@article{Garcia2017,
  author    = {Garcia, Francisca},
  title     = {Imaginer{\´i}a fotosensible: guadalupe santa cruz y la escritura con grabado},
  series = {Pasavento : revista de estudios hisp{\´a}nicos},
  volume    = {5},
  journal   = {Pasavento : revista de estudios hisp{\´a}nicos},
  publisher = {Universidad de Alcal{\´a}, Servicio Publicaciones},
  address   = {Madrid},
  issn      = {2255-4505},
  pages     = {53 -- 62},
  year      = {2017},
  abstract  = {A partir de la met{\´a}fora "imaginer{\´i}a fotosensible", el ensayo explora c{\´o}mo el fotograbado afecta la escritura de la autora chilena guadalupe santa Cruz. el grabado no solo implica aqu{\´i} una t{\´e}cnica art{\´i}stica, sino tambi{\´e}n una imaginaci{\´o}n cr{\´i}tica sobre el movimiento, las huellas y la memoria colectiva. la revisi{\´o}n del programa literario de la autora (ars poetica), permite afirmar que el grabado brinda la principal estrategia para activar la prosa y arraigar la palabra en el contexto de alienaci{\´o}n social generalizada en la post-dictadura chilena (d{\´e}cada del 90). Si bien planteo que la influencia de esta imaginaci{\´o}n del gra-bado est{\´a} presente en todo el proyecto literario de la autora, me centro en la revisi{\´o}n de dos novelas: Quebrada: las cordilleras en andas (2007) y la reciente-mente publicada y p{\´o}stuma Esta parcela (2015), las cuales incorporan una serie de im{\´a}genes impresas.},
  language  = {es}
}
@article{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {Pasigraf{\´i}a y antipasigraf{\´i}a a finales del siglo XVIII y a principios del siglo XIX},
  volume    = {41},
  editor    = {Calero Vaquerao, Mar{\´i}a Luisa},
  publisher = {Infoling},
  address   = {Barcelona},
  issn      = {1139-8736},
  pages     = {169 -- 192},
  year      = {2020},
  abstract  = {In 1797 a rather short work appeared in Paris in two volumes, under the title Pasigraphie in both its French and German versions. The author, Joseph de Maimieux (1753-1820), is said to have coined the term pasigraphie. With the invention of pasigraphy, Maimieux pursued the goal of creating a conceptually based writing system that could be applied to all languages. In this way, a text written in this script could be read in all languages. The pasigraphic system is based on an a priori system of conceptual classification to which written characters are assigned. It is therefore initially an exclusively written language, on which Maimieux two years later also built a spoken language with the Pasilalie. The first arguments against the endeavour represented by the Pasigraphie were brought forward by Maimieux' immediate contemporaries, the ideologues. These objections were re-affirmed in particular by Johann Severin Vater. The decisive difference between Maimieux and his critics lies in the determination of the role of signs in the formation of concepts. While for Maimieux the signs only name the finished concepts, his critics argued that signs have a function in the constitution of the concepts. A universal language is therefore ultimately not possible, since there are no universal concepts and the individual languages lead to different conceptual structures.},
  language  = {es}
}
@article{Lenz2016,
  author    = {Lenz, Markus Alexander},
  title     = {THINKING THE CONTEMPORARY BY THE LYRICAL: THE WORK OF NICANOR PARRA AND ROBERT BOLANO},
  series = {Alea : estudos neolatinos},
  volume    = {18},
  journal   = {Alea : estudos neolatinos},
  publisher = {Universidade Federal do Rio de Janeiro, Faculdade de Letras},
  address   = {Rio de Janeiro RJ},
  issn      = {1517-106X},
  doi       = {10.1590/1517-106X/182-313},
  pages     = {313 -- 328},
  year      = {2016},
  abstract  = {Two Chilean poets with equal and yet different conceptions of poetry: While Nicanor Parra is considered one of the most important Latin American lyricists of the 20th century, the poetry of novelist Roberto Bola{\~n}o only finds little attention in comparison to his highly successful prose. Yet both authors give constructive answers to the possible functions of contemporary poetry under an epistemology based upon materialism that affects language as emancipatory capacity of each human individual. A comparative reading of two volumes of their poetry, Parra's well known Poemas y antipoemas (1954) and Bola{\~n}o's last 'collection of poems' Tres (2000), does not only demonstrate some structural links. The urgent question concerning the benefits of literature among globalized societies, involving highly complex cultural and linguistic identities, could benefit from a revived awareness towards poetry as historically relative formalization of language, but also as an efficient instrument to reflect the restrictions of language in times of its economic and cultural-industrial standardization.},
  language  = {es}
}
@article{Ette2018,
  author    = {Ette, Ottmar},
  title     = {Texto-isla y escritura archipi{\´e}lica},
  series = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  volume    = {XVIII},
  journal   = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  number    = {35},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  issn      = {1617-5239},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-419270},
  pages     = {13 -- 24},
  year      = {2018},
  abstract  = {Alexander von Humboldts Manuskript „Isle de Cube. Antilles en g{\´e}n{\´e}ral" l{\"a}sst sich als Titel f{\"u}r ein ganzes Text-Archipel begreifen. Es fasziniert durch seine radikal offene Strukturierung und liefert uns eine Vorstellung vom Schreib- wie vielleicht mehr noch vom Denkmodell des Kultur- und Naturforschers. Die politische und soziale Komplexit{\"a}t der karibischen Inselwelt erfassen seine Textminiaturen relational und viellogisch. Sie machen ihn - zusammen mit seinen kubanischen Karten und dem Essai politique sur l'{\^i}le de Cuba - zu einem bedeutenden kubanischen Schriftsteller des 19. Jahrhunderts.},
  language  = {es}
}
@article{Hassler2017,
  author    = {Haßler, Gerda},
  title     = {La semi{\´o}tica al inicio del siglo XX: condiciones de un cambio en la metodolog{\´i}a ling{\"u}{\´i}stica},
  series = {Bolet{\´i}n de la Sociedad Espa{\~n}ola de Historiograf{\´i}a Ling{\"u}{\´i}stica : BSEHL},
  volume    = {2017},
  journal   = {Bolet{\´i}n de la Sociedad Espa{\~n}ola de Historiograf{\´i}a Ling{\"u}{\´i}stica : BSEHL},
  number    = {11},
  publisher = {SEHL},
  address   = {Valladolid},
  issn      = {1695-2030},
  pages     = {105 -- 121},
  year      = {2017},
  abstract  = {El centenario de la publicaci{\´o}n del Curso de ling{\"u}{\´i}stica general (1916) de Saussure nos ha invitado a reexaminar la importancia de esta obra para instaurar una ling{\"u}{\´i}stica integrada en la semiolog{\´i}a. Indudablemente la simplificaci{\´o}n de las ideas de Saussure y la exageraci{\´o}n de su concepto sist{\´e}mico del lenguaje llevadas a cabo por los editores Bally y Sechehaye han contribuido a la acogida exitosa de la obra. En esta contribuci{\´o}n, se propone, primero, introducir el concepto de 'series de textos', antes de analizar una serie "olvidada" y una nueva serie de obras por medio de las cuales se introdujeron conceptos semi{\´o}ticos en la {\´e}poca dominante de la ling{\"u}{\´i}stica hist{\´o}rica. En el an{\´a}lisis de estas dos series se pondr{\´a} el foco en el concepto de la arbitrariedad del signo.},
  language  = {es}
}
@article{Hassler2017,
  author    = {Haßler, Gerda},
  title     = {Intersecci{\´o}n entre la evidencialidad y la atenuaci{\´o}n: el pret{\´e}rito imperfecto evidencial y el futuro narrativo},
  series = {Normas. Revista de estudios ling{\"u}{\´i}sticos hisp{\´a}nicos},
  volume    = {7},
  journal   = {Normas. Revista de estudios ling{\"u}{\´i}sticos hisp{\´a}nicos},
  number    = {2},
  publisher = {Universidad de Valencia},
  address   = {Valencia},
  issn      = {2174-7245},
  doi       = {10.7203/normas.v7i2.9276},
  pages     = {19 -- 32},
  year      = {2017},
  language  = {es}
}