@article{Prieto2021, author = {Prieto, Julio}, title = {Un dandy de zapatos gastados}, series = {Chasqui : revista de literatura latinoamericana}, volume = {51}, journal = {Chasqui : revista de literatura latinoamericana}, number = {1}, publisher = {Arizona State University}, address = {Tempe}, issn = {0145-8973}, pages = {389 -- 407}, year = {2021}, abstract = {El comienzo podr{\´i}an ser dos im{\´a}genes de Vallejo en Par{\´i}s. La primera la extraigo de la m{\´a}s reciente biograf{\´i}a del escritor peruano, C{\´e}sar Vallejo: A Literary Biography, obra del hispanista brit{\´a}nico Stephen Hart. Refiere Hart que en sus primeros a{\~n}os en Par{\´i}s la situaci{\´o}n de Vallejo era tan precaria que cuando viajaba en tren evitaba descender del vag{\´o}n hasta que no se hubiera detenido del todo para no desgastar su {\´u}nico par de zapatos. En cierta ocasi{\´o}n, yendo con unos amigos y top{\´a}ndose con una acera encharcada por la ruptura de una boca de riego, Vallejo prefiri{\´o} dar media vuelta y despedirse de sus amigos antes que arriesgarse a arruinar sus zapatos atravesando el charco (108). Quisiera contrastar esta imagen, que sintetiza la penuria econ{\´o}mica que marc{\´o} la vida de Vallejo en Par{\´i}s y en general los quince a{\~n}os que pas{\´o} en Europa desde que abandon{\´o} el Per{\´u} en 1923 hasta su muerte en 1938, con la imagen que propone una fotograf{\´i}a (v{\´e}ase Fig. 1). Es una fotograf{\´i}a muy conocida: tomada en 1929 por Juan Domingo C{\´o}rdoba en el curso de un paseo veraniego por Versalles, se ha convertido en una suerte de imagen emblem{\´a}tica, reproducida en numerosas reediciones de la obra de Vallejo. De hecho, lo que a m{\´i} siempre me llam{\´o} la atenci{\´o}n en esta imagen es la pose. La pose, y la elegancia del atuendo. Consideremos por un momento lo atildado del traje, el coqueto pa{\~n}uelo que asoma del bolsillo superior de la chaqueta, el anillo con un {\´a}gata negra engastada en el dedo coraz{\´o}n, el sombrero de fieltro dejado al desgaire en la pierna, el se{\~n}orial bast{\´o}n—o la corbata anudada en pajarita con que aparece en otra fotograf{\´i}a contempor{\´a}nea (v{\´e}ase Fig. 2). Si hubiera que definir en una palabra la elegancia de esa pose, yo dir{\´i}a que es la pose de un dandy. Un dandy de zapatos gastados. En los m{\´u}ltiples transtierros de Vallejo, y en particular en los quince a{\~n}os que vivi{\´o} en Par{\´i}s, coexisten as{\´i} pues la precariedad econ{\´o}mica del emigrante y el cosmopolitismo del viajero culto.}, language = {es} } @article{Leon2020, author = {Le{\´o}n, Ena Mercedes Matienzo}, title = {Observaciones sobre el clima de Lima y sus influencias en los seres organizados, en especial el hombre}, series = {Iberoamericana}, volume = {20}, journal = {Iberoamericana}, number = {74}, publisher = {Vervuert}, address = {Frankfurt, Main}, issn = {1577-3388}, doi = {10.18441/ibam.20.2020.74.279-394}, pages = {305 -- 308}, year = {2020}, abstract = {Una extraordinaria edici{\´o}n actualizada de Observaciones sobre el clima de Lima y sus influencias en los seres organizados, en especial el hombre de Jos{\´e} Hip{\´o}lito Unanue y Pav{\´o}n ha sido publicado en el 2018 y merece ser anunciado a la comunidad acad{\´e}mica peruana e internacional. Este libro incluye un exhaustivo estudio in troductorio del destacado historiador Lizardo Seiner Liz{\´a}rraga. Esta introducci{\´o}n est{\´a} conformada de tres partes encabezadas por los siguientes t{\´i}tulos: a) Unanue: una historiograf{\´i}a de amplio espectro b) Textos, registros y referencias: una indagaci{\´o}n en la biblioteca de Unanue y c) Observaciones sobre el clima de Lima: una obra en dos tiempos.}, language = {es} } @article{CuadrovonHagenCostaBall2017, author = {Cuadro, Ariel and von Hagen, Alexa and Costa Ball, Daniel}, title = {Procedural differences in the calculation of the prevalence of reading difficulties in Spanish-speaking school children}, series = {Studies in psychology}, volume = {38}, journal = {Studies in psychology}, number = {1}, publisher = {Routledge, Taylor Francis Group}, address = {Abingdon}, issn = {0210-9395}, doi = {10.1080/02109395.2016.1268388}, pages = {169 -- 197}, year = {2017}, abstract = {The prevalence of reading difficulties (RD) reflects controversial data ranging from 3.1-3.2\% to 17.5\%. Possible explanations are partly based on the incidence of orthography-specific factors influencing the reading process, but also on methodological differences that hinder comparison of the reported results. For this reason, the present study aims to analyse the prevalence of RD in a sample of 1,408 Spanish-speaking school children by comparing different ways of calculating the prevalence rate. The results reflect a prevalence of 2.2-5.3\%, consistent with data reported for predominantly transparent orthographies. Some of the procedures used to identify RD are more accurate in early school years than at more advanced moments of schooling. Furthermore, the consideration of students' sex when calculating the prevalence of RD seems to represent a more sensitive way of identifying students with RD.}, language = {es} } @article{Genazzano2020, author = {Genazzano, Pablo}, title = {Rezension zu: Rogozinski, Jacob: Kanten. Esbozos kantianos Trad. Francisco Caja y Nemrod Carrasco. - Barcelona: Los Libros del T{\´a}bano, 2016. - 257 p. - ISBN: 978-84-615-4918-4}, series = {Convivium : revista de filosof{\´i}a}, volume = {33}, journal = {Convivium : revista de filosof{\´i}a}, number = {33}, publisher = {Universitat de Barcelona}, address = {Barcelona}, issn = {0010-8235}, pages = {201 -- 206}, year = {2020}, abstract = {Los Libros del T{\´a}bano estrena su carrera editorial con la traducci{\´o}n de Kanten. Esbozos kantianos , un conjunto de ensayos escritos por Jacob Ro - gozinski entre los a{\~n}os ochenta y noventa que se remontan a los aspectos menos estudiados, pero que, ir{\´o}nicamente, resultan ser los m{\´a}s problem{\´a} - ticos de la filosof{\´i}a de Kant. Rogozinski va a los Kanten (palabra alemana que designa los cantos, las esquinas o los bordes de un objeto) para elabo - rar el camino de un «retorno a Kant». Pero este retorno corre en direcci{\´o}n inversa a la de una cl{\´a}sica reconstrucci{\´o}n o estudio, siempre determinado por la intenci{\´o}n de dar una «imagen global» del pensamiento kantiano; lo que tenemos enfrente es una lectura a contrapelo.}, language = {es} } @article{Prieto2021, author = {Prieto, Julio}, title = {'La poes{\´i}a no da para tanto'}, series = {Bulletin of Hispanic studies : a record and review of their progress / The University of Liverpool}, volume = {98}, journal = {Bulletin of Hispanic studies : a record and review of their progress / The University of Liverpool}, number = {1}, publisher = {Liverpool Univ. Press}, address = {Liverpool}, issn = {1475-3839}, doi = {10.3828/bhs.2021.5}, pages = {67 -- 86}, year = {2021}, abstract = {This article focuses on the unique combination of poetry, fiction and autobiography that distinguishes Lorenzo Garcia Vega's recent work. Through a reading of this work and, in particular, of the 'bad novel', Devastacion del Hotel San Luis (2007), a rethinking of the concept of autofiction is proposed, based on Benveniste's linguistic analysis of enunciation modes and on a revision of Kate Hamburger's theory of literary genres. My reading situates the question of autofiction in this author in the context of his conflictive dialogue with the group Origenes, tracing the mixture of narrative and lyrical modes of autofiguration in Garcia Vega's unique project: rewriting both Proust's autobiographic narrative and Lezama's neobaroque poetics.}, language = {es} } @article{UncetaGomezCarlaUhinkFreitag2022, author = {Unceta G{\´o}mez, Luis and Carl{\`a}-Uhink, Filippo and Freitag, Florian}, title = {De h{\´e}roes y efebos. El mundo cl{\´a}sico en la fotograf{\´i}a de desnudo masculino contempor{\´a}neo. Entrevista a Carmelo Bl{\´a}zquez}, series = {thersites 14}, volume = {2022}, journal = {thersites 14}, number = {14}, editor = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine}, issn = {2364-7612}, doi = {10.34679/thersites.vol14.208}, pages = {103 -- 120}, year = {2022}, abstract = {Entrevista a Carmelo Bl{\´a}zquez, fot{\´o}grafo especializado en fotograf{\´i}a de desnudo masculino, que trabaja con motivos y modelos procedentes de la Antig{\"u}edad grecolatina.}, language = {es} } @article{Soto2018, author = {Soto, Paulina}, title = {Una reeducaci{\´o}n cr{\´i}tica: emergencia de revistas literarias digitales chilenas en el transcurso de la primera d{\´e}cada del siglo XXI}, series = {Estudios Avanzados}, journal = {Estudios Avanzados}, number = {28}, publisher = {Universidad de Santiago de Chile (USACH)}, address = {Santiago}, issn = {0718-5022}, pages = {121 -- 137}, year = {2018}, abstract = {Para inicios del siglo XXI se instalan nuevos medios de cr{\´i}tica literaria a trav{\´e}s de soportes digitales. Estas publicaciones tensionan un campo letrado chileno que enfrenta cuestionamientos. Gestionadas mayoritariamente por creadores precedentes de la generaci{\´o}n del 90, producen reaproximaciones a la cultura letrada. El objetivo es desafiar din{\´a}micas de interacci{\´o}n lectora heredadas vinculadas a las luces patria, desarrollistas, de tipo linear y ciegas a la heterogeneidad cultural vivida en la {\´e}poca. El proceso comprende, de tal modo, una reeducaci{\´o}n cr{\´i}tica centrada en ensayar po{\´e}ticas de productividad anal{\´i}tico-literarias heter{\´o}clitas. Se trata de una interacci{\´o}n lectora diversa, sujeta a ret{\´o}ricas {\´i}ntimas de apreciaci{\´o}n est{\´e}tica, que ponen en cuesti{\´o}n las nociones tradicionales mayoritariamente instructiva de la cultura chilena.}, language = {es} } @article{RodriguezQuilesyGarcia2018, author = {Rodr{\´i}guez-Quiles y Garc{\´i}a, Jose A.}, title = {Music as a rhizome}, series = {Revista musical chilena}, volume = {72}, journal = {Revista musical chilena}, number = {229}, publisher = {Universidad de Chile, Faculty of Arts}, address = {Santiago}, issn = {0716-2790}, doi = {10.4067/s0716-27902018000100139}, pages = {139 -- 150}, year = {2018}, abstract = {This work seeks to lay the foundations for a new music education epistemology inspired by the text A Thousand Plateaus by the Frenchmen Deleuze and Guattari. Contemplating music as a rhizome and the music classroom as a rhizomorphic system allows the properties of music making to be analyzed as part of a decentralized system of interactions between performative forces that transcend the music score (in the traditional sense of the score being the principal and only monument considered as part of the curriculum). In this way it distances itself from the imaginary museum and its ideologists. Understanding the music classroom as a social performative space permits the characteristics of rhizomorphic systems to be studied in this field. With the help of the principles of connection, heterogeneity, multiplicity, asignifying ruptures and map making, the universals of classical musicology are confirmed to not be valid when used as a single reference point applied in educational contexts.}, language = {es} } @article{Hennemann2020, author = {Hennemann, Anja}, title = {Tal vez es x vs. Tal ves sea X. Construcciones de probabilidad y el uso de los modos}, series = {Romanica Olomucensia}, volume = {32}, journal = {Romanica Olomucensia}, number = {1}, publisher = {Univerzita Palack{\´e}ho v Olomouci}, address = {Olomouc}, issn = {1803-4136}, doi = {10.5507/ro.2020.003}, pages = {51 -- 71}, year = {2020}, abstract = {This paper is concerned with constructions that express probability and their interaction with the indicative and subjunctive mood, as well as with other contextual elements. In detail, the paper deals with the constructions [sin duda + indicative/subjunctive], [tal vez + indicative/subjunctive], [probablemente + indicative/subjunctive] and [posiblemente + indicative/subjunctive]. In their interaction with mood, the constructions are understood as different microconstructions. For example, [sin duda + indicative] and [sin duda + subjunctive] are seen as different microconstructions of the superordinate mesoconstruction [modal construction (of probability) + verb]. In a qualitative analysis examples from the CREA, CORPES XXI, and CdE corpora are examined regarding the interaction of [expression of probability] + [mood]. Following the Principle of No Synonymy of Grammatical Forms, the analysis confirms that the use of mood additionally influences the expressed degree of probability of the constructions. For instance, while probablemente generally expresses a slightly higher probability than posiblemente, a fine-tuned analysis shows that the expressed degrees of probability of [probablemente + subjunctive] and [posiblemente + indicative] are highly similar. This is also often confirmed by further contextual information. In summary, the paper shows that Cognitive Construction Grammar is a very suitable background against which to investigate modal phenomena, as cognitive approaches generally deal with the ways in which language users conceptualize the world from their own point of view, and as expressions of modality, more precisely, probability, are also closely related to speakers' attitudes or perspectives.}, language = {es} } @article{Ette2020, author = {Ette, Ottmar}, title = {Siempre me ha ispirado horror pensar el mundo desde una sola perspectiva}, series = {Chuy : revista de estudios literarios latinoamericanos}, volume = {8}, journal = {Chuy : revista de estudios literarios latinoamericanos}, number = {julio}, publisher = {Universidad Nacional}, address = {Buenos Aires}, pages = {170 -- 176}, year = {2020}, language = {es} }