@article{Saendig2009, author = {S{\"a}ndig, Brigitte}, title = {L'Homme r{\´e}volt{\´e} in Wendezeiten}, series = {Camus im Osten : Zeugnisse der Wirkung Camus' zu Zeiten der Teilung Europas}, journal = {Camus im Osten : Zeugnisse der Wirkung Camus' zu Zeiten der Teilung Europas}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-29570}, pages = {121 -- 135}, year = {2009}, language = {de} } @article{Baciu2009, author = {Baciu, Virginia}, title = {Albert Camus in Rum{\"a}nien}, series = {Camus im Osten : Zeugnisse der Wirkung Camus' zu Zeiten der Teilung Europas}, journal = {Camus im Osten : Zeugnisse der Wirkung Camus' zu Zeiten der Teilung Europas}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-29516}, pages = {13 -- 29}, year = {2009}, language = {de} } @article{Syrovatko2009, author = {Syrovatko, Lada V.}, title = {Gibt es eine Camus-Rezeption in Rußland?}, series = {Camus im Osten : Zeugnisse der Wirkung Camus' zu Zeiten der Teilung Europas}, journal = {Camus im Osten : Zeugnisse der Wirkung Camus' zu Zeiten der Teilung Europas}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-29588}, pages = {137 -- 147}, year = {2009}, language = {de} } @article{Horvath2009, author = {Horv{\´a}th, Andor}, title = {"Gott sich selbst zur{\"u}ckgeben"}, series = {Camus im Osten : Zeugnisse der Wirkung Camus' zu Zeiten der Teilung Europas}, journal = {Camus im Osten : Zeugnisse der Wirkung Camus' zu Zeiten der Teilung Europas}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-29539}, pages = {53 -- 65}, year = {2009}, language = {de} } @article{Ungelenk2021, author = {Ungelenk, Johannes}, title = {{\´E}mile Zola and the literary language of climate change}, series = {Nottingham French studies / University of Nottingham}, volume = {60}, journal = {Nottingham French studies / University of Nottingham}, number = {3}, publisher = {Edinburgh University Press}, address = {Edinburgh}, issn = {0029-4586}, doi = {10.3366/nfs.2021.0331}, pages = {362 -- 373}, year = {2021}, abstract = {On 7 February 1861, John Tyndall, professor of natural philosophy, delivered a historical lecture: he could prove that different gases absorb heat to a very different degree, which implies that the temperate conditions provided for by the Earth's atmosphere are dependent on its particular composition of gases. The theoretical foundation of climate science was laid. Ten years later, on the other side of the Channel, a young and ambitious author was working on a comprehensive literary analysis of the French era under the Second Empire. {\´E}mile Zola had probably not heard or read of Tyndall's discovery. However, the article makes the case for reading Zola's Rougon-Macquart as an extensive story of climate change. Zola's literary attempts to capture the defining characteristic of the Second Empire led him to the insight that its various milieus were all part of the same 'climate': that of an all-encompassing warming. Zola suggests that this climate is man-made: the economic success of the Second Empire is based on heating, in a literal and metaphorical sense, as well as on stoking the steam-engines and creating the hypertrophic atmosphere of the hothouse that enhances life and maximises turnover and profit. In contrast to Tyndall and his audience, Zola sensed the catastrophic consequences of this warming: the Second Empire was inevitably moving towards a final d{\´e}b{\^a}cle, i.e. it was doomed to perish in local and 'global' climate catastrophes. The article foregrounds the supplementary status of Tyndall's physical and Zola's literary knowledge. As Zola's striking intuition demonstrates, literature appears to have a privileged approach to the phenomenon of man-induced climate change.}, language = {en} } @article{Ungelenk2020, author = {Ungelenk, Johannes}, title = {{\´E}mile Zola's Climate History of the Second Empire}, series = {Ecozon@: European Journal of Literature, Culture and Environment}, volume = {11}, journal = {Ecozon@: European Journal of Literature, Culture and Environment}, number = {1}, publisher = {Alcal{\´a} de Henares}, address = {Instituto Universitario de Investigaci{\´o}n en Estudios Norteamericanos "Benjam{\´i}n Franklin", Universidad de Alcal{\´a}}, issn = {2171-9594}, doi = {10.37536/ECOZONA.2020.11.1.3181}, pages = {9 -- 26}, year = {2020}, abstract = {This article looks at {\´E}mile Zola's novel cycle Les Rougon-Macquart and argues that it describes its subject, the Second Empire, as a warming climate tending toward climate catastrophe. Zola's affinity to the notion of climate is shown to be linked to his poetic employment of the concept of 'milieu', inspired by Hippolyte Taine. Close readings of selected passages from the Rougon-Macquart are used to work out the climatic difference between 'the old' and 'the new Paris', and the process of warming that characterises the Second Empire. Octave Mouret's department store holds a special place in the article, as it is analysed through what the article suggests calling a 'meteorotopos': a location of intensified climatic conditions that accounts for an increased interaction between human and non-human actors. The department store is also one of the many sites in the novel cycle that locally prefigure the 'global' climate catastrophe of Paris burning, in which the Second Empire perishes.}, language = {en} } @article{Ungelenk2018, author = {Ungelenk, Johannes}, title = {Catastrophic Spectacle}, series = {Catastrophe \& Spectacle: Variations of a Conceptual Relation from the 17th to the 21st Century}, journal = {Catastrophe \& Spectacle: Variations of a Conceptual Relation from the 17th to the 21st Century}, publisher = {Neofelis}, address = {Berlin}, isbn = {978-3-95808-173-4}, pages = {92 -- 101}, year = {2018}, abstract = {The wood-engraving with the caption "The first sight of Paris", published in Cassell's History of the War between France and Germany 1870-1871 (1873), does not depict a spectacular catastrophe. As its title already indicates, it rather illustrates a constellation of sight. What there is to see is not so much a spectacular vista but the fact that one sees - and the way how this works. I would therefore like to use the wood-engraving to analyse the basic setting that is formative for every constellation of 'spectacle'. This prepares for the second step, which brings in the notion of catastrophe: I will argue that the spectacle of catastrophe which has gained prominence especially in the nineteenth century is not merely a phenomenon of representing catastrophe, but involves the constellation of spectacle as such. Spectacular catastrophes perform and derive their force from a catastrophe of spectacle - this is what the following will elaborate on.}, language = {en} } @article{Kilian2011, author = {Kilian, Sven Thorsten}, title = {Gli studi su Pasolini in Germania (2000-2010)}, volume = {5}, publisher = {Serra}, address = {Pisa}, issn = {1972-473X}, doi = {10.1400/171740}, pages = {127 -- 138}, year = {2011}, abstract = {L'articolo propone una rassegna delle iniziative dedicate all'opera di Pasolini in Germania degli ultimi dieci anni e una sintesi dei risultati della ricerca accademica. Nuove traduzioni rendono pi{\`u} ampia la divulgazione delle opere di questo autore e la loro ricezione anche da parte di un pubblico non specializzato. Sebbene l'interesse per il carattere politico dei suoi scritti sia in declino, a partire della fine degli anni novanta {\`e} invece cresciuta l'attenzione sui suoi aspetti artistici, estetici, tematici e linguistici. L'opera di Pasolini viene assunta nell'area di ricerca di studi sul corpo, della plurimedialit{\`a} e intermedialit{\`a}.}, language = {it} } @article{Patockova2009, author = {Patockov{\´a}, Jana}, title = {Albert Camus auf den tschechischen B{\"u}hnen der sechziger Jahre}, series = {Camus im Osten : Zeugnisse der Wirkung Camus' zu Zeiten der Teilung Europas}, journal = {Camus im Osten : Zeugnisse der Wirkung Camus' zu Zeiten der Teilung Europas}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-29563}, pages = {101 -- 120}, year = {2009}, language = {de} } @article{Lenz2020, author = {Lenz, Markus Alexander}, title = {Zone: une 'dialectique n{\´e}gative' de la conscience?}, series = {Mathias {\´E}nard et l'{\´e}rudition du roman}, journal = {Mathias {\´E}nard et l'{\´e}rudition du roman}, number = {439}, editor = {Messling, Markus and Ruhe, Cornelia and Seauve, Lena and De Senarclens, Vanessa}, publisher = {Brill Rodopi}, address = {Leiden}, isbn = {978-90-04-42396-1}, pages = {183 -- 199}, year = {2020}, abstract = {Depuis plus de dix ans, les romans de Mathias {\´E}nard connaissent un succ{\`e}s qui ne se d{\´e}ment pas. La Perfection du tir en 2003, mais aussi Zone en 2008, Parle-leur de batailles, de rois et d'{\´e}l{\´e}phants en 2010 et Rue des voleurs en 2012 ont remport{\´e} des prix litt{\´e}raires de grand renom. Enfin, le jury du prix Goncourt a opt{\´e} en 2015 avec Boussole pour un roman dans lequel « l'imagination » romanesque a pour support une {\´e}poustouflante {\´e}rudition portant sur l'Orient. Ce volume cherche {\`a} {\´e}clairer les modalit{\´e}s narratives qui permettent {\`a} l'auteur de transformer l'{\´e}rudition en roman, mais aussi {\`a} situer son œuvre dans le contexte litt{\´e}raire actuel}, language = {fr} }