@article{Klettke2009, author = {Klettke, Cornelia}, title = {"La petite fille de Monsieur Linh" von Philippe Claudel}, series = {Observatoire de l'extreme contemporain : Studien zur franz{\"o}sischsprachigen Gegenwartsliteratur ; Festschrift f{\"u}r Margarete Zimmermann zum sechzigsten Geburtstag (Edition lendemains ; 12)}, journal = {Observatoire de l'extreme contemporain : Studien zur franz{\"o}sischsprachigen Gegenwartsliteratur ; Festschrift f{\"u}r Margarete Zimmermann zum sechzigsten Geburtstag (Edition lendemains ; 12)}, publisher = {Narr}, address = {T{\"u}bingen}, isbn = {978-3-8233-6494-8}, pages = {85 -- 100}, year = {2009}, language = {de} } @article{Lenz2020, author = {Lenz, Markus Alexander}, title = {A Prophet of Divine Wisdom?}, series = {Philological Encounters Special Issus: Early Modern 'New Sciences': Inquiries into Ibn Khaldun and Giambattista Vico}, volume = {5}, journal = {Philological Encounters Special Issus: Early Modern 'New Sciences': Inquiries into Ibn Khaldun and Giambattista Vico}, number = {1}, editor = {Islam, Dayeh}, publisher = {Brill}, address = {Leiden}, isbn = {2451-9189}, issn = {2451-9197}, pages = {50 -- 75}, year = {2020}, abstract = {In the nineteenth century, the reception of Giambattista Vico's writings came along with nationalist interpretations of his Scienza Nuova as an 'Italian Science'. This tendency was based upon an increased examination of the role that the philosopher Pythagoras and his Italian school of Croton played in Vico's hierarchical conception of the ancient Greek and Italian civilizations. Writers, archaeologists and historians used the New Science as a metonymic reference work for their own nationalist concepts by updating the Pythagorean myth in accordance with relevant narratives of exclusive genealogies concerning an ancient Italian wisdom. These narratives follow tendencies in Vico's own writings that were quoted strategically and mixed with further interpretations of the Scienza Nuova as reliable testimonial for a glorious Italian history. A theological poet characterized by deeper insight into the secrets of nature and some parts of the divine providence, Pythagoras gains his special position in Vico's general conception of knowledge.}, language = {en} } @article{Patockova2009, author = {Patockov{\´a}, Jana}, title = {Albert Camus auf den tschechischen B{\"u}hnen der sechziger Jahre}, series = {Camus im Osten : Zeugnisse der Wirkung Camus' zu Zeiten der Teilung Europas}, journal = {Camus im Osten : Zeugnisse der Wirkung Camus' zu Zeiten der Teilung Europas}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-29563}, pages = {101 -- 120}, year = {2009}, language = {de} } @article{Baciu2009, author = {Baciu, Virginia}, title = {Albert Camus in Rum{\"a}nien}, series = {Camus im Osten : Zeugnisse der Wirkung Camus' zu Zeiten der Teilung Europas}, journal = {Camus im Osten : Zeugnisse der Wirkung Camus' zu Zeiten der Teilung Europas}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-29516}, pages = {13 -- 29}, year = {2009}, language = {de} } @book{OPUS4-9757, title = {Archipele und Inselreisen : Kosmographie und imagin{\"a}re Geographie im Werk von Rabelais}, series = {Sanssouci - Forschungen zur Romanistik}, volume = {12}, journal = {Sanssouci - Forschungen zur Romanistik}, editor = {Klettke, Cornelia}, publisher = {Frank \& Timme}, address = {Berlin}, isbn = {978-3-7329-0176-0}, issn = {2193-9985}, publisher = {Universit{\"a}t Potsdam}, pages = {341}, year = {2016}, language = {de} } @article{Kouchkine2009, author = {Kouchkine, Eug{\`e}ne}, title = {Camus im Land der Sowjets}, series = {Camus im Osten : Zeugnisse der Wirkung Camus' zu Zeiten der Teilung Europas}, journal = {Camus im Osten : Zeugnisse der Wirkung Camus' zu Zeiten der Teilung Europas}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-29549}, pages = {67 -- 89}, year = {2009}, language = {de} } @book{BaciuCielensHorvathetal.2009, author = {Baciu, Virginia and Cielens, Isabelle and Horv{\´a}th, Andor and Kouchkine, Eug{\`e}ne and Machowska, Aleksandra and Patočkov{\´a}, Jana and S{\"a}ndig, Brigitte and Syrovatko, Lada V.}, title = {Camus im Osten}, editor = {S{\"a}ndig, Brigitte}, edition = {2. Auflage}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-29500}, publisher = {Universit{\"a}t Potsdam}, pages = {135}, year = {2009}, abstract = {Albert Camus' 40. Todestag ist Anlaß, die literarische, kulturelle und politisch-soziale Bedeutung des Autors f{\"u}r die ehemals sozialistischen L{\"a}nder zu dokumentieren. Camus' Interesse f{\"u}r diese L{\"a}nder und die Unbestechlichkeit seines Urteils konnten von den oppositionellen Kr{\"a}ften als wirksame Unterst{\"u}tzung wahrgenommen werden; das belegen die Beitr{\"a}ge von acht LiteraturwissenschaftlerInnen, {\"U}bersetzerInnen und Kulturschaffenden, die an der Rezeption Camus' maßgeblich beteiligt waren und sind. Dabei wird deutlich, daß sich in der Auseinandersetzung mit Camus' Werk eine politische Haltung kundtat, die nicht selten eine Lebenshaltung und -entscheidung war.}, subject = {Albert Camus}, language = {de} } @article{Klettke2011, author = {Klettke, Cornelia}, title = {Candide de Voltaire {\`a} travers les lunettes de l'h{\´e}t{\´e}rotopie et de l'h{\´e}t{\´e}rologie}, series = {Rivista di letterature moderne e comparate}, volume = {64}, journal = {Rivista di letterature moderne e comparate}, number = {3}, publisher = {Pacini}, address = {Pisa}, issn = {0391-2108}, pages = {273 -- 304}, year = {2011}, language = {fr} } @article{Ungelenk2018, author = {Ungelenk, Johannes}, title = {Catastrophic Spectacle}, series = {Catastrophe \& Spectacle: Variations of a Conceptual Relation from the 17th to the 21st Century}, journal = {Catastrophe \& Spectacle: Variations of a Conceptual Relation from the 17th to the 21st Century}, publisher = {Neofelis}, address = {Berlin}, isbn = {978-3-95808-173-4}, pages = {92 -- 101}, year = {2018}, abstract = {The wood-engraving with the caption "The first sight of Paris", published in Cassell's History of the War between France and Germany 1870-1871 (1873), does not depict a spectacular catastrophe. As its title already indicates, it rather illustrates a constellation of sight. What there is to see is not so much a spectacular vista but the fact that one sees - and the way how this works. I would therefore like to use the wood-engraving to analyse the basic setting that is formative for every constellation of 'spectacle'. This prepares for the second step, which brings in the notion of catastrophe: I will argue that the spectacle of catastrophe which has gained prominence especially in the nineteenth century is not merely a phenomenon of representing catastrophe, but involves the constellation of spectacle as such. Spectacular catastrophes perform and derive their force from a catastrophe of spectacle - this is what the following will elaborate on.}, language = {en} } @article{Klettke2015, author = {Klettke, Cornelia}, title = {Der Biss der Schlange und die Ironie des langen Augenblicks in der klassischen Moderne : Paul Val{\´e}ry, La Jeune Parque}, series = {Der lyrische Augenblick : eine Denkfigur der Romania (Mimesis ; 55)}, journal = {Der lyrische Augenblick : eine Denkfigur der Romania (Mimesis ; 55)}, editor = {Herold, Milan and Bernsen, Michael}, publisher = {de Gruyter}, address = {Berlin}, isbn = {978-3-11-035444-7}, pages = {285 -- 299}, year = {2015}, language = {de} }